... to show how Ferguson’s “food fears” can elucidate Perec’s rewriting of Proust’s madeleine episode. I sketch this out in La Disparition (1969) and W ou le souvenir d’enfance (1975), before focusing on La Vie mode d’emploi (1978). While Proust’s madeleine episode concerns both the evocative power of food...

...Jean-Luc Joly Copyright © 2004 The Trustees of Columbia University 2004 ]ean-Luc ]aly GEORGES PEREC ET PAUL AUSTER: UNE MUSIQUE DU HASARD II y a encore une autre image du puzzle Elle est de Butor. Mais je l'ai tellement utilisee que j'ai fini par croire que c'etait de moi. Butor dit que...

...Laura Chiesa Copyright © 2006 The Trustees of Columbia University 2006 Laura Chiesa ITALO CALVINO AND GEORGES PEREC: THE MULTIPLE AND CONTRASTING EMOTIONS OF CITIES AND PUZZLES I f the question of estrangement is emblematic and inescapable in the literary criticism of Italo Calvino,l...

...Peter Consenstein Alison James . Constraining Chance—Georges Perec and the Oulipo . Evanston, IL : Northwestern UP , 2009 . Pp. 312 . Copyright © 2012 The Trustees of Columbia University 2012 BOOK REVIEWS question of temporality is most satisfactorily resolved in the epilogue...

...Priya Wadhera Christelle Reggiani . L’Éternel et l’éphémère: Temporalités dans l’œuvre de Georges Perec . Amsterdam : Rodopi , 2010 . Pp. 203 . Copyright © 2012 The Trustees of Columbia University 2012 BOOK REVIEWS 593 to recite the poem with a musical score, with the size...

...Matthew Escobar Copyright © 2007 The Trustees of Columbia University 2007 Matthew Escobar X: IDENTITY, REFLEXMTY AND POTENTIAL SPACE IN PEREC'S W OU LE SOUVENIR D'ENFANCE AND GIDE'S LES FAUXMONNAYEURS \a choisit ala hate la lettre retorse/-est-elle ilot, cloitre, tresor ? I Reconnaitre ce...

... and quotations in La Vie mode d'emp[oi, which form part of the larger system of constraints used by Georges Perec to write the novel, has received a great deal of critical attention. Critics have also addressed the important role played by paintings and descriptions of paintings in Perec's work.2 I concentrate...

... of text and image relations, and the breadth of subject materialregardless of varying styles of analysis-makes it a standout volume. (LAUREN WALSH, Eugene Lang College The New School for Liberal Arts) Christelle Reggiani. L'Eterne! et !'ephemere: Tempora!ites dans l'reuvre de Georges Perec. Amsterdam...

... enigmatique, ala lecture, du texte contraint. Outre les romans d' Hortense de Roubaud et Pierrot mon ami de Queneau, Ie genre du roman policier occupe une place considerable dans l'reuvre de Perec. On citera, en un inventaire trop rapide, La Disparition, roman 5. Italo Calvino, « Le monde est un artichaut...

...) Vivre, c est passer d un espace à un autre en essayant le plus poss­ i­ble de ne pas se cogner. ­Georges Perec, Espèces d espaces (14) French writers, and the characters they write about, are on the move. Over the past few years the French literary landscape has witnessed a proliferation of acutely...

... this perspective: Roubaud's La Boucle, Perec's La Vie mode d'emploi, and Calvino's If on a Winter's Night a Traveler. The second chapter attempts to show that the Oulipo's use of constraints is inherently a spiritual practice. Discussing the original Querelle des Anciens et des Modernes of the seventeenth...

... en passant, un jeu de mot assez "facile/ficelle" puisqu'on trouve deja phonetiquement un jeu sur "drame/ trame" dans Ie projet "Therese" de Georges Perec, un texte que Roubaud ne peut pas ignorer: " debut de milieu de fin de trame trame trame " 11. On retrouve la meme epithete "riffaterrienne" dans...

...: Peeters, 1995), Jan Baetens focused on the elaboration of rules and structures in contemporary apoetry. In Romans contraintes, Baetens argues that critics tend to over- look the important place of constraints in modern prose writing, despite the success of Oulipo writers such as Georges Perec, Italo...

..., d'abord dans la collection 21. Louis-Ferdinand Celine, Voyage au bout de La nuit, edition etablie par Henri Godard, Paris, Gallimard, colI. « Bibliotheque de la Pleiade », 1981, t. I, p. 74. 22. Georges Perec, des 1963, exposait sans detour que la question du temoignage ne pouvait etre qu'une question...

... that for Perec "writing can, and Inust, elnbrace abstract thought" (89), or that memory is both a function of the brain and a "nleta- physical link to all substances [ 1" (224). The implied historical narrative underlying the book is not entirely clear: if we have lost the mnemonic tradition which was somehow...

... essays in the 1970s to Accounting for Taste and her later Word of Mouth . Priya Wadhera’s article, “Food Fears: From Proust to Perec, Madeleine to Anti-madeleine ,” studies several of Georges Perec’s works, including La Vie mode d’emploi (1978), through questions of trauma and memory as filtered...

... a "Blanc, coupe, enigme" sur W ou Ie Souvenir d'enfance de G. Perec. 32. Le meme mot est employe au moment de la mort d'Emma (331). L'!NFRASTRUCTURE TERNAIRE DANS MADAME BOVARY 45 riques precedentes de clairs signes metanarratifs. C'est bien l'espace de la representation qui se voit designe dans une...

..., while only alluding to Barthes or Georges Perec. (Anne Brancky’s recent The Crimes of Marguerite Duras suggest that Duras merited her own chapter alongside Gide, given her mediatized persona and her interest in fait divers and other pop culture forms.) In the late twentieth century, one wonders...

... of Petrarchism: Early Modern National Senti- ment in Italy, France, and England (William J. Kennedy), 114-7 Cesaretti, Enrico, "Dyspesia)~ as Dystopia? Marinetti's Le Roi Bombance," 353-69 Chiesa, Laura, "Italo Calvino and Georges Perec: the Multiple and Contrast- ing Emotions of Cities and Puzzles," 401-21...

... Ferrer, Michael Groden Eds 480-482 Joly, Jean-Luc, "Georges Perec et Paul Auster: Une Musique du hasard," 99-134 Kallendorf, Hillaire, "'2Que he de hacer?' The Comedia as Casuistry," 327-359 Keskinen, Mikko, "Voice Doubles: Auditory Identities in Michel Tournier's 'Tristan Vox 135-149 Kohn, Ingeborg...