...Henri Mitterand Copyright © 2010 The Trustees of Columbia University 2010 Henri Mitterand UN AMI DE QUARANTE ANS 'ai enseigne quinze ans a Columbia. line s'est pas passe une semaine] pendant les semestres de cours, et hors conges sabbatiques de l'un ou de l'autre-sans que j'echange quelques...

...Henri Mitterand Copyright © 2001 The Trustees of Columbia University 2001 Henri Mitterand LA SEMAINE SAINTE: LA CHEVAUCHEE DU PEINTRE A ragon a beau dire que La Semaine sainte n'est pas un roman historique. Si la lecture doit etre definie comme un exercice de la memoire, ainsi que l'observent...

...Sam W. Bloom Henri Mitterand . Zola , Tome III. L’Honneur (1893–1902) . Paris : Fayard , 2002 . Pp. 864 . Copyright © 2002 The Trustees of Columbia University 2002 472 BOOK REVIEWS pres, pourrait se reveler comme ce dernier un point d'orgue dans l'univers de la creation...

... The Romanic Review Volume 93 Number 4 © The Trustees of Columbia University 472 BOOK REVIEWS pres, pourrait se reveler comme ce dernier un point d'orgue dans l'univers de la creation poetique du XVIIIeme siecle. (RENAUD REDIEN-COLLOT, Universite Jules Verne de Picardie) Henri Mitterand. Zola, Tome III...

... France" (62). Henri Mitterand suggests that the unaccomplished Turkish designs of Eugene Bontoux, president of the ill-fated, real-life Union Generale bank upon which the Banque Universelle is modeled, might have steered Zola toward the Orient (1272). Whether or not this is true, there is no doubt...

... judicious aside that the character of Claude Lantier has been "recklessly interpreted by many art historians as a portrait of Cezanne"4 (82) is equally indebted to the extraliterary, the hors 1. Cited by Henri Mitterand in his edition of the novel, in Les Rougon-Macquart 4: 1384-88, from which all...

... that appears in a journal published by the Department of French and Romance Philology of Columbia University must necessarily pay homage to the founding father of modern Zola studies, Henri Mitterand. As Robert Lethbridge observes in his article, Mitterand himself is only too aware that "il faut defendre Emile...

... SELF, Societe d'Etude de la Langue fran~aise, soutenue par Jean Dubois, Henri Mitterand et moi meme ; groupe ou l'on se servait soi-meme, un SELF, qui devait fonctionner librement comme lieu de discussion et de partage des connaissances, apres-mais a l'epoque, nous en ignorions l'existence-Ies Cercles...

..., the potential of an intermedial approach may often go unnoticed or be neglected, as Henri Mitterand suggests when he identifies an unexpected relation between Zola, Manet, and Mallarme: "Un meme fil, inaper<;u des critiques, et encore mal per<;u aujourd'hui, unit L'Assommoir, Le Linge et L'Apres-midi d'un faune...

... manuscript pages (Biasi, Mitterand, Gresillon), while others use transcriptions (Debray Genette, Ferrer and Rabate, Viollet). Genetic Criticism spans over twenty years of literary study and represents an impressive range of topics and approaches. It begins with three articles on general principles of genetic...

... by Gisele Seginger. The articles collected here all stem from a colloquium held in 2002 at the Universite Marc Bloch-Strasbourg lIon the topic "Zola-Genetique et poetique du roman," which included contributions by a number of leading Zola specialists, such as Henri Mitterand, Colette Becker, Auguste Dezalay...

... mawkishness is almost certainly directly proportional to the intensity of the political conviction in whose cause they are deployed. While it may well be the case that the sentimentalism of what Henri Mitterand has called Ie quatrieme Zola accounts in no small part for the critical disfavor in which...

... L'Honneur unfailing reminds us of Hannah Arendt's pronouncement that the Dreyfus Affair was a "dress rehearsal" for the Shoah. Mitterand, for instance, comments on the Libre Parole's successful fundraising efforts for the wife of Colonel Henry, responsible for drafting the "faux patriotique" inculpating...

... accounts ("physiologique est ici Ie mot important," states Mitterand 569). According to David Baguley, "So conspicuous and recurrent are the passages of analysis that the work reads like a psychological novel in which the psychology has been replaced by physiology" (87). Indeed, in his preface, Zola...

... de realite," 51-6 Bloom, Sam, Zola.Vol.III. L'Honneur. (Henri Mitterand), 472-4 Champagne, Roland, A., "The Devil's Advocate: Baudelaire's Cat as the Daimon of Erotic Mysticism in Les Fleurs du mal," 427-444 Compagnon, Antoine, "Michael Riffaterre, poete-critique," 1-5 Creamer, Paul, "Woman-Hating...

...-348 May, Gita, Le Dix-huitieme siecle fran~ais au quotidien: Textes tires des memoires, des journaux, et des correspondances de l'epoque. (Roland Mortier),513-514 Mitterand, Henri, "La Semaine sainte: La chevauchee du peintre," 21-28 Murat, Michel, "Aragon, la Rime et la nation," 185-200 O'Keeffe...

..., the reader is in turn forcibly called back 1. Maurice Blanchot, L'Ecriture du desastre (Paris: Gallimard, 1980) 16. 2. Emile Zola, La Curee, ed. Henri Mitterand (Paris: Gallimard Folio, 1981) 336. All further references to this edition appear in the text by page number. The Romanic Review Volume 102 Numbers...

..., there is no Jewish conspiracy to destroy the Catholics in L'Argent (whereas the Catholics in the novel do have a conspiracy to combat Jewish financial influence). For Grant, Zola's decision 7. Mitterand in Zola, L'Argent 518. ZOLAS PHILOSEMITISM to depart from Bontoux's thesis signifies the beginning of the author's...

.... 14. Voir Alexandre Peraud, « Langue de bois pour siecle de fer -l'insertion du discours economique dans Ie roman du dix-neuvieme siecle », communication au Congres de la Societe des etudes romantiques et dix-neuviemistes « Le XIXe siecle et ses langues », 25 janvier 2012. 15. Henri Mitterand, notice...

... by a number of leading Zola specialists, such as Henri Mitterand, Colette Becker, Auguste Dezalay, David Baguley, and Jacques Noiray. The essays all share a common interest in genetic criticism, and together propose a fascinating picture of Zola at work, a portrait of the artist wielding his tools...