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Journal Article
Romanic Review (2007) 98 (4): 387–412.
Published: 01 November 2007
... or partner, but the evidence to support this interpretation is relatively thin and consists of the references to her domestic responsibilities, to the fact that she does not have her own room and to her occasional unarticulated desire for physical comforting from him; Lina would seem to be their daughter...
Journal Article
Romanic Review (2008) 99 (3-4): 297–315.
Published: 01 May 2008
... his hand to establish contact. The raised hand is one of the signs of oral narration. The gesture also (republished by il Mulino, Bologna, 19832); Frances Amelia Yates, The art of memory, Routledge and Kegan Paul, London, 1966, translated as L'arte della memoria, Einaudi, Torino, 1972; Lina Bolzoni...
Journal Article
Romanic Review (2008) 99 (1-2): 167–170.
Published: 01 January 2008
...: T.S. Eliot and His Context, Oxford and New York: Oxford University Press, 1987. Mester, Terri A., Movement and Modernism. Yeats, Eliot, Lawrence, Williams, and Early Twentieth-Century Dance, LaFayetteville: University of Arkansas Press, 1997. Morino, Lina, La NRF dans l'histoire des lettres, 1908-1939...
Journal Article
Romanic Review (2006) 97 (3-4): 461–482.
Published: 01 May 2006
... (Gillo Pontecorvo, 1959), Seven Beauties (Lina Wertmuller, 1976), The Night Porter and The Damned (Luchino Visconti, 1969), in which survival is often connected with sexual deviance.2 Despite their apparent differences, both genres deal profoundly with staging trauma and memory; that is, representing 1...
Journal Article
Romanic Review (2009) 100 (4): 583–589.
Published: 01 November 2009
... Gauthier. Paris: Honore Champion, 2009. Ilie, Paul. The Grotesque !Esthetic in Spanish Literature from the Golden Age to Modernism. Newark, Delaware: Juan de la Cuesta, 2009. Insana, Lina N. Arduous Tasks: Primo Levi, Translation, and the Transmission of Holocaust Testimony. Buffalo, NY: University...
Journal Article
Romanic Review (2004) 95 (1-2): 135–149.
Published: 01 January 2004
... Vox, Felix's voice belongs to an nonexistent face, to an auditory image it creates in listeners, radically differing from Felix's own. The situation is a reversal of the Hollywood film musical Singin' in the Rain (1952). In the film, silent-screen star Lina Lamont is told: "You're a beautiful woman...