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Journal Article
Romanic Review (2007) 98 (2-3): 169–187.
Published: 01 May 2007
...Patrick Dove Patrick Dove METAPHOR AND IMAGE IN BORGES'S "EL ZAHIR" O ne of the most frequently cited lines from the work of Jorge Luis Borges comes from the conclusion of the 1951 essay "The Fearful Sphere of Pascal": "It may be that universal history is the history of the different intonations...
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in Sound and Vision: Bruno Latour and the Languages of Philippe de Thaon’s Bestiaire
> Romanic Review
Published: 01 May 2020
figure 1. Chapter on the lion in Philippe de Thaon’s Bestiaire , with image of the lion tearing the ass apart. Copenhagen, Royal Library 3466, fols. 4v and 5r.
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in Sound and Vision: Bruno Latour and the Languages of Philippe de Thaon’s Bestiaire
> Romanic Review
Published: 01 May 2020
figure 2. Chapter on the lion in Philippe de Thaon’s Bestiaire , with image of the lion’s reaction to the noises of the cockerel and the cart (top left). Merton 249, fol. 2v. Reproduced with permission of the Warden and Fellows of Merton College Oxford.
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in Sound and Vision: Bruno Latour and the Languages of Philippe de Thaon’s Bestiaire
> Romanic Review
Published: 01 May 2020
figure 3. Chapter on the lion in Philippe de Thaon’s Bestiaire , with image of the lion’s reaction to the noises of the cockerel and the cart. Copenhagen, Royal Library 3466, fol. 10r.
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in Cultural Mediations and Material Contexts of Dante’s Commedia: The Case of Beinecke MS 428
> Romanic Review
Published: 01 May 2021
figure 6. Historiated initial of Paradiso , depicting an image of Caritas. Manuscript Beinecke MS 428, c. 54r.
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in Bourgeois Accessories: Selling Masculinity, Homosociality, and Empire in Late Nineteenth-Century Barcelona
> Romanic Review
Published: 01 September 2023
figure 1. Department store catalog page depicting smoking pipes. Image courtesy of the Arxiu Històric de la Ciutat de Barcelona, Barcelona, Spain.
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in Bourgeois Accessories: Selling Masculinity, Homosociality, and Empire in Late Nineteenth-Century Barcelona
> Romanic Review
Published: 01 September 2023
figure 4. Front page of El Globo magazine. Image courtesy of the Hemeroteca Digital de la Biblioteca Nacional de España, Madrid, Spain.
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in Bourgeois Accessories: Selling Masculinity, Homosociality, and Empire in Late Nineteenth-Century Barcelona
> Romanic Review
Published: 01 September 2023
figure 5. Advertising card (cromo) depicting black men at work. Image courtesy of the Arxiu Històric de la Ciutat de Barcelona, Barcelona, Spain.
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Journal Article
Romanic Review (2023) 114 (2): 360–379.
Published: 01 September 2023
...Lee Douglas Abstract On April 25, 1974, everyday Portuguese citizens transformed a military coup into collective popular resistance, thus initiating a revolutionary process that marked an end to the Estado Novo. Image-makers, aware of the historical event unraveling in plain view, occupied public...
Journal Article
Romanic Review (2020) 111 (2): 288–315.
Published: 01 September 2020
...Zakir Paul Abstract Widely considered the first French-language photo narrative, the use of images in Bruges-la-Morte (1892) tends to occlude as much as it reveals. Drawing on archives and contemporary debates about the image, this article contends that photography structures the novel on a formal...
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Journal Article
Romanic Review (2021) 112 (1): 73–84.
Published: 01 May 2021
...Marcello Ciccuto Abstract This article attempts to show how Dante Alighieri, in defining the image of humankind as inspired by values of innocence and harmony in an earthly paradise, draws a condition of defective beatitude just before a burst of even superior joy. So in the aim of outlining...
Journal Article
Romanic Review (2022) 113 (2): 260–281.
Published: 01 September 2022
... (such as Pinocchio and Cuore ) as a way to sweeten these often bitterly disquieting narratives for their young readers. This essay probes the potentials and limits of intertextuality and ultimately argues that several texts go beyond leveraging the image of capsized ships in the Mediterranean, an image that has...
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Published: 01 May 2021
figure 1. University Library and Archives of Eötvös Loránd University (Budapest), Cod. Ital. 1, c. 27v (detail). For full page image, see edit.elte.hu/xmlui/handle/10831/9820?locale-attribute=en ; navigate to image 58.
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Published: 01 May 2021
figure 2. University Library and Archives of Eötvös Loránd University (Budapest), Cod. Ital. 1, c. 10v (detail). For full page image, see edit.elte.hu/xmlui/handle/10831/9820?locale-attribute=en ; navigate to image 24.
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Published: 01 May 2021
figure 3. University Library and Archives of Eötvös Loránd University (Budapest), Cod. Ital. 1, c. 37v (detail). For full page image, see edit.elte.hu/xmlui/handle/10831/9820?locale-attribute=en ; navigate to image 78.
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Journal Article
Romanic Review (2022) 113 (3): 329–343.
Published: 01 December 2022
... art des mots critique et subversif qui sous l’exposition superficielle du corps fait voir le voyeurisme, le principe économique, l’assujettissement de la femme nue et du moi lyrique essayant de se libérer des images de convention. [email protected] Copyright © 2022 by the Trustees...
Journal Article
Romanic Review (2021) 112 (2): 336–358.
Published: 01 September 2021
..., I underscore the limits of this consensual image of a national culinary culture, which collided with the class habits and horizons of the urban and rural masses attending l’école républicaine . Copyright © 2021 by the Trustees of Columbia University in the City of New York 2021 food...
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Journal Article
Romanic Review (2021) 112 (1): 158–180.
Published: 01 May 2021
...figure 1. University Library and Archives of Eötvös Loránd University (Budapest), Cod. Ital. 1, c. 27v (detail). For full page image, see edit.elte.hu/xmlui/handle/10831/9820?locale-attribute=en ; navigate to image 58. ...
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Published: 01 September 2021
figure 2. Jean Béraud. “Nous Rentrons!” Le Figaro Illustre , April 1890. Bridgeman Images.
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in Bourgeois Accessories: Selling Masculinity, Homosociality, and Empire in Late Nineteenth-Century Barcelona
> Romanic Review
Published: 01 September 2023
figure 2. Department store catalog page depicting two men and a boy at the beach in swimsuits. Image courtesy of the Arxiu Històric de la Ciutat de Barcelona, Barcelona, Spain.
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