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constructing artistic identity
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Journal Article
Romanic Review (2021) 112 (2): 189–212.
Published: 01 September 2021
... how their literary, social, and political positions as “public writers” were to some extent dependent on constructions of each other. Copyright © 2021 by the Trustees of Columbia University in the City of New York 2021 Balzac and Sand intertextual dialogue constructing artistic identity...
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Journal Article
Romanic Review (2007) 98 (1): 23–50.
Published: 01 January 2007
..., GAUGUIN AND COLONIAL IDENTITY 45 esprit?" (41).Within Gauguin's carefully scripted narrative, the model constructs her own version of identity for the painter, and like Gauguin, subverts vestimentary codes to highlight a defiant hybridity. Where the artist adopted the pareo upon arrival in Tahiti, marking...
Journal Article
Romanic Review (2005) 96 (3-4): 443–454.
Published: 01 May 2005
... concerns. Examples from Le Compagnon du Tour de France, Les Maitres mosai'tes, Consuelo, and Les Maitres-Sonneurs provide excellent illustrations of conflict borne of group identity that Sand interprets as false conflict. The artistic discourse in all four works-and I consider Pierre Huguenin's discussions...
Journal Article
Romanic Review (2004) 95 (1-2): 63–80.
Published: 01 January 2004
... our relation to the self. See his Poetique de l'histoire, (Paris: Galilee, 2002), in particular pp. 94-101 and pp. 134-135. 45. I am referring, here, to Laclau's idea of the impossible object of society. As both Rousseau's and Leiris's portrayal of the theatre implies, social identity is constructed...
Journal Article
Romanic Review (2015) 106 (1-4): 200–204.
Published: 01 January 2015
... to affix modern racism's origins in the early modern period, Dadabhoy's reading shows the persistence with which "blackness and Islam disturb normative, Western European, American constructions of identity" (124). Like Schleck, she aims to spur students to rethink their "progress-oriented approach...
Journal Article
Romanic Review (2016) 107 (1-4): 77–102.
Published: 01 January 2016
... and Eliot s individual bodies of work but also the ways in which nineteenth-century artistic identity, reading, gender, and the novel were constructed in a dialectic conversation between France and Britain.3 For Aurore Dudevant, whose very public performance of transgressive femininity at the outset...
Journal Article
Romanic Review (2012) 103 (1-2): 133–153.
Published: 01 January 2012
... voyage into the future. Parsifal precisely exemplifies some fundamental tendencies evolving within European culture at the time: it touches on the sacralization of art and the celebration of an imaginary past, conceived of as a model for the future. At the same time, it exemplifies the key to identity...
Journal Article
Romanic Review (2006) 97 (1): 99–101.
Published: 01 January 2006
... of the 1110del in order to fulfill the "Marix paradignl," after nlodel Josephine Marix, that is to say to investigate the individual identities of working-class and bourgeois models who nlay have been falniliar to these artists' and writers. Likewise, in her introduction, she elllblematically redirects a quote...
Journal Article
Romanic Review (2023) 114 (2): 341–359.
Published: 01 September 2023
... Studies 1 , no. 2 ( 2000 ): 117 – 33 . 11. For discussion of trauma and its relationship to avant-garde artistic practice, see Jones; and Pol Colmenares, Las voces . Both connect the culture of trauma with identity-related issues arising from exile, in which identity is traversed...
Journal Article
Romanic Review (2012) 103 (3-4): 285–301.
Published: 01 May 2012
... of mechanisms that frame and phrase writerly identity. In the seventeenth century, an entrenched patronage system functioned to attach prestige to belles lettres, an aesthetic object whose production and consumption were guaranteed by the existence of a certain socio-aesthetic subject, a cultural construct...
Journal Article
Undoing Odysseus’s Pact: Marginal Faces and Voices in the Narratives of Assia Djebar and Agnès Varda
Romanic Review (2015) 106 (1-4): 47–70.
Published: 01 January 2015
.... The construction of Algerian identity and the representation of women took place among many competing, and sometimes overlapping, ideological currents beyond the binary of French colonialism and Algerian nationalism. Among the many forces that shaped Algerian identity and representation are the French republican...
Journal Article
Romanic Review (2023) 114 (2): 280–300.
Published: 01 September 2023
... and republican leader Emilio Castelar—saw imperial expansion as a mark of identity for modern Western nations (503). What David Todd refers to as “informal empire,” whose power was based more on artistic, cultural, economic, and political influence than on diplomatic or military operations (1), allowed Spanish...
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Journal Article
Romanic Review (2020) 111 (2): 288–315.
Published: 01 September 2020
... book, Bruges-la-Morte . Well then, rest assured, it shall not remain a dead Bruges for long: we will construct tram lines there and inject new life into it!” (Leen 230). The royal decree to save the town from its literary depiction suggests how powerful the myth of a moribund Bruges had become...
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Journal Article
Romanic Review (2006) 97 (3-4): 371–400.
Published: 01 May 2006
..., indeed, much discourse produced not only on but also by European culture in different spheres of the humanities at the turn of the twenty-first century-despite its divisiveness-seems to revolve around two interrelated points: the demise of a stable European cultural identity, and an inevitable as much...
Journal Article
Romanic Review (2013) 104 (1-2): 127–145.
Published: 01 January 2013
... fantasy exploration and work on the contacts between sexuality and death, bringing to light the "sexual death instinct" discussed by Teresa de Lauretis following Jean Laplanche. Fable liberates the combined power of the sexual and the textual, which undoes constructed identities and abolishes the barriers...
Journal Article
Romanic Review (2024) 115 (1): 52–57.
Published: 01 May 2024
...Giorgio Agamben; Kevin Attell Abstract This essay reflects on the constitutive bilingualism that characterizes the self-translation of twentieth-century poets in dialect into Italian. Here, Agamben proposes, the poem no longer dwells within the identity of one language but finds a true home...
Journal Article
Romanic Review (2009) 100 (3): 401–403.
Published: 01 May 2009
... with various objects, not all of them literary or artistic. Her study does not examine literature and art as products of monomania but rather obsession as the prelude to a creative act, whatever its object might be: a husband in George Eliot's Middlemarch (99-119), constructive melancholy in Nina Bouraoui's La...
Journal Article
Romanic Review (2023) 114 (3): 640–643.
Published: 01 December 2023
..., the path goes from the sword, to the pen, to the riddle, so to speak: the king’s detachment from power flows over into the artist’s rejection of fame and sacrifices to beauty and leads, ultimately, to the philosopher’s renunciation of epiphany. The first chapter identifies, within the morphology Goethe...
Journal Article
Romanic Review (2010) 101 (4): 803–821.
Published: 01 November 2010
... are the shared view of the individual as his or her own artistic creation, the mutual stressing of imagination over reason, and the role of both thinkers as artist-philosophers. We conclude by noting that-rather than being attributable to mere coincidence-the many similarities between Unamuno and Nietzsche...
Journal Article
Romanic Review (2004) 95 (4): 427–432.
Published: 01 November 2004
... witness the systematic mental training and exploration of the self's relation to the external world. Autobiographical issues, notions of subject and identity, which prefigure the most modern literary and philosophical developments, reflect the permanent and tragic struggle with the force of his own...
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