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Journal Article
Romanic Review (2023) 114 (2): 360–379.
Published: 01 September 2023
..., not only allows the transformation of revolutionary images into heritage but also makes possible their (re)activation in ways that both speak to the past and reinvent the future. Attending to the (im)materiality of Portuguese militant cinema makes it possible to approach these images not as texts...
Journal Article
Romanic Review (2011) 102 (1-2): 290–292.
Published: 01 January 2011
...Ari J. Blatt BOOK REVIEWS Berenice Bonhomme. Claude Simon, la passion cinema. Villeneuve d'Ascq: Presses Universitaires du Septentrion, 2011. Pp. 444. While a number of book-length scholarly works examine the influence of the graphic image, and of vision and visuality more generally, on the work...
Journal Article
Romanic Review (2006) 97 (3-4): 483–500.
Published: 01 May 2006
...Alessia Ricciardi Copyright © 2006 The Trustees of Columbia University 2006 Alessia Ricciardi THE ITALIAN REDEMPTION OF CINEMA: NEOREALISM FROM BAZIN TO GODARD I n 1952, the Parisian journal Films et Documents codified the "ten points of neorealism" and, with this definitive gesture...
Journal Article
Romanic Review (2010) 101 (3): 467–482.
Published: 01 May 2010
...Patrick M. Bray Copyright © 2010 The Trustees of Columbia University 2010 Patrick M. Bray THE "DEBRIS OF EXPERIENCE": THE CINEMA OF MARCEL PROUST AND RAOUL RUIZ A s the last and most theoretical volume of Marcel Proust's novel A la recherche du temps perdu, Le Temps retrouve would appear...
Journal Article
Romanic Review (2023) 114 (2): 301–316.
Published: 01 September 2023
...Leigh Mercer Abstract This essay examines the display of technological objects, consumer goods, and other materials within the earliest Spanish realist cinema, as well as the manipulation of things in pioneering fantasy films, to reveal how Spanish filmmakers projected the modernity of Spain...
Journal Article
Romanic Review (2023) 114 (2): 317–340.
Published: 01 September 2023
... as the production, distribution, and consumption of the material goods that sustain life and give pleasure. The novel makes palpable their desire to enjoy the consumer products that surround them—whether in the tea room, in nearby shops, or in the cinema across the street—pleasurable goods that remain beyond...
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Journal Article
Romanic Review (2014) 105 (1-2): 133–142.
Published: 01 January 2014
... and, at times, openly hostile to it. According to Dudley Andrew, in 1949 Camus may even have convinced Gallimard to stop funding the prestigious Revue du cinema, one of the very few journals in postwar France that treated cinema as a serious art form. "Camus," Andrew concludes, "was simply not interested...
Journal Article
Romanic Review (2014) 105 (1-2): 111–121.
Published: 01 January 2014
... of expansion-from canonical metropolitan literary authors to Algerian writers, to philosophers like Ranciere, and, more and more, to cinema. If Phil Watts taught and studied "French literature," then we must enlarge the scope of what we call "literature" in order to include in it not only Francophone texts...
Journal Article
Romanic Review (2014) 105 (1-2): 37–51.
Published: 01 January 2014
... considered a tribute to the town-among those listed by Victor Hugo in Les Miserables-where he had attended primary and secondary schools.1 1. Didier Daeninckx, "Aubervilliers," ]eune, dure et pure!: une histoire du cinema d'avant-garde et experimental en France, ed. Nicole Brenez and Christian Lebrat (Paris...
Journal Article
Romanic Review (2014) 105 (1-2): 3–5.
Published: 01 January 2014
..., Roland Barthes~s Cinema, will be The Romanic Review Volume 105 Numbers 1-2 © The Trustees of Columbia University J.4 VINCENT DEBAENE AND RICHARD GOLSAN edited by a group of colleagues and friends based on the manuscript he left and will include a preface by Jacques Ranciere. It will be published...
Journal Article
Undoing Odysseus’s Pact: Marginal Faces and Voices in the Narratives of Assia Djebar and Agnès Varda
Romanic Review (2015) 106 (1-4): 47–70.
Published: 01 January 2015
... artists began their careers at a key moment in the histories of France and Algeria. They witnessed the breakdown of France's image as an imperialist power following World War II and the French-Algerian war. This was a moment of the emergence, and convergence, of new trends in literature and cinema, namely...
Journal Article
Romanic Review (2024) 115 (2): 362–383.
Published: 01 September 2024
... imaginant Pasolini en Cassandre heureuse, le réhabilitant ainsi dans le champ de la tradition de l’organisation du pessimisme. À rebours de la modernité petite-bourgeoise en marche, Pasolini ravive dans son cinéma des puissances archaïques (des lucioles) en portant à l’écran des personnages...
Journal Article
Romanic Review (2014) 105 (1-2): 129–131.
Published: 01 January 2014
... prize. Our last event was the roundtable for Antoine Compagnon's book on Bernard Fay at the Maison Fran~aise,and the last of our intense academic talks was a year ago at the Yale Club-when he told me with huge excitement about his book on Barthes and cinema and how, after a semester of leave, he...
Journal Article
Romanic Review (2014) 105 (1-2): 69–86.
Published: 01 January 2014
..., Quentin Tarantino: Life at the Extremes (Santa Barbara: Praeger, 2010); Patrick McGee, Bad History and the Logics of Blockbuster Cinema (New York: Palgrave Macmillan, 2012); and Petra Rau, Our Nazis: Representations ofFascism in Contemporary Literature and Film (Edinburgh: Edinburgh UP, 2013). 20. Sharon...
Journal Article
Romanic Review (2009) 100 (1-2): 81–92.
Published: 01 January 2009
... dangers, directement venus des Etats-Vnis, ne cessent de menacer Ie roman: Ie bestseller et Ie cinema. Les chiffres sont eloquents. Dans l'annee 1946, huit livres vendus sur dix seraient traduits de l'americain, Ie nombre des traductions passant de 1945 a 1946 de 190 a 421. L'enquete realisee par Le...
Journal Article
Romanic Review (2023) 114 (2): 211–217.
Published: 01 September 2023
... “Material Culture as an Index of Modernity in Spain’s Silent Film Era” examines the depiction of things in early silent cinema produced in Barcelona (the center of the early Spanish film industry). She argues that documentary footage made at the start of the twentieth century aims to counter the image...
Journal Article
Romanic Review (2014) 105 (1-2): 97–101.
Published: 01 January 2014
... inacheve sur Roland Barthes et Ie cinema, qui sera finalement publie en 2015 en fran~ais par Bayard, et en 2016 en anglais par Oxford University Press. Sam di Iorio et moi-meme avions apresente Ie chapitre que Phil a consacre la relation compliquee entre Barthes et Andre Bazin, et Yves Citton y avait donne...
Journal Article
Romanic Review (2007) 98 (4): 532–535.
Published: 01 November 2007
..., intitulee « Entre deux langages », s'attache notamment a souligner l'influence exercee par Ie cinema (thematique et techniques) sur l'ecriture romanesque de Triptyque. Nous passerons relativement vite sur ce point, traite ici de maniere methodique, mais qui caracterise, plus largement, l'ensemble de...
Journal Article
Romanic Review (2006) 97 (3-4): 461–482.
Published: 01 May 2006
... and Italian Holocaust cinema is not an obvious one in that filmmakers from both countries have approached the subject in quite disparate fashions. In such films as Shoah, Night and Fog, The Sorrow and the Pity (Marcel Ophuls, 1969), Weapons of the Spirit (Pierre Sauvage, 1988) and Hotel Terminus: The Life...
Journal Article
Romanic Review (2008) 99 (1-2): 160–165.
Published: 01 January 2008
... director's unjustifiable criticisms of post-World War 2 French cinema (in particular in his January 1954 article in Les Cahiers du Cinema, 'Une certaine tendance du cinema franc;ais') as being conformist, escapist and pessimistic; in other words 'arriere-gardist'. Finally, Henri Garric's paper...
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