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Journal Article
Romanic Review (2001) 92 (4): 405–415.
Published: 01 November 2001
... in her cre- ation of specific female characters. Sand's Princess Quintilia Cavalcanti, in Le Secretaire intime, recalls Belgiojoso.13 The writing of Sand's tale, which Lucy M. Schwartz speculates to have been between October 1833 and January 1834, may have overlapped with Sand's residence in Italy...
Journal Article
Romanic Review (2021) 112 (1): 10–23.
Published: 01 May 2021
..., the medium that expresses the ideal, will be debased, and so too will the Stilnovo ’s ideals. That the hypothesis about the Vita nova as a narrative that deals with Dante’s doubts about poetry are worth considering further is supported by the fact that the poet addresses his work to Guido Cavalcanti...
Journal Article
Romanic Review (2021) 112 (1): 39–61.
Published: 01 May 2021
... Cavalcanti’s Donna me prega , which, he says, shows that love comes from Mars: “ Donna mi priega ch’io debia dire / dimostra che amor muove da Marte” (“ Donna mi priega ch’io debia dire shows that love moves from Mars” [ Acerba 3.1.1941–42]). The critique of Donna me prega is an opportunity for Cecco...
Journal Article
Romanic Review (2005) 96 (1): 85–105.
Published: 01 January 2005
... Cavalcanti, which has been seen as typical of a move negating the woman and her otherness.36 Insofar as Beatrice appears as a woman existing in full presence, this is true, but the writ- ing, giving Beatrice as dead, has already deprived her of this. The sonnet is dif- ferent from the prose, for, while...
Journal Article
Romanic Review (2010) 101 (1-2): 239–241.
Published: 01 January 2010
... was not in the least bit pompous. A touch haughty-in my personal taxonomy of humans he belongs under the rubric "Guido Cavalcanti"-but not pompous: rather, there was a bracing coolness to him, an edge, as befits a committed rationalist. He was intellectually refresh- ing. Wikipedia tells us that Michael Riffaerre...
Journal Article
Romanic Review (2015) 106 (1-4): 206–211.
Published: 01 January 2015
... otherwise go unnoticed. For instance, in his comment to novella 6.9, the tale of Guido Cavalcanti's spectacular leap over the "house of the dead," Rebhorn traces Guido's famous quip to a passage from Psalm 48 cited by Gregory the Great in a passage from the Dialogues denouncing the Epicureans...
Journal Article
Romanic Review (2005) 96 (3-4): 443–454.
Published: 01 May 2005
... context wherein he does not un- derstand the customs and does not seem willing to assimilate. The secretary, Saint-Julien, falls in love with his employer, Princesse Quintilia Cavalcanti. This situation undermines his sense of self and triggers the identity crisis at the heart of the story. The Frenchman...
Journal Article
Romanic Review (2014) 105 (1-2): 37–51.
Published: 01 January 2014
... L'Herbier, Rene Clair, and Alberto Cavalcanti. In 1929, Lotar assisted Jean Painleve with still photos on two shoots of sea animals, enlargements of which appeared in Documents and Photo-Graphie. Three years later, Lotar was one 7. The narratives are Breton's Nadja (1928), Aragon's Le Paysan de Paris (1926...
Journal Article
Romanic Review (2021) 112 (1): 158–180.
Published: 01 May 2021
... for over six hundred years—stylistic formulae missing from the earlier Bolognese copy. 12 Between 1299 and 1308, the α hand of MS Escorial e. iii. 23 (as determined by Capelli rather than De Robertis) reassembles seven sonnets attributed to Dante and one to Cavalcanti to construct a song sequence...