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ariosto

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Journal Article
Romanic Review (2012) 103 (3-4): 580–583.
Published: 01 May 2012
... Ascoli's illuminating essays on Petrarch, Boccaccio, Machiavelli, Ariosto, and Tasso in A Local Habitation and a Name steer "betwixt the extremes of doctrines seemingly opposite" (Essay on Man, "The Design" 20), threading a course through such traditional, but inherently reductive, oppositions as New...
Journal Article
Romanic Review (2012) 103 (3-4): 583–585.
Published: 01 May 2012
... earlier in this collection (itself, as was no doubt intended, an instantiation of Polybian anakyclosis), Ascoli brings to light the genealogical-"historical"-relation between the Clizia and its literary precursors in Boccaccio and Ariosto, the process of cultural conquest and appropriation that mirrors...
Journal Article
Romanic Review (2009) 100 (4): 493–512.
Published: 01 November 2009
... others by the pseudo-chivalric epics of Ariosto and Tasso, which mixed classical elements with narrative models drawn from medieval romance. The Enlightenment expressed a more fundamental aversion to the medieval. As an Age of Light, the eighteenth century perceived itself to be the absolute opposite...
Journal Article
Romanic Review (2012) 103 (3-4): 579–580.
Published: 01 May 2012
... illuminating essays on Petrarch, Boccaccio, Machiavelli, Ariosto, and Tasso in A Local Habitation and a Name steer "betwixt the extremes of doctrines seemingly opposite" (Essay on Man, "The Design" 20), threading a course through such traditional, but inherently reductive, oppositions as New Criticism and New...
Journal Article
Romanic Review (2004) 95 (4): 487–489.
Published: 01 November 2004
... York: Cambridge University Press, 2004. Cavallo, Jo Ann. The Romance Epics ofBoiardo, Ariosto, and Tasso: From Pub- lic Duty to Private Pleasure. Toronto: University of Toronto Press, 2004. Cheeke, Stephan. Byron and Place: History, Translation, Nostalgia. New York: Palgrave, 2003. Coleridge, Samuel...
Journal Article
Romanic Review (2004) 95 (1-2): 183–200.
Published: 01 January 2004
... of the Tria Fata becomes more commonplace in literature and in art. IS Ariosto's Orlando Furioso bears witness to the fact that other elements such as gold, silver or silk, can be woven into the thread to render an existence more fruitful. In modern literature, the three Fates appear in a myriad of works from...
Journal Article
Romanic Review (2009) 100 (4): 453–472.
Published: 01 November 2009
...; Philip Hardie, Ovid's Poetics of Illusion (Cambridge: Cambridge University Press, 2002) 178-86; and Huot 870-71. On poetic representation and the early mod- ern Medusa, see Miranda Johnson Haddad, "Ovid's Medusa in Dante and Ariosto: The Poetics of Self-Confrontation," Journal of Medieval and Renaissance...
Journal Article
Romanic Review (2009) 100 (3): 235–247.
Published: 01 May 2009
... and Nation in the Sixteenth Century (Ithaca: Cornell UP, 2001) 29. 8. Du Bartas, Complete Works, 2:3. This passage is the same in both the 1574 and 1579 versions, with the curious exception that Ariosto's name disappears in the sec- ond edition. In privileging the conventions of earlier epics over those...
Journal Article
Romanic Review (2007) 98 (2-3): 189–203.
Published: 01 May 2007
... of Eden, mused about in "Adam Cast Forth" and elsewhere in Borges's work. 19 Another association is with "los jardines / para el amor" of heterosexual couples such as Angelica and Medorus (see "Ariosto y los arabes," Obras completas, II, 215) and The Thousand One Nights. Both of these meanings...
Journal Article
Romanic Review (2008) 99 (3-4): 257–270.
Published: 01 May 2008
... appropriate in romanzi, chivalric romances like Ariosto's Orlando Furioso, where they acquire a moral weight through allegorization. As Daniel Javitch asserts, "[a]llegorization, which had been the traditional way of preserving the normative character of the pagan epics in a Christian culture, and which...
Journal Article
Romanic Review (2010) 101 (3): 561–577.
Published: 01 May 2010
... in the text. 2. Isn't this precisely what Calvino has understood so well about Ariosto, that Or- lando furioso is effectively an empty (delightful, magnificent) formalism? The space of the poem functions like a game board, where the individual pieces have no individual The Romanic Review Volume 101 Number 3 ©...
Journal Article
Romanic Review (2010) 101 (4): 639–654.
Published: 01 November 2010
... of book 1, Castiglione complains to his dedicatee Alfonso Ariosto about how difficult it is to choose the perfect form of courtiership, "perche la consuetudine fa a noi spesso Ie medesime cose piacere e dispiacere; onde talor procede che i costumi, gli abiti, i riti e i modi, che un tempo son stati...
Journal Article
Romanic Review (2007) 98 (2-3): 205–223.
Published: 01 May 2007
... that he has "read and reread The Divine Comedy in more than a dozen different editions [and also] Ariosto, Tasso, Croce, and Gentile," but that he is "quite unable to speak Italian or to follow an Italian play or film" Jorge Luis Borges, "An Autobiographical Essay," in Jaime Alazraki, ed., Critical Essays...
Journal Article
Romanic Review (2007) 98 (4): 435–455.
Published: 01 November 2007
... ser epico, ni la fabula 0 action es de Heroe, 0 persona illustre, ni acomodado el verso; menos es roman~e, por mas que tenga del mixto, porque demas de no aiudarle el verso, ni introdu~e Principes por sujeto del Poema, ni Cortes, ni guerras, ni aventuras, como el Ariosto, el Tasso Padre y el Alemani...
Journal Article
Romanic Review (2000) 91 (4): 375–395.
Published: 01 November 2000
... in a reference to Ariosto's Orlando Furioso, he calls the immodest, even brazen Roman women "vieilles Alcines" (R 90). The sonnets that illustrate Du Bellay's return trip from Rome back to France in the manner of poetic postcards give Du Bellay ample opportunity to offer cultural stereotypes of the different...
Journal Article
Romanic Review (2006) 97 (3-4): 309–330.
Published: 01 May 2006
... military domination of the peninsula had become impossible.1 If Italy was an irresistible influence in sixteenth-century France, when, for example, Ariosto's Orlando furioso, based ultimately on the Chanson de Roland and its derivatives, was translated into French, this was only reversing the tide...
Journal Article
Romanic Review (2005) 96 (1): 41–65.
Published: 01 January 2005
... confidero prima di lasciarti, / che io vorrei essere scrittore di musica, / vivere con gli strumenti / dentro la torre di Viterbo che non riesco a comprare, / nel paesaggio piu bello del mondo, dove Ariosto / sarebbe impazzito di gioia nel vedersi ricreato con tanta / innocenza di querce, colli, acque e...