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Journal Article
Radical History Review (2006) 2006 (95): 21–44.
Published: 01 May 2006
...Nicholas Mirzoeff MARHO: The Radical Historians' Organization, Inc. 2006 Invisible Empire:
Visual Culture, Embodied Spectacle,
and Abu Ghraib
Nicholas Mirzoeff
When the photographs taken in the Iraqi prison of Abu Ghraib became public in
April 2004, it seemed...
Journal Article
Radical History Review (2007) 2007 (97): 143–154.
Published: 01 January 2007
...Mary Nolan Annie E. Coombes, History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa . Durham, NC: Duke University Press, 2003. Antjie Krog, Country of My Skull: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa . New York: Three Rivers...
Journal Article
Radical History Review (2018) 2018 (132): 221–225.
Published: 01 October 2018
... the two works into their historiographic contexts and suggests how each pushes the boundaries of its given geographical field. Social historians have long entreated scholars to incorporate the work of visual culture into narratives of power and place, and these two works prove that such work is well...
Journal Article
Radical History Review (2009) 2009 (105): 163–167.
Published: 01 October 2009
...Mazyar Lotfalian The Islamic Revolution of 1979 influenced the production of visual culture in Iran. This article reflects on the postrevolutionary emerging languages of visual culture through its multiple channels of circulation. It argues that the circulation of these productions...
Journal Article
Radical History Review (2009) 2009 (103): 188–202.
Published: 01 January 2009
... of blackness in order to privilege its productive, transforming visibilities. CURATED SPACES
To Be Real: Figuring Blackness
in Modern and Contemporary African
Diaspora Visual Cultures
Jacqueline Francis
In a 1994 essay titled “Identity, Authenticity, Survival: Multicultural Societies...
Journal Article
Radical History Review (2010) 2010 (106): 87–108.
Published: 01 January 2010
... intervention in the Mexican Revolution, and the growth of Preparedness campaigns before the U.S. entry into World War I, represents a new character in the visual culture of American popular radicalism: the figure of the Militarist. Far from being reductive or simplistic, this cartoon represents a complex...
Journal Article
Radical History Review (2022) 2022 (142): 152–168.
Published: 01 January 2022
...Alexis L. Boylan Abstract Interview with Derek Conrad Murray, professor of history of art and visual culture at the University of California, Santa Cruz. Murray discusses his new book, Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control (2020), selfies, and the present...
Journal Article
Radical History Review (2022) 2022 (142): 119–132.
Published: 01 January 2022
...David Serlin Abstract In this wide-ranging conversation, David Serlin (University of California, San Diego) and Roland Betancourt (University of California, Irvine) discuss questions of sexual consent and sexual violence in the visual culture of early Christian art as inspired by Betancourt’s...
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Journal Article
Radical History Review (2022) 2022 (142): 133–141.
Published: 01 January 2022
...João Florêncio; Ben Miller Abstract Despite being a widely consumed genre of visual culture, pornography remains a touchy subject in contemporary queer historiography. Queer archives overflow with it, but queer histories don’t. Historically associated with low culture and distrusted by value...
Journal Article
Radical History Review (2022) 2022 (144): 1–18.
Published: 01 October 2022
...-first centuries and locates the Afropolitan in Africa, the Americas, Europe, and Asia. This introduction analyzes their written and photographic essays along three themes: visual culture, narrativity, and intersectionality, recognizing that their work also pushes against and expands on these frameworks...
Journal Article
Radical History Review (2010) 2010 (106): 137–161.
Published: 01 January 2010
..., this research demonstrates portrait photography's central importance within the discourse of modern German visual culture and challenges art history's persistent emphasis on aesthetic rupture, rather than cultural continuity, between Weimar and the Third Reich. MARHO: The Radical Historians' Organization, Inc...
Journal Article
Radical History Review (2018) 2018 (132): 187–199.
Published: 01 October 2018
... administrators and a wider public accustomed, at the height of the era of Jim Crow segregation, to seeing race in terms of a simpler black/white binary. This article shows how colonial officials used visual culture first to make judgments about the suitability of different sorts of Filipinos for various forms...
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Journal Article
Radical History Review (2012) 2012 (114): 19–28.
Published: 01 October 2012
... of ocularcentricism found in much art history and
visual culture studies, there has been an outpouring of work on urbanism and the
senses, much of it owing to the pioneering work of Alain Corbin’s classic The Foul
and the Fragrant.11 As a result, other sensorial configurations — the olfactory, for
instance...
Journal Article
Radical History Review (2016) 2016 (124): 90–101.
Published: 01 January 2016
... arc of cultural memory in relation to colonial and state violence. © 2016 by MARHO: The Radical Historians' Organization, Inc. 2016 memory indigeneity Mapuche visuality colonial violence experimental video Chile ecology FORUM: DECOLONIZING MAPUCHE HISTORY AND ACTION
Mapuche...
Journal Article
Radical History Review (2017) 2017 (128): 77–89.
Published: 01 May 2017
... on the relationship between visual culture and social,
historical, or political subject matter.
Figure 1. “Sugarcane land, vicinity of Rio Piedras, Puerto Rico.” Jack Delano, December 1941. In
1941, Puerto Rico was the world’s second largest producer of sugar. During their heyday, plantations
harvested...
Journal Article
Radical History Review (2010) 2010 (106): 1–3.
Published: 01 January 2010
.... In terms of visual culture and resistance, numerous studies exist on
the role artists have played in opposing and supporting various political movements.
The South African struggle produced well-known works of literature, music, theater,
and visual art, while the murals of Nicaragua and the conflict...
Journal Article
Radical History Review (2010) 2010 (106): 27–45.
Published: 01 January 2010
... Radical History Review
rather, word and image have come to depend on one another. However, whether we
are cognizant of it or not, a preference for the visual has only exacerbated the turn
toward images of history in our search for answers to today’s challenges. Specific
to literary and cultural...
Journal Article
Radical History Review (2009) 2009 (103): 203–213.
Published: 01 January 2009
... and remembered. There was a moment when
attention to black popular culture and subsequently black visual culture seemed
to offer perspectives on the African diaspora that bore relevance beyond national
borders.4 These concepts’ impact on art history and museum practice opened up
entirely new critical...
Journal Article
Radical History Review (1987) 1987 (38): 3–6.
Published: 01 May 1987
...
seem indispensable to a history of those broader strands of pic-
torialism that Anne Higonnet, for example, groups under the cate-
gory of "visual culture." But, as Robert Herbert points out in his
article on impressionism, even some of the most iconoclastic art
scholarship today remains...
Journal Article
Radical History Review (2018) 2018 (132): 126–143.
Published: 01 October 2018
.... Importantly, braceros were both racialized foreigners and working-class subjects. Historians of the twentieth-century United States have illustrated visual culture’s role in consolidating class hierarchies by facilitating different modes of looking—which, as Ardis Cameron reminds us, are “always exercise[s...
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