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Journal Article
Radical History Review (2009) 2009 (103): 188–202.
Published: 01 January 2009
... of blackness in order to privilege its productive, transforming visibilities. MARHO: The Radical Historians' Organization, Inc. 2009 CURATED SPACES
To Be Real: Figuring Blackness
in Modern and Contemporary African
Diaspora Visual Cultures
Jacqueline Francis
In a 1994 essay titled...
Journal Article
Radical History Review (2009) 2009 (105): 163–167.
Published: 01 October 2009
...Mazyar Lotfalian The Islamic Revolution of 1979 influenced the production of visual culture in Iran. This article reflects on the postrevolutionary emerging languages of visual culture through its multiple channels of circulation. It argues that the circulation of these productions...
Journal Article
Radical History Review (2010) 2010 (106): 163–171.
Published: 01 January 2010
...Jack Conway This article is an interview with former Provisional Irish Republican Army active service volunteer and current Sinn Féin activist and visual artist Danny Devenny. Culled from interviews conducted in Belfast between 1998 and 2000, during the Northern Ireland peace process, Danny...
Journal Article
Radical History Review (2015) 2015 (122): 47–53.
Published: 01 May 2015
...Robert Summers Vaginal Davis is a former Los Angeles–based visual and performance artist who now lives and creates art in Berlin. Scholarly research on her work began to appear in the late nineties and has focused solely on her live, queer, performance art. But research on her queer archives (her...
Journal Article
Radical History Review (2012) 2012 (114): 206–215.
Published: 01 October 2012
...Gabrielle Bendiner-Viani This article explores Bendiner-Viani's visual urbanist Layered SPURA project, which explores the everyday experience of housing, urban renewal, and urban change at the highly contested Seward Park Urban Renewal Area, a failed urban renewal site on New York City's Lower East...
Journal Article
Radical History Review (2022) 2022 (142): 19–36.
Published: 01 January 2022
... claims to transgender art, and to decode the ways gender appropriation has often been made by museums and elite art institutions without any direct, material engagement with or benefit to trans communities. For example, we partnered with the organization Visual AIDS on a public program about the life...
Journal Article
Radical History Review (2022) 2022 (142): 72–92.
Published: 01 January 2022
...Javier Fernández Galeano Abstract This article traces the curation of visual archives of trans subjectivity by the Franco regime. It focuses specifically on the experiences of three trans women who were prosecuted in the early to mid-1970s. Based on the definition of photographs as “material...
Journal Article
Radical History Review (2022) 2022 (142): 1–18.
Published: 01 January 2022
...Heike Bauer; Melina Pappademos; Katie Sutton; Jennifer Tucker Abstract Increased access to visual archives and the proliferation of digitized images related to sexuality have led a growing number of scholars in recent years to place images and visual practices at the center of critical historical...
Journal Article
Radical History Review (2022) 2022 (142): 57–71.
Published: 01 January 2022
... with the visual archive—an encounter not only with an individual woman but also, and as importantly, with 1950s sex, sexuality, class, and violence. Copyright © 2022 by MARHO: The Radical Historians’ Organization, Inc. 2022 postwar Britain sexuality photography Ruth Ellis In what ways can sex...
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Journal Article
Radical History Review (2023) 2023 (145): 165–180.
Published: 01 January 2023
... in the Anthropocene: Encounters among Aesthetics, Politics, Environments, and Epistemologies . London : Open Humanities Press , 2015 . Demos T. J. Against the Anthropocene: Visual Culture and Environment Today . London : Sternberg Press , 2017 . Demos T. J. Decolonizing Nature...
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Image
in Blackness out of Place: Black Countervisuality in Portugal and Its Former Empire
> Radical History Review
Published: 01 October 2022
Figure 2. Patrícia Lino, Portugal, 2019 , visual poem. The poem explores how borders create enclosure and separate peoples through ethnocentric concepts of belonging, and how such moves to separate or sort life into nation-state categories that reify whiteness, coloniality, and racial
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Journal Article
Radical History Review (2018) 2018 (132): 221–225.
Published: 01 October 2018
...Jessica Stites Mor Abstract This review considers two recent visual histories of labor in the Americas. It compares Kevin Coleman’s A Camera in the Garden of Eden to Carol Quirke’s Eyes on Labor and asks questions related to the methodologies and findings of each study. The article also sets...
Journal Article
Radical History Review (2007) 2007 (97): 143–154.
Published: 01 January 2007
...Mary Nolan Annie E. Coombes, History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa . Durham, NC: Duke University Press, 2003. Antjie Krog, Country of My Skull: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa . New York: Three Rivers...
Journal Article
Radical History Review (2016) 2016 (126): 171–180.
Published: 01 October 2016
... Positives visual studies extrajudicial executions VISUAL ESSAY
Four Images of False Positives
A Visual Essay
Luis Morán (drawings) and Claudia Salamanca (text)
In first decade of the twenty-first century, Colombia moved from being a failed
state to a sovereign nation, a turnaround...
Journal Article
Radical History Review (2004) 2004 (88): 139–162.
Published: 01 January 2004
...Ellen Wiley Todd 2004 by MARHO: The Radical Historians' Organization,Inc. 2004 10-Todd 12/2/03 3:26 PM Page 139
Visual Design and Exhibition Politics
in the Smithsonian’s
Between a Rock and a Hard Place
Ellen Wiley...
Journal Article
Radical History Review (2006) 2006 (95): 21–44.
Published: 01 May 2006
...Nicholas Mirzoeff MARHO: The Radical Historians' Organization, Inc. 2006 Invisible Empire:
Visual Culture, Embodied Spectacle,
and Abu Ghraib
Nicholas Mirzoeff
When the photographs taken in the Iraqi prison of Abu Ghraib became public in
April 2004, it seemed...
Image
in Race, Photography, Labor, and Entrepreneurship in the Life of Maurice Hunter, Harlem’s “Man of 1,000 Faces”
> Radical History Review
Published: 01 October 2018
Figure 4. Given Hunter’s extraordinary reputation among visual artists for his ability to pose for any figure, no matter the race or gender, it is probable that he posed for all three of the characters depicted on this magazine cover. Clipping from Scrapbook 3, Maurice Hunter Scrapbook Collection
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Journal Article
Radical History Review (2020) 2020 (137): 217–228.
Published: 01 May 2020
...Project NIA; Monica Kim; Rossen Djagalov Abstract Restorative Posters: Representing Justice Visually is an initiative by Project NIA, a Chicago-based organization founded and directed by Mariame Kaba. The project features a series of downloadable posters mostly created by Chicago-based artists...
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Journal Article
Radical History Review (1981) 1981 (25): 115–125.
Published: 01 January 1981
... on the
Visualization of History
Eric Breitbart
In Berlin, on August 13, 1883, Kaiser Wilhelm and his entourage
stepped out onto a stage extending over a battlefield. Sunlight
reflected off the sabres held aloft by the soldiers of the French Seventh...
Journal Article
Radical History Review (2016) 2016 (124): 90–101.
Published: 01 January 2016
... and engagement that produces social and sacred connections to the natural world. The essay explores two recent films that put Mapuche and Huilliche peoples at the center of visual memories, other socialities, and indigenous representation to argue that Southern Cone memory studies must take into account a longer...
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