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Journal Article

The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016)

Megs Morley, Tom Flanagan
Radical History Review (2022) 2022 (143): 195–203.
DOI: https://doi.org/10.1215/01636545-9566216
Published: 01 May 2022
..., and cinema. A History of Stone, Origin and Myth (2016) is a nonnarrative film essay that explores the space between individual memory and national history through the lens of political monuments found throughout Ireland that relate to Irish rebellion, the 1916 Rising, and the foundation of the state...
FIGURES | View All (12)
View articletitled, The Question of Ireland (2013) and A History of <span class="search-highlight">Stone</span>, Origin and Myth (2016) View PDF for article titled, The Question of Ireland (2013) and A History of <span class="search-highlight">Stone</span>, Origin and Myth (2016)
Image
Figure 4. Detail of a cross-shaft, known as “The Bound Devil Stone” (tenth century CE). Sandstone, 65 × 35 &gt; 32 × 19 &gt; 18 cm. St. John’s, Kirkby Stephen, Westmorland. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass.

Detail of a cross-shaft, known as “The Bound Devil Stone” (tenth century CE...

in The Coercive Function of Early Medieval English Art > Radical History Review
Published: 01 May 2020
Figure 4. Detail of a cross-shaft, known as “The Bound Devil Stone” (tenth century CE). Sandstone, 65 × 35 &gt; 32 × 19 &gt; 18 cm. St. John’s, Kirkby Stephen, Westmorland. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass. More
Image
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists.

A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the a...

in The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016) > Radical History Review
Published: 01 May 2022
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists. More
Image
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists.

A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the a...

in The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016) > Radical History Review
Published: 01 May 2022
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists. More
Image
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists.

A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the a...

in The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016) > Radical History Review
Published: 01 May 2022
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists. More
Image
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists.

A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the a...

in The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016) > Radical History Review
Published: 01 May 2022
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists. More
Image
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists.

A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the a...

in The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016) > Radical History Review
Published: 01 May 2022
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists. More
Image
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists.

A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the a...

in The Question of Ireland (2013) and A History of Stone, Origin and Myth (2016) > Radical History Review
Published: 01 May 2022
Figures 7–12. A History of Stone, Origin and Myth (2016). Film stills. Courtesy of the artists. More
Image
Figure 9. President Mandela marking the center stone at the beginning of the quarry event. Credit: David Brown. Courtesy of Pippa Skotnes. Inset by Andor Skotnes.

President Mandela marking the center stone at the beginning of the quarry e...

in Robben Island and the Culture of Reconstruction in South Africa > Radical History Review
Published: 01 May 2023
Figure 9. President Mandela marking the center stone at the beginning of the quarry event. Credit: David Brown. Courtesy of Pippa Skotnes. Inset by Andor Skotnes. More
Journal Article

Mussolini's French Connection: The Sternhell Debate Redux

Marla Stone
Radical History Review (1996) 1996 (65): 164–168.
DOI: https://doi.org/10.1215/01636545-1996-65-164
Published: 01 May 1996
...Marla Stone Copyright © 1996 by MARHO: The Radical Historians' Organization, Inc. 1996 Mussolini’s French Connection: The Sternhell Debate Redux Marla Stone Zeev Sternhell, The Birth of Fascist Ideology. Princeton, NJ: Princeton University...
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Journal Article

A Queer Thing: Reflections on the Art Exhibition Swallow My Pride

Margaret Stone, Dale Washkansky
Radical History Review (2014) 2014 (120): 145–158.
DOI: https://doi.org/10.1215/01636545-2703778
Published: 01 October 2014
...Margaret Stone; Dale Washkansky The article focuses on the 2010 art exhibition Swallow My Pride ( SMP ), a visceral response to the commercialization of gay culture in Cape Town and a critique of notions of queerness and its visibility in the public sphere. SMP brought local lesbian, gay, bisexual...
View articletitled, A Queer Thing: Reflections on the Art Exhibition Swallow My Pride View PDF for article titled, A Queer Thing: Reflections on the Art Exhibition Swallow My Pride
Journal Article

Enjoying 9/11: The Pleasures of Cloverfield

James Stone
Radical History Review (2011) 2011 (111): 167–174.
DOI: https://doi.org/10.1215/01636545-1268776
Published: 01 September 2011
...James Stone Cloverfield (dir. Matt Reeves, 2008), a Hollywood movie about a giant, reptilian monster attacking New York City, includes many moments reminiscent of the iconic video footage captured on 9/11. The film presents these scenes of destruction as thrilling spectacle and, in so doing...
View articletitled, Enjoying 9/11: The Pleasures of Cloverfield View PDF for article titled, Enjoying 9/11: The Pleasures of Cloverfield
Journal Article

Vandalism: Property, Gentility, and the Rhetoric of Crime in New York City 1890–1920

Christopher Stone
Radical History Review (1982) 1982 (26): 13–34.
DOI: https://doi.org/10.1215/01636545-1982-26-13
Published: 01 October 1982
...Christopher Stone © October 1982, by MARHO: The Radical Historians' Organization, Inc. 1982 POWER, PROPERTY, ANDCRIME Vandalism: Property, Gentility...
View articletitled, Vandalism: Property, Gentility, and the Rhetoric of Crime in New York City 1890–1920 View PDF for article titled, Vandalism: Property, Gentility, and the Rhetoric of Crime in New York City 1890–1920
Image
Figure 7. Sculptors and common-law prisoners placing the large stones and preparing the Limestone Quarry for the reunion event. Sculptor David Brown is on the far left. Courtesy of John Skotnes and Pippa Skotnes.

Sculptors and common-law prisoners placing the large stones and preparing t...

in Robben Island and the Culture of Reconstruction in South Africa > Radical History Review
Published: 01 May 2023
Figure 7. Sculptors and common-law prisoners placing the large stones and preparing the Limestone Quarry for the reunion event. Sculptor David Brown is on the far left. Courtesy of John Skotnes and Pippa Skotnes. More
Image
Figure 10. Former political prisoners marking and breaking stones during the quarry event. Credit: Graham Goddard, UWC-Robben Island Museum Mayibuye Archives.

Former political prisoners marking and breaking stones during the quarry ev...

in Robben Island and the Culture of Reconstruction in South Africa > Radical History Review
Published: 01 May 2023
Figure 10. Former political prisoners marking and breaking stones during the quarry event. Credit: Graham Goddard, UWC-Robben Island Museum Mayibuye Archives. More
Image
Figure 3. Detail of a cross-shaft depicting a figure bound in interlace (tenth century CE). Sandstone, 144 × 36.5 &gt; 31 × 15 &gt; 14.5 cm. St. Luke’s, Great Clifton, Cumberland. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass.

Detail of a cross-shaft depicting a figure bound in interlace (tenth centur...

in The Coercive Function of Early Medieval English Art > Radical History Review
Published: 01 May 2020
Figure 3. Detail of a cross-shaft depicting a figure bound in interlace (tenth century CE). Sandstone, 144 × 36.5 &gt; 31 × 15 &gt; 14.5 cm. St. Luke’s, Great Clifton, Cumberland. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass. More
Image
Figure 5. Fragment of a cross-shaft depicting Weland’s escape (late ninth to early tenth century CE). Coarse-grained sandstone, 27.6 × 22.6 × 17.5 cm. St. Hilda’s, Sherburn, East Yorkshire. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass.

Fragment of a cross-shaft depicting Weland’s escape (late ninth to early te...

in The Coercive Function of Early Medieval English Art > Radical History Review
Published: 01 May 2020
Figure 5. Fragment of a cross-shaft depicting Weland’s escape (late ninth to early tenth century CE). Coarse-grained sandstone, 27.6 × 22.6 × 17.5 cm. St. Hilda’s, Sherburn, East Yorkshire. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass. More
Image
Figure 2. Hogback probably depicting Daniel in the lions’ den (ca. 875–915 CE). Medium-grained yellow sandstone, 112.2 × 24 × 45.7 cm. Conyers Chapel in All Saints, Sockburn, County Durham. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass.

Hogback probably depicting Daniel in the lions’ den (ca. 875–915 CE). Mediu...

in The Coercive Function of Early Medieval English Art > Radical History Review
Published: 01 May 2020
Figure 2. Hogback probably depicting Daniel in the lions’ den (ca. 875–915 CE). Medium-grained yellow sandstone, 112.2 × 24 × 45.7 cm. Conyers Chapel in All Saints, Sockburn, County Durham. Photograph © Corpus of Anglo-Saxon Stone Sculpture, photographer T. Middlemass. More
Journal Article

No League of Their Own: Baseball, Black Women, and the Politics of Representation

Amira Rose Davis
Radical History Review (2016) 2016 (125): 74–96.
DOI: https://doi.org/10.1215/01636545-3451748
Published: 01 May 2016
...,” before walking away. A league of their own, indeed. This article focuses on three of the “other” girls of summer who could have easily been that hard-­throwing bystander.2 Toni Stone, Connie Morgan, and Mamie “Peanut” Johnson were African American women who, after being turned away from...
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Journal Article

Happy Families

E.P. Thompson
Radical History Review (1979) 1979 (20): 42–50.
DOI: https://doi.org/10.1215/01636545-1979-20-42
Published: 01 May 1979
...E.P. Thompson 1979 Happy Families E.P. Thompson Lawrence Stone, The Family, Sex and Marriage in England, 1500-1800, New York, Harper & Row 1977. Lawrence Stone offers us a history of the family in England be- tween 1500 and 1800...
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