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Journal Article
Radical History Review (2001) 2001 (81): 162–170.
Published: 01 October 2001
...Diana L. Linden Melissa Dabakis, Visualizing Labor in American Sculpture: Monuments,Manliness, and the Work Ethic, 1880–1935 . Cambridge: Cambridge University Press, 1999. Kirk Savage, Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America . Princeton, NJ...
Image
Published: 01 October 2019
Figure 10. Zapantera negra , 2016. Sculptural installation with Zapatista artists and Emory Douglas, Minister of Culture of the Black Panther Party. H Street Graduate Studios, Fresno State University. Photo, Caleb Duarte. More
Image
Published: 01 October 2019
Figure 4. Casitas voladoras , 2009. Community festival during sculptural performance, El Pital, Honduras. Video still, Caleb Duarte. More
Image
Published: 01 October 2019
Figure 1. Casitas voladoras , 2009. Sculptural performance, 2008, El Pital, Honduras. Photo, Francisco Duarte. More
Image
Published: 01 October 2019
Figure 2. Casitas voladoras , 2009. Sculptural performance, 2008, El Pital, Honduras. Video still, Caleb Duarte. More
Image
Published: 01 October 2019
Figure 3. Casitas voladoras , 2009. Sculptural performance, 2008, El Pital, Honduras. Video still, Caleb Duarte. More
Journal Article
Radical History Review (2020) 2020 (137): 34–53.
Published: 01 May 2020
...Luke A. Fidler Abstract This article examines the spectacular representation of confinement in early medieval English sculpture in the context of poems, sermons, and translations. By identifying a series of features that early medieval spectators would have paid special attention to, it shows...
FIGURES | View All (5)
Journal Article
Radical History Review (2019) 2019 (135): 181–191.
Published: 01 October 2019
...Figure 10. Zapantera negra , 2016. Sculptural installation with Zapatista artists and Emory Douglas, Minister of Culture of the Black Panther Party. H Street Graduate Studios, Fresno State University. Photo, Caleb Duarte. ...
FIGURES | View All (10)
Journal Article
Radical History Review (2011) 2011 (109): 153–161.
Published: 01 January 2011
... and private, sculpture and building site, and stealth art and public works. Also featured are sign revisions that question the limited utilitarianism of public space and its historical interpretation. MARHO: The Radical Historians' Organization, Inc. 2011 curated spaces Authorized Disruption John...
Journal Article
Radical History Review (2011) 2011 (109): 162–171.
Published: 01 January 2011
...Alexei Monroe The NSK State was created in 1992 in the wake of Slovenian independence and the breakup of socialist Yugoslavia. Founded as a utopian social sculpture by the Slovenian arts collective Neue Slowenische Kunst (NSK), the NSK State has no national or physical boundaries and exists...
Journal Article
Radical History Review (2010) 2010 (106): 137–161.
Published: 01 January 2010
... as a vitally important skill. As Germany endured an interregnum identity crisis, the photographic book proved an effective alternative to what were perceived to be the more subjective, traditional “fine arts” of painting and sculpture. More than innocuous collections of fine art photography, these books...
Journal Article
Radical History Review (1985) 1985 (33): 165–181.
Published: 01 May 1985
... on which the art shows draw. The interpretive challenge raised by this flurry of cultural activity is to explain both the wave of American interest and the values communicated by the art works on exhibit. I propose to take up the challenge by focusing on the sculpture of Africa, and by arguing...
Journal Article
Radical History Review (2014) 2014 (120): 145–158.
Published: 01 October 2014
..., Stone and Washkansky | The Art Exhibition Swallow My Pride   151 Figure 3. Tent installation, by Genevieve Louw and Johke Steenkamp; background left, Julie Donald, painting; background right, William Martin’s pillow embroidery and Ernst van der Wal’s sculpture it can become isolating...
Journal Article
Radical History Review (1991) 1991 (49): 161–166.
Published: 01 January 1991
... maneuvers as the Central Texas sun glances off their gleaming skulls. And with Wac0 only an hour away. Safe Sculpture Speaking of Foucauldean imagery, we should mention a small but suitably chilling episode of cultural self-abuse that seems to have gotten lost amid all the brou-ha-ha over...
Journal Article
Radical History Review (2019) 2019 (133): 177–191.
Published: 01 January 2019
... University. I worked for over two weeks on campus with over one hundred students, interns, and local volunteers to create a full-scale sculptural reproduction of an MQ1 Predator drone. The work was a participatory memorial, constructed onsite and resulting in a final, performative event held April 6...
FIGURES | View All (17)
Journal Article
Radical History Review (2022) 2022 (143): 195–203.
Published: 01 May 2022
... of the Easter Rising. This cinematic exploration of a selection of Irish political monuments focuses on figurative sculptures that represent the human body carved from stone, querying the inherent contradictions in the role of the human body in the state’s machinations. Despite their mundane and often...
FIGURES | View All (12)
Journal Article
Radical History Review (1987) 1987 (38): 38–58.
Published: 01 May 1987
... Longchamp in Marseille, attracted a great deal of it. But at the same time, the ornamental details, the decorative paint- ings and allegorical sculptures like the one at the center of the Marseille colonnade do not simply contribute to some total aesthetic effect. These works present art as flowing...
Journal Article
Radical History Review (2001) 2001 (81): 1–4.
Published: 01 October 2001
... of revisioning—or in this case, rehearing—voices of the past. Following this essay is Diana Linden’s review of two recent studies on public sculpture, which explores the uses, meanings, and interpre- tation of public sculpture in America. And, finally, this issue...
Journal Article
Radical History Review (2012) 2012 (114): 191–205.
Published: 01 October 2012
... give. And at the very beginning of the walk, we’re standing, and we’re facing a group of sculptures up at the top of one of the courthouses in downtown Manhattan. I could turn around to the group and say, “These sculptures represent . . . ” And instead, we all turned around, and we started...
Journal Article
Radical History Review (1994) 1994 (60): 77–87.
Published: 01 October 1994
... we need to reevaluate some stock notions of public memorial, if not of art more generally. Few today wish to erect still more statues to histoqfs ’great men’ as patriarchs, yet the genre of modem memorial sculpture still tends toward the figural and the heroic. Indeed, there is something...