Search Results for pop

...- ment for his abuse of power. Yes we remember our president Nixon. Jon Wiener is a contributing editor of The Nation; his most recent book is Professors, Politics and Pop (Verso, 1991). He is a longtime member of the RHR Collective. Max Eibaum: FinaiIy I am lining up...

... to approx- imately 42 percent in 1943, while the services catered to less than a third of the pop- ulation that they had served under Cárdenas. After 1940 the servicios médicos eji- dales concentrated in the areas where the peasants could afford to support most...

... decided not to teach popular culture again-and espe- cially not that particularly diverse and unruly monster known as pop music. This is not because I believe that the products of twenti- eth-century mass media are without historical interest or even of artistic merit. In fact, I feel quite...

.... Me[ A r tisans Stat pesos pop. pesos pop. pesc pesos pop- pesos pop Oropeza 1240 3...

..., and end with a section on postmodernism and pop music, examining Madonna, MTV, and the question of authenticity in rock and roll. Robin D. G. Kelley's article on gangsta rap in Los Angeles is superb; George Lipsitz' "Diasporic I KNOW, IT'S ONLY ROCK 'N' ROLL, BUT I TEACH IT/205...

... failed. The House Un- American Activities Committee (HUAC) caused much fear and consternation among radicals across the country, including artists, actors, and musicians of the Pop- ular Front. All the while the debilitating effect of the disease that would...

... forces. Similarly, through the lens of two documentary films, Camilo D. Trumper examines the rela- tionship of film to political change and social inequality in Chile during Salvador Allende’s presidency in the 1970s. Documentation and scholarship exist on the role of murals as a means of pop...

... . Kuspit Donald J. “ Pop Art: A Reactionary Realism .” Art Journal 36 ( Autumn 1976 ): 31 – 38 . Murray Derek Conrad . Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control . London : Bloomsbury , 2020 . Peck Raoul , dir. I Am Not Your Negro . New...

... personas like John F. Kennedy and Mao Zedong appear in the work of 1960s Pop artists Andy Warhol and James Rosenquist, whom few would classify as straightforwardly political artists. The question of what qualifies an artist or a work as political becomes even more complicated when one considers...

... a plausible excuse. A late paper will be docked one full grade for each day it is late. In order to participate fully in class discussions you must keep abreast of the reading assignments. You might even be asked, without warning, to take a pop quiz or to summarize an article or chapter in class...

... lesbian and gay political activists who pilloried her wholesome image as a pitchwoman of orange juice and performer of banal pop songs in an effort to counter a rising tide of antigay organiz- Radical History Review Issue 100 (Winter 2008)  d o i 10.1215/01636545-2007-019 © 2008 by MARHO...

... arranged to bring him aboard. The opening scene, though, is enough to establish the basic premise on which this whole plot will depend. Mick is a familiar version of the ”city boy” of thirties pop culture, the prototypical urban working-class tough.3 He doesn’t belong anywhere near a yacht...

... is Professors, Politics and Pop (Verso, 1991). Nan Elizabeth Woodruff teaches history at Pennsyl- vania State University. She is the author of As Rare us Rain: €&a1 Relief and the Great Southern Drought of 293032 (University of Illinois Press, 1985). ...

... to friendly witnesses before H.U.A.C. -and the working class needed charismatic leaders like Terry Malloy (Marlon Brarido). But in the seventies this won’t wash, and like a jack-in-the-box that cannot be confined, the real ills and anxieties of American society keep popping up, For instance...

... is the North American co-editor of Gender and History. Jon Wiener is a member of the RHR Collective and a contributing editor of the Nation maga- zine. His most recent book is Professors, Politics, and Pop (Verso, 1994). Alex Zukas is chair of the Department of Social, Cultural and Literary Studies...

... history and seek to amputate our- selves from this pop culture past -Susan Douglas, Where the Girls Are This semester I had the great pleasure of teaching ”Women and Popular Culture a twentieth-century history of women’s relation- ships to popular and consumer culture forms...

... everywhere. Jon Wiener, a member of the RHR collective, teaches history at the University of California, Irvine. His most recent book is Professors, Polifics and Pop (London and New York: Verso, 1991). ...

... the cultural element in our own, political development. Certainly our suspicion of and concern about participation in a kind of pop fetishism is valid, as is a critical eye on the history we made and participated in. However, as radical historians concerned with the many ways people have...

... to acknowledge the obvious, Cushman deploys a series of dichotomous relationships to uncover the root processes of the cul- ture. He contrasts the state and the individual, the sacred and the profane, or even rock and pop music as mutually exclusive cate- gories, and uncritically uses terms like...

... in the early 2010s in Aotearoa (New Zealand). Once I was working, it likely popped up from one of the more experienced working girls in a dressing room. When I talk to civilians about the sex industry, I will usually say that I do “sex work” and discuss the figure of the “sex worker.” I am conscious of how...