Figure 4. Antiracist flier, Basel, Switzerland. Photograph by author. More

Figure 1. Photograph of Ruth Ellis and David Blakely, London, 1955. Mirrorpix. More

Figure 4. Photograph of Ruth Ellis: “Poses in stockings and suspenders for one Captain Ritchie, 1954.” Hulton Archive/Stringer/via Getty Images. More

Figure 1. Construction workers, Cuba, 1990s. Photograph by Margaret Randall. Used by permission of the photographer. More

Figure 1. Author with painting by MUNA, digital photograph by Titi Carcelén, 2018. More

Figure 1. Kiluanji Kia Henda, Redefining the Power . Digital photographs mounted on aluminum, 2010. A monument in Angola through its various temporal iterations: colonial, postcolonial, and countervisual quilombismo, the time of self-definition, selfhood, and new collective imaginaries. Courtesy More

Figure 1. “Şule Yüksel Is Arrested,” Seher Vakti , photographer unknown, 1971. More

Figure 4. The Dog Killing photograph, diagrammed with the Rule of Thirds lines. American Historical Collection, Rizal Library, Ateneo de Manila University, Quezon City. Modified by the author. More

Figure 1. Resisting invisibility. Image ID 2004.0138.18.03, Leonard Nadel Photographs and Scrapbooks, Archives Center, National Museum of American History, Smithsonian Institution More

Figure 6. Hunter permitted himself to be captured by African American photographers in poses and attitudes that he never used when dealing with press reporters to drum up business. Maurice Hunter and Life Mask , 1940, by Morgan and Marvin Smith. Scrapbook 3, Maurice Hunter Scrapbook Collection More