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Journal Article
Radical History Review (2002) 2002 (84): 7–42.
Published: 01 October 2002
...Kate Ramsey 2002 by MARHO: The Radical Historians' Organization,Inc. 2002 02-RHR 84 Ramsey.btw 9/12/02 2:25 PM Page 7
Without One Ritual Note:
Folklore Performance and the
Haitian State, 1935–1946
Kate Ramsey...
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in Blackness out of Place: Black Countervisuality in Portugal and Its Former Empire
> Radical History Review
Published: 01 October 2022
Figure 6. Kiluanji Kia Henda, A descoberta , 2007. Before the performance and shoot, the Lisbon police racially profiled the protagonists of the photograph. By demanding to see their IDs in that space of prototypical whiteness, the police deemed them as bodies out of place and continued
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Journal Article
Radical History Review (2017) 2017 (129): 34–50.
Published: 01 October 2017
... they were considered the strongest barriers to citizenship. In spite of these restrictions, towns across the nation were simultaneously incorporating Indian performances and imagery into local and regional tourist endeavors, putting themselves at odds with Indian policy edicts. This article highlights...
Journal Article
Radical History Review (2017) 2017 (129): 103–124.
Published: 01 October 2017
... Tarsus in 1954. The main destination of the cruise was the United States. Alongside an exhibition on the ship's deck promoting Turkey, the Tarsus also carried fashion models and musicians, staging performances to introduce the “people of the free world” to the “friendly nation Turkey.” The imaginary...
Journal Article
Radical History Review (2015) 2015 (123): 60–86.
Published: 01 October 2015
...Elizabeth Mesok This article analyzes the gendered performances of American military women during the US-led occupations of Iraq and Afghanistan. Through an examination of Lioness teams and female engagement teams—all-female teams used to navigate “cultural norms,” present the US military...
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in Tiny Flying Houses and Other Forms of Resistance and Survival: Casitas voladoras y otras formas de resistencia y supervivencia
> Radical History Review
Published: 01 October 2019
Figure 1. Casitas voladoras , 2009. Sculptural performance, 2008, El Pital, Honduras. Photo, Francisco Duarte.
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in Tiny Flying Houses and Other Forms of Resistance and Survival: Casitas voladoras y otras formas de resistencia y supervivencia
> Radical History Review
Published: 01 October 2019
Figure 2. Casitas voladoras , 2009. Sculptural performance, 2008, El Pital, Honduras. Video still, Caleb Duarte.
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in Tiny Flying Houses and Other Forms of Resistance and Survival: Casitas voladoras y otras formas de resistencia y supervivencia
> Radical History Review
Published: 01 October 2019
Figure 3. Casitas voladoras , 2009. Sculptural performance, 2008, El Pital, Honduras. Video still, Caleb Duarte.
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in Tiny Flying Houses and Other Forms of Resistance and Survival: Casitas voladoras y otras formas de resistencia y supervivencia
> Radical History Review
Published: 01 October 2019
Figure 4. Casitas voladoras , 2009. Community festival during sculptural performance, El Pital, Honduras. Video still, Caleb Duarte.
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in Tiny Flying Houses and Other Forms of Resistance and Survival: Casitas voladoras y otras formas de resistencia y supervivencia
> Radical History Review
Published: 01 October 2019
Figure 8. Burial , 2013. Entierrro , Community performance with the autonomous community of Elambo Bajo, Chiapas, Mexico. With EDELO (Where the United Nations Used to Be) and artist Mia Eve Rollow. Photo Caleb Duarte.
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in Tiny Flying Houses and Other Forms of Resistance and Survival: Casitas voladoras y otras formas de resistencia y supervivencia
> Radical History Review
Published: 01 October 2019
Figure 9. Burial , 2013. Institutional burial performance at the Fresno Art Museum, Fresno, California. Performer, Arturo Villanueva. Photo, Caleb Duarte.
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Journal Article
Radical History Review (2007) 2007 (98): 34–62.
Published: 01 May 2007
...Elun Gabriel MARHO: The Radical Historians' Organization, Inc. 2007 Performing Persecution:
Witnessing and Martyrdom in
the Anarchist Tradition
Elun Gabriel
Anarchism’s roots lie in late eighteenth- and early-nineteenth-century philosophical
critiques of state power...
Journal Article
Radical History Review (2007) 2007 (98): 81–96.
Published: 01 May 2007
...Cathy Stanton MARHO: The Radical Historians' Organization, Inc. 2007 reflections
Performing the Postindustrial:
The Limits of Radical History
in Lowell, Massachusetts
Cathy Stanton
In the same time period and for many of the same reasons, Western cultures and
places have...
Journal Article
Radical History Review (2015) 2015 (123): 32–36.
Published: 01 October 2015
... live performances of traditional songs and dances and to traverse the country to see productions of Indian history performed by Indians. The Apostle Islands Indian Pageant symbolizes the juncture of race, sex, empire, and indigeneity in the early twentieth century. © 2015 by MARHO: The Radical...
Journal Article
Radical History Review (1990) 1990 (46-47): 321–329.
Published: 01 May 1990
...Bhekizizwe Peterson 1990 Performing History off the Stage:
Notes on Working-Class Theater
Bhekiziz we Peterson
During the last three decades, black performance culture has
re-emerged in South Africa. Perhaps the most significant strand...
Journal Article
Radical History Review (2008) 2008 (102): 131–135.
Published: 01 October 2008
...Corina Benavides López MARHO: The Radical Historians' Organization, Inc. 2008 CRITICAL CLASSROOMS
Reflections on Teaching, Learning,
and Performing Chicana/o History
Corina Benavides López
A theory in the flesh means one where the physical realities of our lives — our
skin...
Journal Article
Radical History Review (2009) 2009 (103): 131–141.
Published: 01 January 2009
... of mestizaje , dances based on archetypal images of blackness such as the negritos or the danza del diablo proliferate at theater and dance festivals in the country. Performance is a place where black identity articulates itself within a global “call- and-response” of images. Devil dances of the Pacific Costa...
Journal Article
Radical History Review (2015) 2015 (121): 51–70.
Published: 01 January 2015
... chants by residents of Iran's densely populated cities shouting “Allah-O-Akbar” from their rooftops. By tracing the roots of this protest tradition, not only in the Iranian revolution of 1979 but also in Shi'a rowzeh khani performance, this essay examines rooftop chanting as an enactment of a counter...
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Published: 01 January 2022
Figure 5. On May 24, 1990, Scarlot performed the Interstate Solicitation Tour at the New York Stock Exchange. Scarlot committed civil disobedience, soliciting crowds of spectators as she offered various sex acts at very reasonable prices (a misdemeanor in most states, including New York). “$50
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Published: 01 January 2022
Figure 10. PJ Starr documents Scarlot joined by Mariko Passion, performing “Bad Laws” to the tune of Donna Summers’s “Bad Girls” at the 2012 International Aids Conference in Washington, DC. “See them doing it in broad daylight. Hoping they don’t catch the latest blight. They don’t get laid ’cause
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