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Journal Article
Radical History Review (2004) 2004 (90): 95-101.
Published: 01 October 2004
...Nichole T. Rustin E. Taylor Atkins, Blue Nippon: Authenticating Jazz in Japan . Durham, NC: Duke University Press, 2001. Andrew F. Jones, Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age . Durham, NC: Duke University Press, 2001. 2004 by MARHO: The Radical...
Journal Article
Radical History Review (1993) 1993 (57): 186-196.
Published: 01 October 1993
...: Black, White and Blue (1972). S. Dennison. Scandalize My Name: Black Imagery in American Popular Music (1981). Postwar Jazz Frank Kofsky, Black Nationalism and the Revolution in Music (1970). Ben Sidran, Black Talk (1967). Imamu Amiri Baraka, The Music: Reflections on Jazz and the Blues...
Journal Article
Radical History Review (1993) 1993 (57): 182-185.
Published: 01 October 1993
...). Carlos Cortes, ”Italian-Americans in Film: From Immigrants to Icons,” MELUS 14 (Fall-Winter 1987). Michael Rogin, ”Blackface, White Noise: The Jewish Jazz Singer Finds His Voice,” Critical Inquiry 18 (Spring 1992). Auteur Criticism: William Howze, “JohnFord’s Celluloid Canvas...
Journal Article
Radical History Review (2007) 2007 (99): 273-281.
Published: 01 October 2007
...Conor McGrady MARHO: The Radical Historians' Organization, Inc. 2007 Grace Church. Jersey City, December 3, 2006. Courtesy of Fred Askew Curated Spaces Reverend Billy Conor McGrady Children! Let’s start off today’s Supernatural Hayride with a little jazz riff on believing...
Journal Article
Radical History Review (2004) 2004 (90): 155-156.
Published: 01 October 2004
... the Missouri Historical Review. Nichole T. Rustin is an assistant professor of communications and Afro-American studies at the University of Illinois at Urbana-Champaign. Her book in progress uses the lens of jazz culture to explore issues of race...
Journal Article
Radical History Review (1992) 1992 (54): 141-152.
Published: 01 October 1992
... matinee idol and the most popular entertainer of his day, sta~edin the first talking picture: its protagonist was a blackface "jazz singer As "Amos 'n' Andy" reached the top of the radio charts, The Jazz Singeft's blackface sequel, "The Singing Fool," was be coming the top movie box office...
Journal Article
Radical History Review (1998) 1998 (70): 78-101.
Published: 01 January 1998
... care much about, there are other, more widespread assumptions that are equally problematic. For example, hip Americans of all backgrounds recog- nize that Black people have contributed something of importance to American life. After all, jazz is America’s classical music! African- American...
Journal Article
Radical History Review (1992) 1992 (52): 132-136.
Published: 01 January 1992
... impact on jazz audiences in the 1950s, the poet Bob Kaufman explained that Parker "was an electrician" because "he went around wiring people Kaufman's metaphor called attention to the "electrifying" impact that Parker's innovative playing brought to jazz, but it also identified the saxo...
Journal Article
Radical History Review (2002) 2002 (84): 115-118.
Published: 01 October 2002
... spirituals. Into the modern, black music assumes a variety of forms, from jubilees and gospel to blues, ragtime, jazz, and a host of other styles. Despite this proliferation of genres and trends, however, the integrity of a discernibly “black music” somehow remains...
Journal Article
Radical History Review (2003) 2003 (87): 183-206.
Published: 01 October 2003
... Trinidadian com- bos, partially satisfied a growing American hunger for “exotic” music and culture.19 At the same time, islander emphases on sophisticated percussion and complex Latin melodic structures exercised a profound influence on North American jazz through...
Journal Article
Radical History Review (1998) 1998 (70): 131-148.
Published: 01 January 1998
... as the accumulation of such information. Movies derived from a particular period can provide a “partial transcript’’ about that period (for example, The Jazz Singer revealing many things about New York in the 1920s, or Oliver Twist doing the same for both 138/RADICAL HISTORY REVIEW the...
Journal Article
Radical History Review (2004) 2004 (90): 1-4.
Published: 01 October 2004
... seem to result in new configurations of cultural activity and new possibilities of historical interpretation: from Nichole T. Rustin’s review essay that examines the introduction of jazz in Japan and China to Amy Sue Bix’s review that plumbs the depths of...
Journal Article
Radical History Review (1991) 1991 (50): 103-106.
Published: 01 May 1991
... could talk to each other, stimulate each other's work. And at the same time they could listen to jazz, drink a good deal of beer and cheap wine, stage theatricals, meet, mate, and move on from various partners while editing journals, writ- ing theses, and involving themselves in the political...
Journal Article
Radical History Review (1986) 1986 (36): 101-109.
Published: 01 October 1986
.... Will- iams visited in the summer of 1952 or 1953. I was his teaching assistant in his introductory course. I heard him working out an alternative radical critique to sterile Stalinism. Many of us liked the good jazz then playing in Madison, and my wife and I went often with the Williamses...
Journal Article
Radical History Review (1989) 1989 (43): 136-144.
Published: 01 January 1989
... only slightly- less stereotypical name, "Mouth Jazz." Colgate insists that the products are distinct. The Mouth Jazz logo, says its spokesperson, is "a modem silhouette." "There is no reason to associate the two products," he continues. "The [MouthJazz] name is totally different and the...
Journal Article
Radical History Review (1997) 1997 (68): 4-24.
Published: 01 May 1997
... presented, Ralph thought he was a bit too evolved for the festival. I thought that he was comparable to Johnny Cash in country music. We brought in a Pentecostal gospel choir with Hammond organ and electric bass and guitar. We had the jazz pianist Randy Weston and he jammed on the Mall on a baby...
Journal Article
Radical History Review (1995) 1995 (62): 219-224.
Published: 01 May 1995
...; Esther Jazz Age Harlem,” HFH, 318-31; Newton, ”The Mythic Mannish Dick Hebdige, Subculture: The Lesbian: Radciyffe Hall and the Meaning of Style (1979), 1-19; Katz, New Woman,” HFH, 281-93; Katz, GAH, 39-53. Recommended: George GAH, 60-64. Recommended: Chauncey, ”The Policed...
Journal Article
Radical History Review (1996) 1996 (64): 123-128.
Published: 01 January 1996
... for five months in 1943. The Savoy, which had opened in March 1926, was, by 1943, an internationally famous venue that functioned both as Harlem’s premiere social club for the local African-American population and as the uptown desti- nation of whites loolung to mingle, hear good jazz, and...
Journal Article
Radical History Review (2003) 2003 (87): 226-236.
Published: 01 October 2003
... urban African cultures of the period can only be guessed at. Why, for instance, was the urban lexicon that township jazz musicians appropriated from African American performers so important in the con- text of South Africa’s apartheid regime? How did...
Journal Article
Radical History Review (2009) 2009 (103): 175-186.
Published: 01 January 2009
...-white interactions created a complex erotic imaginary through such forms as the blues and jazz, dance and youth culture, and a variety of media. Comparing and contrasting the role of homosexuality across sites of the diaspora highlighted the emergent out- lines of what might be termed a shared...