Search Results for experimental video
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Radical History Review (2016) 2016 (124): 90–101.
Published: 01 January 2016
... arc of cultural memory in relation to colonial and state violence. © 2016 by MARHO: The Radical Historians' Organization, Inc. 2016 memory indigeneity Mapuche visuality colonial violence experimental video Chile ecology FORUM: DECOLONIZING MAPUCHE HISTORY AND ACTION Mapuche...
Radical History Review (1995) 1995 (62): 202.
Published: 01 May 1995
..., the interdisciplinary perspectives that inform recent scholarship on sexuality have also generated some extraordinarily rich courses. We thank our four contributors for helping us spread the word about such courses, and we hope the syllabi that follow will inspire more experimentation along...
Radical History Review (1990) 1990 (46-47): 331–345.
Published: 01 May 1990
... and maps, and forty-two video and radio tapes as exhibits against the Delmas twenty-one.’ The video material had been confiscated by the security police several years before, mostly from the offices of a small United Democratic Front-supporting video organization called Afrascope which...
Radical History Review (2011) 2011 (109): 153–161.
Published: 01 January 2011
... environment? Ranging from studio wo rk to architectural urban interventions, my work cre- ates urban spaces, with paintings that practice models of relations, and interven- tions that push and provoke in concrete space — as experimental counterresponses to prevailing logics. Beginning with the...
Radical History Review (2010) 2010 (106): 193–197.
Published: 01 January 2010
... emergent practices, Raunig draws on the theories of Michael Hardt/Antonio Negri and Gilles Deleuze/Félix Guattari (among others) and proposes a specific structure to the revo- lutionary machine, which synthesizes constituent power, experimental models of organization, refusal to occupy the...
Radical History Review (2016) 2016 (126): 194–196.
Published: 01 October 2016
... manuscript, “An Other Humanity: Decoloniz- ing Feminism through Methodological Interventions from the Dark Side.” 196 Radical History Review Luis Morán is an artist interested in fiction and visual studies. His work in illustration, graphic novels, and video focuses on experimental forms of...
Radical History Review (2013) 2013 (117): 5–31.
Published: 01 October 2013
... software programs. By then, as a response, the Recording Industry Association of America and the Motion Picture Association of America (MPAA) had sued over twenty thousand US music and video downloaders. According to the International Intellectual Property Alliance (IIPA), as of early 2010 Canada was...
Radical History Review (2013) 2013 (116): 147–158.
Published: 01 May 2013
..., café, garden, and farmers market (the Experimental Station, Chicago); and a freshwater academic research center (Great Lakes WATER Insti- tute, Milwaukee), among others. Watershed was conceived in the spirit of activism and community engage- ment. This project does not view art simply as a...
Radical History Review (2012) 2012 (113): 81–98.
Published: 01 May 2012
... and a small group of student artists, the installation included audio testimonies given during public hearings on Immigration and Customs Enforcement (ICE) raids in San Fran- cisco, a stop-motion video, and a text-based timeline that featured immigration laws and policies enacted at the city...
Radical History Review (2014) 2014 (120): 145–158.
Published: 01 October 2014
... in Woodstock, Cape Town’s creative district. This venue provided a suitable space in which to explore queerness through experimentation with display and diverse non- traditional materials so that aesthetic conventions of mainstream art could also be questioned. The space facilitated the...
Radical History Review (2016) 2016 (125): 187–198.
Published: 01 May 2016
... stumbled on a flyer inviting proposals to teach “unusual” courses at Tufts University’s Experimental College. Carpe diem! I hatched a plan to teach a seminar titled “Soccer and History, Sports and Imperialism.” To my sur- prise, I got a campus interview and was eventually asked to teach the course...
Radical History Review (1991) 1991 (49): 161–166.
Published: 01 January 1991
... for an "As- sistant Test and Experimentation Command (TEXCOM) Historian, RADICAL HISTORY REVIEW 49 1991 PAGES 161-166 162 \ RADICAL HISTORY REVIEW helping to execute the TEXCOM Historical program and providing the command with technical assistance on historical matters...
Radical History Review (2011) 2011 (111): 184–193.
Published: 01 September 2011
... media event is inextricably linked to the way we remember the attacks and the way we coped with them when they took place. Many spectators watched the same loop of video footage and images over and over during the days following the attacks and used the TV screen as a protective shield against...
Radical History Review (2009) 2009 (105): 93–105.
Published: 01 October 2009
... decision. Artists were invited to come in for the duration of the residency to respond to the material in different forms, from drawings to performance and video. The general public also had limited access to the material for the duration of the residency. Our audience and participants were...
Radical History Review (1990) 1990 (46-47): 425–435.
Published: 01 May 1990
... Art Spiegelman and Franqoise Mouly’s Raw). Underground comix in the United States were part of a broad, amorphous counterculture that inter- wove aesthetic and expressive experimentation with the often equally amorphous ideologies of a left political movement. The appellation cotnix...
Radical History Review (2008) 2008 (102): 111–130.
Published: 01 October 2008
... performance experience. On day one, we went over the syllabus and the experimental nature of this unique course. The list of required readings indicated my expectations of academi- cally rigorous work. An oral history – based research paper further signaled that the coursework would not differ from...
Radical History Review (1989) 1989 (43): 121–135.
Published: 01 January 1989
... modeled their effort, in part, on practices developed in the Federal Theatre Project of the 1930s' in experimental theatre groups of the 1960s, and, more directly, on the procedures adopted by the con- temporary French troupe, Theatre du Soleil8 Grafting this par- ticular vision of collective...
Radical History Review (1984) 1984 (28-30): 187–201.
Published: 01 May 1984
... American brass industry, the Valley was now in many ways a typical declining Northeastern industrial area. I began on a part-time basis to gather material for a possible social history of the working people of Waterbury. Among those I met were Jan Stackhouse and Jerry Lombardi, video...
Radical History Review (1988) 1988 (41): 93–116.
Published: 01 May 1988
..., Rodolfo Kuhn, and Lautaro Muriia. With the exception of Munia, these young cineastes adopted the cinema as a vehicle of personal expression. Sharing the spirit of the "Young Turks" of the Nouvelle Vague in France, their films were narratively experimental, personal, and cosmopolitan and exploited...
Radical History Review (2002) 2002 (84): 149–166.
Published: 01 October 2002
... underlying assumptions without the students interpreting such intellectual experimentation as the ﬁnal, authoritative word on the question. The process of team-teaching a course designed as interdisciplinary was deeply...