Search Results for creative
1-20 of 446 Search Results for
Radical History Review (1 January 2014) 2014 (118): 113–138.
Published: 01 January 2014
...Max Haiven This essay seeks to draw connections between, on the one hand, the financialization of the global economy and everyday life in the post – Bretton Woods era (post-1973) and, on the other, the simultaneous rise to prominence of discourses of creativity in the “new economy.” It argues that...
Radical History Review (1 October 2009) 2009 (105): 145–150.
Published: 01 October 2009
...' Organization, Inc. 2009 Reflections Postrevolutionary Persian Literature Creativity and Resistance Kamran Talattof Persian literature after the 1979 revolution has been inspiring, entertaining, and even cathartic and it has, as it did in the prerevolutionary period, both influenced events...
Radical History Review (1 January 2011) 2011 (109): 137–152.
Published: 01 January 2011
...Amy Chazkel The cartoonist and filmmaker Nina Paley became a vociferous opponent of proprietary control of creative work under U.S. copyright law following her experiences in making her award-winning Sita Sings the Blues (2009), an animated feature film based largely on the ancient Indian epic...
Radical History Review (1 October 2008) 2008 (102): 99–110.
Published: 01 October 2008
...Rachel Mattson This essay argues that the current crisis in history education at the K-12 levels requires creative interventions and interdisciplinary collaborations. It also offers a series of strategies for teaching critical historical thinking skills to young people. Drawing on the author's...
Radical History Review (1 January 2012) 2012 (112): 65–87.
Published: 01 January 2012
... neoliberal cultural, tourism-focused, and consumer-driven urban development and merged it with Jacobs's theories in order to cast himself as a key public advocate for “creative-class” planning with only marginal success and even less accountability. Despite popular and scholarly critiques of the creative...
Radical History Review (1 January 2019) 2019 (133): 177–191.
Published: 01 January 2019
...Joseph DeLappe Abstract Joseph DeLappe is a visual artist and activist. Images and texts in this feature detail a diversity of creative projects and actions that challenge and question our contemporary militaristic context. These works explore the intersections of art, technology, social engagement...
Radical History Review (1 January 2009) 2009 (103): 236–243.
Published: 01 January 2009
... situates their theoretical contexts within larger critical dialogues and historical inquiries concerning black creative expression and transnational ideological spaces and material practices. MARHO: The Radical Historians' Organization, Inc. 2009 (RE)VIEWS “What’s in a Name?” That Which We...
Radical History Review (1 January 2010) 2010 (106): 5–26.
Published: 01 January 2010
... representations of the past, critiques of the government and of themselves, expressions of community creativity, mobilizations of development aid funds, and a source of civic pride. This essay considers these multiple purposes: first, by culturally and historically contextualizing the murals as a distinct...
Radical History Review (1 January 2016) 2016 (124): 165–176.
Published: 01 January 2016
... for its fiction and dramatizes the feat of the creative team, with film star Gael García Bernal as the lead. While the film has enjoyed international success, it has also been criticized for its one-dimensional portrayal. The film serves as a surface-level introduction to the campaign, but its focus...
Radical History Review (1 October 2016) 2016 (126): 159–170.
Published: 01 October 2016
... Africa and Africans. Creative strategies anchor complex asylum narratives and render them exotically familiar to adjudicators. © 2016 by MARHO: The Radical Historians' Organization, Inc. 2016 refugees asylum gender-based violence Boko Haram Nigeria WAYS OF SEEING AND KNOWING VIOLENCE...
Radical History Review (1 October 2012) 2012 (114): 206–215.
Published: 01 October 2012
... Side. In collaboration with community organizations and students, the project produces creative yearly exhibitions and walking tours, which, rather than suggesting solutions for a place beleaguered by top-down planning, create unusual spaces for discussion in a site where dialogue is often lacking...
Radical History Review (1 January 2012) 2012 (112): 173–183.
Published: 01 January 2012
...Mark Nowak This essay examines how small-scale projects grounded in imaginative militancy and transformatory global forms of solidarity can move workers from low levels of solidarity toward more radical levels. It focuses on a series of creative writing workshops facilitated by the author which...
Radical History Review (1 October 2018) 2018 (132): 144–171.
Published: 01 October 2018
... nonwhite roles and at the same time his versatility as someone who could model for any role, including female and/or white. As well as permitting Hunter some degree of creative control over his work, his approach garnered him considerable esteem among elite African Americans. They also admired Hunter’s...
Radical History Review (1 January 1988) 1988 (40): 130–131.
Published: 01 January 1988
... and working- class formation to evaluations of the political organization of young "comrades" in the townships today-a compendium of Marxist scholarship the analysis of which suggests a sophistication and creativity that bears close comparison to the more familiar radical American and...
Radical History Review (1 January 2006) 2006 (94): 253–260.
Published: 01 January 2006
..., tinkerer, welder, mechanic and housewife join forces to paint a palpable 3d picture of a mini-utopian town. This is a village where creative self-reliance is a rule. — press release for the Jim Rouse Visionary Center, 2004 The developer/philanthropist James Rouse is a controversial figure in...
Radical History Review (1 October 2004) 2004 (90): 79–86.
Published: 01 October 2004
...- posedly humane new economy workplace concealed serious traps and proved difﬁ- cult to sustain. With on-site observations of the rapidly rising digital consulting ﬁrm Razorﬁsh, Ross seeks to capture workplace experiences of the technicians, creative...
Radical History Review (1 October 2007) 2007 (99): 273–281.
Published: 01 October 2007
... passion, a belief that can be traced to a single clear statement — why is such a thing necessary? Because we need to perform this creative opposition. We haven’t known how to oppose a culture led by Consumerism and apocalyptic Christianity — the twin fundamentalisms that overwhelm governments...
Radical History Review (1 January 2006) 2006 (94): 191–196.
Published: 01 January 2006
... creative project, or a semester-long internship. Students choosing the research project use their time to deepen their knowledge of a specific topic, presenting their findings to the class during the final weeks of the course. I meet with these students routinely through the course of the semester to...
Radical History Review (1 October 1998) 1998 (72): 4–5.
Published: 01 October 1998
... the discussion begun so well by these authors. Through creative use of new technologies we can expand our discussions of radical history, radical politics, and the problems of higher education with the immedi- acy these issues demand. ...
Radical History Review (1 December 1984) 1984 (31): 33–38.
Published: 01 December 1984
... original novel of the Romantic Age, Frankenstein. The novel, Poovey explains, is ridden with Mary's own fears of her creative self and her fears of male critics. Franken- stein locks himself away in the laboratory and produces the creature that destroys him and his hopes...