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Journal Article
Radical History Review (2018) 2018 (131): 164–167.
Published: 01 May 2018
... the Global South as a newer cinematic invention problematized by Hollywood. My second aim in this essay is to introduce the term Aesthetic Cooperation among Developing and Developed Countries (ACDDC) as a means to stress aesthetic hybridity beyond any one style and any one conception of our many North...
Journal Article
Radical History Review (2024) 2024 (148): 107–129.
Published: 01 January 2024
..., unhoused Philadelphians taking over a luxury apartment building for a live-in, Come as You Are posits taking over and living-in as practices of refusal of the state care offered through social workers, the housing authority, welfare agencies, and the police. Bambara’s cinematic work points to Black...
Journal Article
Radical History Review (2023) 2023 (147): 77–102.
Published: 01 October 2023
... Red Flag Canal (1970), the article tells two tales of Chinese hydraulic construction to analyze the theatrical and cinematic aesthetics of socialist labor reform and rural industrialization. In China’s history of transforming water from a natural threat to a natural resource, Tian Han and Jiang...
FIGURES
Journal Article
Radical History Review (2018) 2018 (132): 173–179.
Published: 01 October 2018
... and alienated existence. As such, these open-air film screenings inside China’s construction compounds are at once scenes of cinematic magic and disenchantment. Copyright © 2018 by MARHO: The Radical Historians’ Organization, Inc. 2018 China labor construction precarity film China’s...
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Journal Article
Radical History Review (1988) 1988 (41): 93–116.
Published: 01 May 1988
... Cinema Novo movement emerged from the ashes of the failed industrial efforts of Vera Cruz to revitalize the Brazilian cinema. In the decade following the tri- umph of the revolution in 1959, Cuba became the first Latin American nation where it was possible to construct a new cinematic...
Journal Article
Radical History Review (2010) 2010 (106): 109–136.
Published: 01 January 2010
... of cinematic production and representation; their films were “spectacular experiments” in joining social and political change and aesthetic innovation.1 These filmmakers focused on everyday material worlds that were pregnant with political and social meaning but were systematically excluded from main...
Journal Article
Radical History Review (2005) 2005 (93): 221–226.
Published: 01 October 2005
...” (1998), the missile’s traces glow with an eerie romantic resonance like the dusk in a nineteenth-century Caspar David Friedrich landscape. While hardly the willful intent of the military planners, it nevertheless evokes their cinematic savvy in launching at sunset...
Journal Article
Radical History Review (1994) 1994 (59): 142–171.
Published: 01 May 1994
... they might behave favored venerable and conservative figures. The movies far outdistanced the tabloids in constructing lasting notions of great- ness, and it is this cinematic incarnation of public history and celebrityhood that has survived and sustained the commonly accepted version of what...
Journal Article
Radical History Review (2022) 2022 (143): 195–203.
Published: 01 May 2022
.... Courtesy of the artists. Figures 1–6. The Question of Ireland (2013), three-screen film installation. Film stills. Courtesy of the artists. Moving fluidly between analysis and speculation, A History of Stone, Origin and Myth cinematically weaves a complex relationship between these symbolic...
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Journal Article
Radical History Review (1992) 1992 (53): 141–148.
Published: 01 May 1992
... What agitates these and other commentators is the central place given to Colonel Robert Gould Shaw, the regiment's white comman- der. As with so many recent cinematic explorations of the black ex- periencdy Freedom and Mississippi Burning, for example--some strange racial alchemy elevates...
Journal Article
Radical History Review (1981) 1981 (25): 47–61.
Published: 01 January 1981
... taken the form of montage, cinkma vbritk, and, most recently, the self-reflexive techni- ques inspired by Brecht and first worked out cinematically by Jean- Luc G~dard.~ Self-reflexive films continually interrogate themselves and under- mine the grounds of their own credibility...
Journal Article
Radical History Review (2011) 2011 (111): 155–165.
Published: 01 September 2011
....”1 Cinematic narratives of history exercise unique powers of representation. Especially in complex and ambivalent times of crisis, whether due to economic hardships, internal dispute, or war, these visual texts simplify historical events for their audience — often explaining them...
Journal Article
Radical History Review (1993) 1993 (57): 182–185.
Published: 01 October 1993
... explores the relationships between cinema and society. We will study the ways in which cinematic representations have shaped and reflected the ex- periences of ethnicity and race in the United States, as well as the ways in which the social history of race and ethnicity has provided cinema...
Journal Article
Radical History Review (2003) 2003 (86): 205–206.
Published: 01 May 2003
... in Camera Obscura, Iranian Stud- ies, and Comparative Studies of South Asia, Africa, and the Middle East. She is currently working on a monograph on national variations in cinematic language and the new Iranian cinema. Alessandro Olsaretti studied...
Journal Article
Radical History Review (2014) 2014 (119): 72–93.
Published: 01 May 2014
... highlighted, the story’s “missionary ethos of white trusteeship” cemented its position as a “cardinal counter-­text” for young black South African writers living and working in Johannesburg.26 However, despite the problematic nature of the source material, it at first seemed as if the cinematic...
Journal Article
Radical History Review (1988) 1988 (41): 129–144.
Published: 01 May 1988
... to reason. The effect of all this, in a film devoid of apparent structure or narrative line, seems to me the greater for employing no cinematic devices at all. All previous films about the Holocaust have been con- strained to draw on what is, all in all, a very meager record of documentary...
Journal Article
Radical History Review (2014) 2014 (118): 182–196.
Published: 01 January 2014
.... The Artist offers us an unapologetically nostalgic object intended, in the words of the film’s director, Hazanavicius, as a “love letter” to Hollywood celebrat- ing the cinematic form of silent film.6 In creating a silent film — a form in which voice is spoken but not heard — Hazanavicius gives us...
Journal Article
Radical History Review (1988) 1988 (41): 11–36.
Published: 01 May 1988
...: the question of spectatorship; of the specific cinematic institution (that is, the cinema industry and its practices within the wider frame of cultural discourse and repre- sentation); and, in the language of Lacanian psychoanalytic theory, of the cinematic Imaginary (roughly speaking, the way...
Journal Article
Radical History Review (1982) 1982 (26): 153–163.
Published: 01 October 1982
... of excitement, to convey more than the compulsion to make a ”correct“ statement, to ap- 160 RADICAL HISTORY REVIEW proach the film as something more than a moral question. Still fewer sought to place Reds into cinema history, specifically the cinematic ver- sion of social history...
Journal Article
Radical History Review (1984) 1984 (28-30): 136–139.
Published: 01 May 1984
... in its reality, and it’s hard-and expensive, too-to switch perspectives. We need to experiment with cinematic strategies to suggest ambiguity and contradiction. How many times can you make Rashomon? Another question that bothers me is how to put in qualifiers. How can you get some...