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cinema

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Journal Article
Radical History Review (1 January 2010) 2010 (106): 109–136.
Published: 01 January 2010
... writing of a cultural history of political change in the late twentieth century. MARHO: The Radical Historians' Organization, Inc. 2010 Social Violence, Political Conflict, and Latin American Film The Politics of Place in the “Cinema of Allende” Camilo D. Trumper This article examines...
Journal Article
Radical History Review (1 May 2002) 2002 (83): 193–197.
Published: 01 May 2002
...Laura E. Nym Mayhall 2002 by MARHO: The Radical Historians' Organization,Inc. 2002 14-Mayhall.btw 4/23/02 4:44 PM Page 193 TEACHING RADICAL HISTORY Teaching British Cinema History as Cultural History Laura E. Nym Mayhall...
Journal Article
Radical History Review (1 May 1988) 1988 (41): 11–36.
Published: 01 May 1988
...Robert Sklar Copyright © April 1988 by MARHO: The Radical Historians' Organization, Inc. 1988 FILM AND HISTORY t Oh! Althusserk Historiography and the Rise of Cinema Studies Robert Sklar...
Journal Article
Radical History Review (1 May 1988) 1988 (41): 93–116.
Published: 01 May 1988
...Ana M. Lopez Copyright © April 1988 by MARHO: The Radical Historians' Organization, Inc. 1988 An "Other"History: The New Latin American Cinema haM. Lopez The notion of Latin America exceeds all nationalisms. There is a common...
Journal Article
Radical History Review (1 January 2016) 2016 (124): 192–202.
Published: 01 January 2016
... time, be relevant to international audiences. Gentille Alouette offers a masterful balance between local sorrow and global avant-garde. The whole of Castilla's work is a perfect site of memory of cinema at its best. © 2016 by MARHO: The Radical Historians' Organization, Inc. 2016 Chilean film...
Journal Article
Radical History Review (1 May 1988) 1988 (41): 3–6.
Published: 01 May 1988
...Charles Musser; Robert Sklar Copyright © April 1988 by MARHO: The Radical Historians' Organization, Inc. 1988 EDITORS INTRODUCTION Film and History Of all the arts, cinema has proven perhaps the most intimidating to historians. More than literature, painting, music or dance...
Image
Published: 01 October 2018
Figure 6. Although rural migrant workers are often depicted as nameless and faceless in Chinese public discourse, they are also seen as a potential source of activism and unrest. Unsurprisingly, many construction companies use open-air cinema as a means to distract their workers, preventing them More
Journal Article
Radical History Review (1 October 1993) 1993 (57): 182–185.
Published: 01 October 1993
... explores the relationships between cinema and society. We will study the ways in which cinematic representations have shaped and reflected the ex- periences of ethnicity and race in the United States, as well as the ways in which the social history of race and ethnicity has provided cinema with...
Journal Article
Radical History Review (1 May 1988) 1988 (41): 192.
Published: 01 May 1988
... Coordinator at the Japan Society in New York City and the author of 'Japan' in World Cinema Since 1945 (Ungar Press, 1987) as well as various essays on Japanese directors and films in the lnternational Dictionary of Films and Filmmakers (St. James Press, 1985, '86, '87). Tony Judt is professor of...
Journal Article
Radical History Review (1 October 2009) 2009 (105): 156–162.
Published: 01 October 2009
... Historians’ Organization, Inc. 156 Ghanoonparvar | Postrevolutionary Trends in Persian Fiction and Film  157 In regard to Iranian cinema (leaving aside popular entertainment movies), from the 1960s, with the inception of the so-called New Wave, we observe a similar commitment to...
Journal Article
Radical History Review (1 October 2009) 2009 (105): 163–167.
Published: 01 October 2009
... have helped disseminate Iranian visual culture since the revolu- tion. Film has a prominent place in Iranian postrevolutionary visual production, as the Islamic Republic both sanctioned and regulated filmmaking. The Islamic Republic’s decision to continue sanctioning the cinema as medium of art...
Journal Article
Radical History Review (1 October 2018) 2018 (132): 173–179.
Published: 01 October 2018
...Figure 6. Although rural migrant workers are often depicted as nameless and faceless in Chinese public discourse, they are also seen as a potential source of activism and unrest. Unsurprisingly, many construction companies use open-air cinema as a means to distract their workers, preventing them...
Journal Article
Radical History Review (1 October 2009) 2009 (105): 177–184.
Published: 01 October 2009
..., nor a substantive analysis of class relations and disparity in access to communication resources in the country” (33). Hamid Naficy’s “Iranian Émigré Cinema as Component of Iranian National Cinema” also stands out in moving beyond familiar frameworks for understanding contemporary...
Journal Article
Radical History Review (1 January 2014) 2014 (118): 204–205.
Published: 01 January 2014
..., Rednecks, and Macho Men: Class in 1970s American Cinema (2009). His essays have appeared in Cinema Journal, Postmodern Culture, Iowa Journal of Cultural Studies, and elsewhere. Dara Orenstein is an assistant professor in the Department of American Studies at George Washington University. She earned...
Journal Article
Radical History Review (1 January 2011) 2011 (109): 137–152.
Published: 01 January 2011
... to circulate or distribute it? The laws in France protect French cinema culture by forbidding films from being freely shared. Sita was released in cinemas right before they changed the law. They have this law called HADOPI, which is a “three-­strikes-­you’re-­out” copyright infringement law...
Journal Article
Radical History Review (1 October 2013) 2013 (117): 166–168.
Published: 01 October 2013
... Justice, the City University of New York. A documentary filmmaker and media scholar, Davies’s scholarship explores media and social movements, committed documentary making, and media justice. His documentaries include Spoken by an Actor: Cinema Censorship and Northern Ireland (1993), Ireland’s Own...
Journal Article
Radical History Review (1 October 1993) 1993 (57): 186–196.
Published: 01 October 1993
..., 1896-1954: The Interplay Between Civil Rights and Film Culture (1978). Daniel Leab, From Sambo to Superspade: The Black Experience in Motion Pictures (1975). M. Cham and C. Andrade-Watkins, eds., BIackfiames: Critical Perspectives on Black Independent Cinema (1988). Mark A. Reid...
Journal Article
Radical History Review (1 May 1994) 1994 (59): 181–189.
Published: 01 May 1994
.... Ithaca, NY: Cornell University Press, 1992. $39.95 (cloth); $13.95 (paper). The Great Utopia: The Russian and Soviet Avant-Garde, 1915-1932, New York: Guggenheim Museum, 1992. $69.95 (cloth). Peter Kenez, Cinema and Soviet Society 1917-1 953. Cambridge, Eng.: Cambridge University Press...
Journal Article
Radical History Review (1 May 1989) 1989 (44): 175–184.
Published: 01 May 1989
...- per and Row, 1986). 495 pp. $10.95 (paper). Clayton R. Koppes and Gregory D. Black, Hollywood Goes to War:How Politics, Profits, and Propaganda Shaped World War II Movies, (The Free Press, 1987). 374 pp. $22.50. Dana Polan, Power and Paranoia: History, Narrative, and the Cinema, 2940...
Journal Article
Radical History Review (1 May 2012) 2012 (113): 13–34.
Published: 01 May 2012
..., the film takes on added significance; opening in December 1968, its proud (and naked) gay kiss was an unprecedented visual spectacle in the public screening of American cinema. As the first American filmmaker to shoot and exhibit openly gay erotic films, Rocco delivered a significant...