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Journal Article
Radical History Review (1 May 2015) 2015 (122): 38–46.
Published: 01 May 2015
...Jeanne Vaccaro This essay looks at the transgender archive of participant-observer photographer Brian Weil and how his haptic approach to visual material contributes to new reading practices around representational difference. on being in the archive “Look More at the Camera than at Me...
Journal Article
Radical History Review (1 October 2018) 2018 (132): 68–95.
Published: 01 October 2018
... Northern Luzon, which produced discourses of race and indigeneity for the purposes of colonial occupation and imperial politics, amounted to various labor relations between Cordillerans in front of the camera, Americans behind and around the camera, and global audiences in European and North American fair...
Journal Article
Radical History Review (1 October 2018) 2018 (132): 221–225.
Published: 01 October 2018
...Jessica Stites Mor Abstract This review considers two recent visual histories of labor in the Americas. It compares Kevin Coleman’s A Camera in the Garden of Eden to Carol Quirke’s Eyes on Labor and asks questions related to the methodologies and findings of each study. The article also sets the...
Journal Article
Radical History Review (1 October 2018) 2018 (132): 126–143.
Published: 01 October 2018
... of capitalism’s structure: the effacement of workers’ labor, the expropriation of their labor-power, and the (re)production of inequality. Photo-essays of braceros thus demonstrate photography’s capacity to reproduce capitalism and, at the same time, the camera’s potential to radically interrupt its...
Journal Article
Radical History Review (1 October 2018) 2018 (132): 96–125.
Published: 01 October 2018
...Carol Quirke Abstract Local 65 United Warehouse Workers Union (1933–1987), which became District 65 United Auto Workers, promoted photography with a camera club, and a member-edited newspaper New Voices, featuring photographs taken by members. This left-led, New York City distributive industry...
Journal Article
Radical History Review (1 October 2012) 2012 (114): 7–18.
Published: 01 October 2012
... photography’s very beginning around 1838, as new camera technologies transformed lively public thoroughfares into open-­air studios, photographs engendered diverse views of the city from artists, photojournalists, pedestrians, engineers, and advertisers. Public urban spaces are not merely subject matter...
Journal Article
Radical History Review (1 October 1996) 1996 (66): 163–171.
Published: 01 October 1996
... memorialization but of reprod~ctionRoland Barthes’s book on photography, Camera Lucida, testifies that the photograph is always a premonition of death, the photographic pose always a mortifica- tion, and Andre Bazin famously calls photography a sort of embalm- ing4 One of photography’s earliest popular...
Image
Published: 01 October 2018
black urban life as threatening (e.g., wearing dark sunglasses and flipping off the camera), asking, “#IfTheyGunnedMeDown, Which Picture Would They Use?” Tina M. Campt, Listening to Images (Durham, NC: Duke University Press, 2017), 109–13, and iftheygunnedmedown.tumblr.com/page/2 Figure 1. In the More
Journal Article
Radical History Review (1 January 2010) 2010 (106): 109–136.
Published: 01 January 2010
... filmmakers and authors saw the camera as a weapon in revolutionary warfare, “a gun which fires twenty four frames a second.”2 I explore this formulation of New Latin American Cinema as it was developed in Chile during Allende’s government in order to tease out the connections between political...
Journal Article
Radical History Review (1 January 2017) 2017 (127): 125–132.
Published: 01 January 2017
... Cameras That Are New.’” Interview by Goodman Amy . Democracy Now , September 7 . www.democracynow.org/2015/9/7/ta_nehisi_coates_on_police_brutality . Coleman Beth . 2009 . “Race as Technology.” Camera Obscura 24 , no. 1 : 177 – 207 . Fang Lee . 2015 . “Mall of...
Journal Article
Radical History Review (1 September 2011) 2011 (111): 167–174.
Published: 01 September 2011
..., since the images we see through the lens of Hud’s camera look very much like the iconic video footage captured on Septem- ber 11, 2001. Cloverfield reimagines 9/11 as a monster movie and eagerly invites us to gaze upon the carnage. As skyscrapers explode, the air fills with myriad pieces of...
Journal Article
Radical History Review (1 May 1987) 1987 (38): 115–125.
Published: 01 May 1987
... in the twentieth century. When we turn to the vast terrain of nineteenth century (not to mention RADICAL HISTORY REVIEW 38 1987 PAGES 114-125 116 RADICAL HISTORY REVIEW colonial and eighteenth century) social history -where there are no “on-camera” witnesses...
Journal Article
Radical History Review (1 October 2018) 2018 (132): 1–22.
Published: 01 October 2018
... deplorable social conditions that required urgent and concerted attention. Riis and Hine used the camera to help jolt and train the eyes of ordinary citizens who had become inured to sights of homeless boys sleeping on the streets or child laborers subjected to dangerous working conditions. During the Great...
Journal Article
Radical History Review (1 October 2005) 2005 (93): 231–239.
Published: 01 October 2005
... his Panop- ticon. You mention in The Soft Cage that the United Kingdom has set up around 1 million closed-circuit television cameras (CCTV). What were the rhetorical argu- ments marshaled to set this system up? Was there opposition to this development...
Journal Article
Radical History Review (1 October 2005) 2005 (93): 221–226.
Published: 01 October 2005
... has been a turn in the symbolic valences of light and dark and a subsequent recalibration in the social meaning of the visible and the invisible. With new technology and shrinking cameras, evidence of surveillance is actually declining, while the display...
Journal Article
Radical History Review (1 January 1988) 1988 (40): 3–4.
Published: 01 January 1988
... historical analysis and shows how to resist accepting photography as a direct transcription of reality. He points to the political dynamics embedded in the camera's purported objec- tivity in recording the past. The roundtable discussion by Ruth Milkman, Staughton Lynd and Alan Dawley of David...
Journal Article
Radical History Review (1 October 2015) 2015 (123): 32–36.
Published: 01 October 2015
... other hand reaches for something out of the frame. Her hand is blurred, suggesting she moves with an urgency the camera cannot capture. Dressed all in white, her face is clearly visible, contorted into a silent scream. He crouches behind her, clad in slacks and a button-­down. The only...
Journal Article
Radical History Review (1 October 2016) 2016 (126): 147–158.
Published: 01 October 2016
... Jessie Kindig Nestled within a fairly innocuous collection of US soldiers’ Brownie camera snap- shots from the Korean War, most of which show everyday life in camps and bases in Korea, is a series of more than one hundred and twenty photographs of Asian women — in clubs, in bars, in bed, on the...
Journal Article
Radical History Review (1 October 2018) 2018 (132): 209–219.
Published: 01 October 2018
... black urban life as threatening (e.g., wearing dark sunglasses and flipping off the camera), asking, “#IfTheyGunnedMeDown, Which Picture Would They Use?” Tina M. Campt, Listening to Images (Durham, NC: Duke University Press, 2017), 109–13, and iftheygunnedmedown.tumblr.com/page/2 Figure 1. In the...
Journal Article
Radical History Review (1 October 1996) 1996 (66): 1–4.
Published: 01 October 1996
... movies through exploring the super-eight film as a genre between the still photograph and the video or movie. The "drunken camera pans" of the super eight, so synonymous in our own coded visual universe with both "authenticity" and nostalgia, were actually help- ing to create the families...