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Journal Article
Radical History Review (2010) 2010 (106): 27–45.
Published: 01 January 2010
... skeptical of images and their ability to faithfully convey the realities of class, power, and truth; and to a certain extent, Bertolt Brecht was no different. However, such a blanket statement does not fully capture the often tenuous working relationship that Brecht and photography share. This statement...
Journal Article
Radical History Review (2010) 2010 (106): 218–220.
Published: 01 January 2010
... –
Madison. His dissertation, “Framing Brecht: Photography and Experiment in the Kriegs
fibel, Arbeitsjournale, and Modellbücher,” explores how issues pertaining to the photo-
graphic image inform and complement Bertolt Brecht’s theoretical ideas and how they
are manifested in two of Brecht’s lesser...
Journal Article
Radical History Review (2023) 2023 (147): 77–102.
Published: 01 October 2023
... . 31. Guan and Zhang, “Dishike hongxing—ji yidengjiang huodezhe Ren Lianhua tongzhi,” in Jianshe shisanling shuiku de renmen , 1:82 -88. 32. Tian, Tian Han quanji , 6:281 . 33. Tian, Tian Han quanji , 6:321–22 . 34. Li, Tian Han chuangzuo ceji , 127 . 35. Brecht...
FIGURES
Journal Article
Radical History Review (2016) 2016 (125): 1–12.
Published: 01 May 2016
...
In an effort to press popular culture into the service of Marxist revolution,
Bertolt Brecht wrote, “we pin our hopes to the sporting public.”3 Brecht hoped that
the intimate connections between audience and performance in sport could serve
as a model for radical theater. Many social critics...
Journal Article
Radical History Review (2000) 2000 (76): 136–168.
Published: 01 January 2000
..., but the bad future ones.
-Bertolt Brecht’
The Republic of Botswana sits on the broad northern border of South
Africa, guarding carefully the diamond wealth (on which hopes for
continued development depend) and its much valued reputation...
Journal Article
Radical History Review (2010) 2010 (106): 1–3.
Published: 01 January 2010
... the
era of World War II. Imbrigotta outlines the ways in which Bertolt Brecht juxta-
posed appropriated press photographs and poetic commentary to help us rethink
our approach to history, war, and visual representation, while Rittelmann explores
photography in relation to the Nazis’ desire...
Journal Article
Radical History Review (1986) 1986 (36): 110–113.
Published: 01 October 1986
... vision of a culture of abundance. Perhaps this is the
proper ’socialist’ view. Only a careful study of history can provide
us with the necessary knowledge and the special insights to see
whether this is possible.” (xxx) Warren Susman’s history writing
was an exemplary practice of Brecht’s maxim...
Journal Article
Radical History Review (2003) 2003 (85): 292–295.
Published: 01 January 2003
... Identity in Southern Peru (1994).
Gerardo Rénique teaches history at the City College of the City University of New York. He is
co-author (with Deborah Poole) of Peru: Time of Fear (1992). He is a director of the Brecht
Forum/New York Marxist School...
Journal Article
Radical History Review (2018) 2018 (132): 1–22.
Published: 01 October 2018
... Hannah and translated by Zohn Harry , 217 – 52 . New York : Schocken Books . Bowden Charles . 2000 . “ Camera of Dirt: Juárez Photographer takes Forbidden Images in Foreign-Owned Factories .” Aperture 159 : 26 – 33 . Brecht Bertolt . 1994 . The Threepenny Opera . New...
FIGURES
Journal Article
Radical History Review (1990) 1990 (46-47): 437–444.
Published: 01 May 1990
...?
After all, it's one thing when Bette Midler sues Ford Motor
Company over the use of a "sound-alike" in their commercials, or
when Bobby Darin's son sues McDonald's for copying his father's
singing style in their "Mac Tonight" ads. (One would have thought
the Brecht-Weill estate would have had...
Journal Article
Radical History Review (1989) 1989 (44): 175–184.
Published: 01 May 1989
..., and Friedrich remains true to
his subject by not allowing doubts of authenticity to get in the way
of a good story. He is particularly intrigued by those individuals
who seemed wildly out of place in Hollywood, such as Bertolt
Brecht and Arnold Schoenberg, and those who seemed most charac-
teristic...
Journal Article
Radical History Review (2012) 2012 (112): 201–208.
Published: 01 January 2012
... dedicatory quotes from Bertolt Brecht poems.
5. The same point is also made by Grandin, Fordlandia, 359.
6. Originally Stuart Chase, quoted by Greene, The Canal Builders, 189.
7. Ironies abound: the 1913 Milford strike was against the Draper Company, which grew out
of a Christian utopian...
Journal Article
Radical History Review (1992) 1992 (54): 87–109.
Published: 01 October 1992
....” Another critic somewhat dogmatically cited Ber-
tolt Brecht’s demand not to grant freedom to distribute writings that glorified
war. Sonntag, 19 and 23 (1989).
33. “Der Faschismus, die Kriegsgefahr und die Aufgaben der Kom-
munistischen Parteien: Thesen, angenommen vom XIII. Plenum des Ex...
Journal Article
Radical History Review (1981) 1981 (25): 174–185.
Published: 01 January 1981
...’ production of Three Banners
(1980)contrasted the post-independence fortunes of three brothers-a
worker, a capitalist, and an intellectual. David Kerr’s dramatically
superb Zwangendaba (1976) was an African adaptation of Brecht’s
Trial of Lucullus which effectively questioned cultural...
Journal Article
Radical History Review (1991) 1991 (49): 49–59.
Published: 01 January 1991
... not "great," or not "white," or not "men." Here is
how Marge Piercy, following Brecht, put it in her poem, "Contribu-
tion to Our Museum": I
Always in the tidy fiefdoms of history taught
Louis on the guillotine is weighed in chapters
while fifty thousand peasants who starved...
Journal Article
Radical History Review (1985) 1985 (32): 59–70.
Published: 01 January 1985
... historical and the purely esthetic seem at
70 RADICAL HISTORY REVIEW
times to occupy intransigently opposing positions. Maybe it takes a
Brecht, with a conscious impulse to create an art which is truly
political. I don’t think political art ever brings about...
Journal Article
Radical History Review (2006) 2006 (94): 84–110.
Published: 01 January 2006
..., but the power of touch is the stronger theme. This atmosphere of gentle
confrontation was far removed from the world of radical leftist theater. For example,
Lilith’s Michele Linfante recalled that during her apprenticeship with the Mime
Troupe, a famous Brecht scholar, Juris Svensen, conducted a workshop...
Journal Article
Radical History Review (1989) 1989 (43): 121–135.
Published: 01 January 1989
... staff, our newly christened Flint Labor Theatre Project
read plays such as Bertholt Brecht's Gallileo Gullilei and Peter Weiss'
MaratlSude, analyzed works written by those engaged in oral his-
tory projects and union histories, consulted with people who had
staged community-based theatre...
Journal Article
Radical History Review (1987) 1987 (38): 59–71.
Published: 01 May 1987
...
feminism, were integrated with Marxist categories of analysis;
Gramsci; Althusser, Brecht, and Adorno were re-explored. It was
a heady period of ferment and experimentation.
In Clark's view, the diversification could become an insidious
form of cooptation. In the preface to the 1981 editions...
Journal Article
Radical History Review (1981) 1981 (25): 47–61.
Published: 01 January 1981
... taken the form of
montage, cinkma vbritk, and, most recently, the self-reflexive techni-
ques inspired by Brecht and first worked out cinematically by Jean-
Luc G~dard.~
Self-reflexive films continually interrogate themselves and under-
mine the grounds of their own credibility...
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