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Figure 1. The background collage provides an audience as the man puts himself on display, early to mid-1970s.

The background collage provides an audience as the man puts himself on disp...

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in Homemade Pornography and the Proliferation of Queer Pleasure in East Germany > Radical History Review
Published: 01 January 2022
Figure 1. The background collage provides an audience as the man puts himself on display, early to mid-1970s. More
Journal Article

Notes Toward a History of Media Audiences

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Susan J. Douglas
Radical History Review (1992) 1992 (54): 127–138.
DOI: https://doi.org/10.1215/01636545-1992-54-127
Published: 01 October 1992
...Susan J. Douglas Copyright © 1992 MARHO: The Radical Historians' Organization, Inc. 1992 Media Audiences J Susan J. Douglas What meanings do audiences make of the endless, insistent media images and messages surrounding them? More importantly...
View articletitled, Notes Toward a History of Media <span class="search-highlight">Audiences</span> View PDF for article titled, Notes Toward a History of Media <span class="search-highlight">Audiences</span>
Journal Article

Intellectuals, Audiences and Histories: South African Experiences, 1978–88

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Belinda Bozzoli
Radical History Review (1990) 1990 (46-47): 237–263.
DOI: https://doi.org/10.1215/01636545-1990-46-47-237
Published: 01 May 1990
...Belinda Bozzoli 1990 Intellectuals, Audiences and Histories: South African Experiences, 1978-88 Belinda Bozzoli Over the past fifteen years, radical historians have rewritten the history of South Africa. The initiators...
View articletitled, Intellectuals, <span class="search-highlight">Audiences</span> and Histories: South African Experiences, 1978–88 View PDF for article titled, Intellectuals, <span class="search-highlight">Audiences</span> and Histories: South African Experiences, 1978–88
Journal Article

Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His Audiences, and the Vaudeville Industry, 1890–1920

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Kathryn J. Oberdeck
Radical History Review (1996) 1996 (66): 40–91.
DOI: https://doi.org/10.1215/01636545-1996-66-40
Published: 01 October 1996
...Kathryn J. Oberdeck Copyright © 1996 by MARHO: The Radical Historians' Organization, Inc. 1996 Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His Audiences, and the Vaudeville Industry, 1890-1920 Kathryn J...
View articletitled, Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His <span class="search-highlight">Audiences</span>, and the Vaudeville Industry, 1890–1920 View PDF for article titled, Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His <span class="search-highlight">Audiences</span>, and the Vaudeville Industry, 1890–1920
Journal Article

Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His Audiences, and the Vaudeville Industry, 1890–1920

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Kathryn J. Oberdeck
Radical History Review (1996) 1996 (66): 41–91.
DOI: https://doi.org/10.1215/01636545-1996-66-41
Published: 01 October 1996
...Kathryn J. Oberdeck Copyright © 1996 by MARHO: The Radical Historians' Organization, Inc. 1996 Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His Audiences, and the Vaudeville Industry, 1890-1920 Kathryn J...
View articletitled, Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His <span class="search-highlight">Audiences</span>, and the Vaudeville Industry, 1890–1920 View PDF for article titled, Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His <span class="search-highlight">Audiences</span>, and the Vaudeville Industry, 1890–1920
Journal Article

Digging Down to the Roots: On the Radical Potential of Documentary Food Films

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Laura Lindenfeld
Radical History Review (2011) 2011 (110): 155–160.
DOI: https://doi.org/10.1215/01636545-2010-030
Published: 01 May 2011
...Laura Lindenfeld Within the last decade there has been a significant outpouring of documentary films seeking to critique and transform the modern, industrial agricultural system. Although they have not attracted audiences comparable to a Hollywood blockbuster, some have received far more attention...
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Journal Article

Black Internationalism, Print Culture, and Political Education in Claude McKay’s Banjo

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Mae Miller-Likhethe
Radical History Review (2024) 2024 (150): 53–79.
DOI: https://doi.org/10.1215/01636545-11257395
Published: 01 October 2024
...Mae Miller-Likhethe Abstract Over three decades ago, Robert Hill, the celebrated archivist and historian of the Universal Negro Improvement Association movement, argued that “the history of the audience is what’s missing in the history of black radicalism.” Building on Hill’s provocation...
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View articletitled, Black Internationalism, Print Culture, and Political Education in Claude McKay’s Banjo View PDF for article titled, Black Internationalism, Print Culture, and Political Education in Claude McKay’s Banjo
Journal Article

Colonization and Resistance at Bethlehem's Manger Square

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Ryvka Barnard
Radical History Review (2017) 2017 (129): 125–143.
DOI: https://doi.org/10.1215/01636545-3920715
Published: 01 October 2017
... for an international audience narratives whitewashing the occupation. It also surveys how Palestinians used tourism and tourist spaces, including the Nativity Church, as staging grounds for resistance to Israel's colonial rule through boycotts and acts of sabotage of Israeli-run tourism operations in the occupied zone...
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Journal Article

Telecasting an “Effective Weapon for Peace”: Intertel and Global Public Affairs Programming in the 1960s

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Allison Perlman
Radical History Review (2021) 2021 (141): 60–82.
DOI: https://doi.org/10.1215/01636545-9170710
Published: 01 October 2021
... documentaries for an international audience. Intertel’s members positioned public affairs programming in the 1960s as an “effective weapon for peace.” By making the nations of the world legible to one another, Intertel programs sought to deploy the international circulation of television texts as a means...
View articletitled, Telecasting an “Effective Weapon for Peace”: Intertel and Global Public Affairs Programming in the 1960s View PDF for article titled, Telecasting an “Effective Weapon for Peace”: Intertel and Global Public Affairs Programming in the 1960s
Journal Article

Carol Leigh, a.k.a. Scarlot Harlot

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Carol Leigh
Radical History Review (2022) 2022 (142): 169–184.
DOI: https://doi.org/10.1215/01636545-9397159
Published: 01 January 2022
.... Working primarily through the medium of performance and video, her work attempts to educate and broaden audiences’ understanding of sex work and the fundamental rights sex workers deserve. Carol’s Curated Spaces feature takes the form of a visual essay comprising images from her archive, along...
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Journal Article

Speaking Memory, Building History: The Influence of Victims' Families at the World Trade Center Site

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Linda Levitt
Radical History Review (2011) 2011 (111): 65–78.
DOI: https://doi.org/10.1215/01636545-1268704
Published: 01 September 2011
... that still complicates decision making at the site. Victims' family members constitute an ideal profile of what makes news in the media age: they offer narratives that allow the media to craft emotional, dramatic, and personalized stories. A national audience's ready identification with victims' families...
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Journal Article

Reforming the Carceral Past: Eastern State Penitentiary and the Challenge of the Twenty-First-Century Prison Museum

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Seth C. Bruggeman
Radical History Review (2012) 2012 (113): 171–186.
DOI: https://doi.org/10.1215/01636545-1504975
Published: 01 May 2012
...Seth C. Bruggeman New research concerning unprecedented growth in the US penal system during the twentieth century creates rich opportunities for prison museums to engage broad audiences in a conversation about the problems of mass incarceration. The case of Eastern State Penitentiary, however...
View articletitled, Reforming the Carceral Past: Eastern State Penitentiary and the Challenge of the Twenty-First-Century Prison Museum View PDF for article titled, Reforming the Carceral Past: Eastern State Penitentiary and the Challenge of the Twenty-First-Century Prison Museum
Journal Article

Sergio Castilla: The Emblematic Chilean Filmmaker

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Verónica Cortínez
Radical History Review (2016) 2016 (124): 192–202.
DOI: https://doi.org/10.1215/01636545-3160060
Published: 01 January 2016
..., be relevant to international audiences. Gentille Alouette offers a masterful balance between local sorrow and global avant-garde. The whole of Castilla's work is a perfect site of memory of cinema at its best. © 2016 by MARHO: The Radical Historians' Organization, Inc. 2016 Chilean film history...
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Journal Article

Working the Kodak Zone: The Labor Relations of Race and Photography in the Philippine Cordilleras, 1887–1914

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Adrian De Leon
Radical History Review (2018) 2018 (132): 68–95.
DOI: https://doi.org/10.1215/01636545-6942403
Published: 01 October 2018
... of Northern Luzon, which produced discourses of race and indigeneity for the purposes of colonial occupation and imperial politics, amounted to various labor relations between Cordillerans in front of the camera, Americans behind and around the camera, and global audiences in European and North American fair...
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View articletitled, Working the Kodak Zone: The Labor Relations of Race and Photography in the Philippine Cordilleras, 1887–1914 View PDF for article titled, Working the Kodak Zone: The Labor Relations of Race and Photography in the Philippine Cordilleras, 1887–1914
Journal Article

Chris Killip and LaToya Ruby Frazier: The Promise of a Class Aesthetic

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Walter Benn Michaels, Daniel Zamora
Radical History Review (2018) 2018 (132): 23–45.
DOI: https://doi.org/10.1215/01636545-6942379
Published: 01 October 2018
... power while insisting on the continuing power of the idea of class conflict. Its concern is above all with the relations between photographer, subject, and audience and with the formal strategies deployed to insist on a certain structural antagonism between the photograph and its beholders. Copyright...
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Journal Article

Memory over Forgetting: Monuments, Memorials, and Intangible Heritage

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Bonita Bennett, Bonny Ibhawoh, Alex Lichtenstein, Daniel J. Walkowitz
Radical History Review (2025) 2025 (152): 1–11.
DOI: https://doi.org/10.1215/01636545-11610010
Published: 01 May 2025
... Africa, “fallism”—the uprooting of discredited old regimes—inaugurated a convention of tearing down memorials. The eleven contributions in this issue reflect a post-BLM iteration of this past marked by bottom-up social movement memory activism with expanded memorial subjects that invite audiences...
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Figure 2. Hunter’s accounts of exotic origins served different purposes for his various audiences. “Jungle Boy Immortalized in Bay State Sculpture,” Boston Post, November 27, 1927. Clipping from Scrapbook 44, L. S. Alexander Gumby Collection of Negroiana, Rare Book and Manuscript Library, Columbia University

Hunter’s accounts of exotic origins served different purposes for his vario...

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in Race, Photography, Labor, and Entrepreneurship in the Life of Maurice Hunter, Harlem’s “Man of 1,000 Faces” > Radical History Review
Published: 01 October 2018
Figure 2. Hunter’s accounts of exotic origins served different purposes for his various audiences. “Jungle Boy Immortalized in Bay State Sculpture,” Boston Post , November 27, 1927. Clipping from Scrapbook 44, L. S. Alexander Gumby Collection of Negroiana, Rare Book and Manuscript Library More
Image
Figure 1. Mr. Li and Mrs. Li are setting up the screen for the evening as construction workers are finishing their meals. The husband and wife team run a small film projection company in Chengdu, Sichuan Province. Together with their employees, their company can show outdoor films simultaneously in several locations, from middle-class urban neighborhoods to construction compounds in the sprawling suburbs. Not unlike government projectionist teams, the Lis’ company has to download films from a designated government website based on the audience’s “cultural level” as defined by the government. Chongqing, China, 2014.

Mr. Li and Mrs. Li are setting up the screen for the evening as constructio...

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in Portable and Precarious: Life and Spectacle in China’s Construction Camps > Radical History Review
Published: 01 October 2018
in several locations, from middle-class urban neighborhoods to construction compounds in the sprawling suburbs. Not unlike government projectionist teams, the Lis’ company has to download films from a designated government website based on the audience’s “cultural level” as defined by the government More
Journal Article

Walking the Queer City

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Kevin Murphy
Radical History Review (1995) 1995 (62): 195–201.
DOI: https://doi.org/10.1215/01636545-1995-62-195
Published: 01 May 1995
... about it)? How effectively do tours interpret the urban landscape? None of the tours grapples fully with such questions of content and methodology, but they all point to the enormous potential of the walking tour format for engaging public audiences in queer history...
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Journal Article

Chelsea History Day

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Joe Doyle
Radical History Review (1984) 1984 (28-30): 203–205.
DOI: https://doi.org/10.1215/01636545-1984-28-30-203
Published: 01 May 1984
... the work- shop’s findings to date. By all measures Chelsea History Day was a whopping popular success. The hall was packed. A reporter for the local newspaper filed an enthusiastic account of the day. And, remarkably, members of the audience were observed very excitedly hurrying outside...
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