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Journal Article
Radical History Review (1 January 2010) 2010 (106): 163–171.
Published: 01 January 2010
...Jack Conway This article is an interview with former Provisional Irish Republican Army active service volunteer and current Sinn Féin activist and visual artist Danny Devenny. Culled from interviews conducted in Belfast between 1998 and 2000, during the Northern Ireland peace process, Danny...
Journal Article
Radical History Review (1 January 2014) 2014 (118): 182–196.
Published: 01 January 2014
...Robert Wosnitzer This article uses the popular film The Artist to interrogate the ways cultural products shape narratives about finance and the new ways subjects are positioned in relation to the global circulation of capital. The article argues that a stubborn view of labor as a site par...
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Published: 01 January 2019
Figure 1. 1,000 Drones No. 1 . Image courtesy of the artist Figure 1. 1,000 Drones No. 1. Image courtesy of the artist More
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Published: 01 January 2019
Figure 2. 1,000 Drones No. 6 . Image courtesy of the artist Figure 2. 1,000 Drones No. 6. Image courtesy of the artist More
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Published: 01 January 2019
Figure 3. 1,000 Drones No. 2 . Image courtesy of the artist Figure 3. 1,000 Drones No. 2. Image courtesy of the artist More
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Published: 01 January 2019
Figure 4. 1,000 Drones (detail). Image courtesy of the artist. Photo by Robert Holmes Figure 4. 1,000 Drones (detail). Image courtesy of the artist. Photo by Robert Holmes More
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Published: 01 January 2019
Figure 5. Drone Project No. 1 . Image courtesy of the artist Figure 5. Drone Project No. 1. Image courtesy of the artist More
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Published: 01 January 2019
Figure 6. Drone Project No. 2 . Image courtesy of the artist Figure 6. Drone Project No. 2. Image courtesy of the artist More
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Published: 01 January 2019
Figure 7. Drone Project No. 3 . Image courtesy of the artist Figure 7. Drone Project No. 3. Image courtesy of the artist More
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Published: 01 January 2019
Figure 8. Drone Project No. 5 . Image courtesy of the artist Figure 8. Drone Project No. 5. Image courtesy of the artist More
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Published: 01 January 2019
Figure 9. Activist Rubber Stamp Starter Kit No. 1. Image courtesy of the artist Figure 9. Activist Rubber Stamp Starter Kit No. 1. Image courtesy of the artist More
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Published: 01 January 2019
Figure 12. Thrift Drones No. 1 . Image courtesy of the artist Figure 12. Thrift Drones No. 1. Image courtesy of the artist More
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Published: 01 January 2019
Figure 13. Thrift Drones No. 2 . Image courtesy of the artist Figure 13. Thrift Drones No. 2. Image courtesy of the artist More
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Published: 01 January 2019
Figure 14. Paper Soldier No. 1 . Image courtesy of the artist. Photo by Christine A. Butler Figure 14. Paper Soldier No. 1. Image courtesy of the artist. Photo by Christine A. Butler More
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Published: 01 January 2019
Figure 15. Paper Soldier No. 3 . Image courtesy of the artist. Photo by Christine A. Butler Figure 15. Paper Soldier No. 3. Image courtesy of the artist. Photo by Christine A. Butler More
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Published: 01 January 2019
Figure 16. America’s Army Action Figure No. 2 . Image courtesy of the artist Figure 16. America’s Army Action Figure No. 2. Image courtesy of the artist More
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Published: 01 January 2019
Figure 17. America’s Army Action Figure No. 4 . Image courtesy of the artist Figure 17. America’s Army Action Figure No. 4. Image courtesy of the artist More
Journal Article
Radical History Review (1 October 1997) 1997 (69): 6–45.
Published: 01 October 1997
Journal Article
Radical History Review (1 January 2010) 2010 (106): 198–214.
Published: 01 January 2010
... of seven noted artists invited to speak on the role of politics in their work. This essay uses the PAFA symposium as a point of entry into an exploration of the theoretical contradictions surrounding art's engagement with politics and offers a challenge to the notion of “political art” as a discrete...
Journal Article
Radical History Review (1 January 2000) 2000 (76): 25–52.
Published: 01 January 2000
...Barry Shank Copyright © 2000 by MARHO: The Radical Historians' Organization, Inc. 2000 Subject, Commodity, Marketplace: The American Artists Group and the Mass Production of Distinction Barry Shank In 1936, when Walter Benjamin...