...Lisa Brock 2003 by MARHO: The Radical Historians' Organization, Inc. 2003 02-Brock.cs 11/19/02 3:49 PM Page 9 INTERVENTION A Letter to George Bush: A Talk Presented at the School of the Art Institute of Chicago Teach-In on “Art...

...Art Buchwald 1976 50 Angola?" "Every President from Eisenhower on down has indicated the United ates would never stand for a Communist presence in Southwest Africa." "When did Eisenhower say that, Mr. Secretary?" "On June 12, 1956, John Foster Dulles warned President...

... article focuses on the Palestinian art scene from 1948 onward, tracing the evolution of Palestinian art and symbols of war, resistance, and national identity in the works of artists such as Sliman Mansour and Naji Al-Ali. The article also assesses the representation of the female form and the significance...

...Michael Cohen In 1915 Art Young, the most important radical cartoonist of the Haymarket Generation, drew a simple image for The Masses of a gigantic man laden with weapons striding across the earth, captioned “Looking for Peace.” This image, appearing between the Ludlow massacre, the U.S. military...

...Johanna Gosse In November 2008, a symposium titled “On the Limits and Possibilities of Politics in Art” was held at the Pennsylvania Academy of Fine Arts (PAFA) in Philadelphia. The event was organized in conjunction with a retrospective exhibition for the American painter Peter Saul, who was one...

...Patrice Higonnet Copyright © April 1988 by MARHO: The Radical Historians' Organization, Inc. 1988 THE PAST IN PRINT Art and Politics in Pre-Revolutionary France Patrice Higonnet Thomas E. Crow, Painters and Public Life in...

... Politics of Spectacle: British Suffragist Art Lisa DiCaprio Lisa Tickner, The Spectacle of Women: Imagery of the Suffrage Campaign 1907- 1924. Chicago: University of Chicago Press, 1988. On 26 September 1913 a bespectacled reptile, with the caption...

...Linda S. Watts Copyright © 1994 by MARHO: The Radical Historians' Organization, Inc. 1994 Alterior Motives: The Art(s) of Cultural Intervention Linda S. Watts ”Making art is perhaps the closest we can come to acknowledging our frustrations in a...

...Nicolas Lampert; Raoul Deal Watershed: Art, Activism, and Community Engagement uses art as a form of activism to comment on water issues in Milwaukee and the Great Lakes basin and their impact on the world at large. This project, organized by Raoul Deal and Nicolas Lampert and initiated in 2009...

...Patrick Manning Copyright © September 1985 by MARHO: The Radical Historians' Organization, Inc. 1985 Primitive Art and Modern Times Patrick Manning America's museum-going public has become fascinated with "primitive" art. Nowhere has this esthetic...

...Daniel J. Sherman Copyright © April 1987 by MARHO: The Radical Historians' Organization, Inc. 1987 The Bourgeoisie, Cultural Appropriation, and the Art Museum in Nineteenth-Century France Daniel J. Sherman Recent scholarship on art museums has...

...John Hutton Copyright © April 1987 by MARHO: The Radical Historians' Organization, Inc. 1987 Left of Center, Against the Grain: T. J. Clark and the Social History of Art John Hutton T. J. Clark, The Painting of Modern...

...Margaret Stone; Dale Washkansky The article focuses on the 2010 art exhibition Swallow My Pride ( SMP ), a visceral response to the commercialization of gay culture in Cape Town and a critique of notions of queerness and its visibility in the public sphere. SMP brought local lesbian, gay, bisexual...

...Teresa Meade; Andor Skotnes Copyright © 1994 by MARHO: The Radical Historians' Organization, Inc. 1994 "Art, Latin America and MOMA" Teresa Meade and Andor Skotnes The "Latin American Artists of the Twentieth Century" exhibition at the Museum of Modern Art in New York (6...

...Teresa Meade; Andor Skotnes Copyright © 1994 by MARHO: The Radical Historians' Organization, Inc. 1994 "Art, Latin America and MOMA" Teresa Meade and Andor Skotnes The "Latin American Artists of the Twentieth Century" exhibition at the Museum of Modern Art in New York (6...

...Matthew Frye Jacobson Copyright © 1999 by MARHO: The Radical Historians' Organization, Inc. 1999 Imperial Amnesia: Teddy Roosevelt, the Philippines, and the Modern Art of Forgetting Matthew Frye Jacobson “In the long run civilized man...

...Casey Blake Copyright © 1999 by MARHO: The Radical Historians' Organization, Inc. 1999 Public Art and Civic Culture Casey Blake Erika Doss, Spirit Poles and Flying Pigs: Public Art and Cultural Democ- racy in American Communities. Washington and London...

... view, Trans/Planting, A Space, Toronto (RE)VIEWS Trans/Planting—Contemporary Art by Women from/in Iran Carly Butler Aaram Bayat, Aylene Fallah, Chohreh Feyzdjou, Shadee Ghadirian, Gita Hashemi, Taraneh Hemami, Kendal Kennedy, Haleh Niazmand, Termeh Dimi Yeghiazarian at A Space Gallery...

...Katherine Sherwood 2006 by MARHO: The Radical Historians' Organization, Inc. 2006 TEACHING RADICAL HISTORY Art, Medicine, and Disability Katherine Sherwood I first became acquainted with the field of disability studies in 2000, when I was invited to join the board of the Disability...

...Leon Wainwright Art of the African diaspora has become the focus of various curatorial interests in displaying and documenting an expanded, circum-Atlantic geography of blackness based on a notion of diaspora that once seemed promising for imagining an inter- or transnational community. However...