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LaToya Ruby Frazier

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Journal Article
Radical History Review (1 October 2018) 2018 (132): 23–45.
Published: 01 October 2018
... racialized terms. Focusing on work made by the British photographer Chris Killip (in the late seventies and early eighties) and on work made by the American photographer LaToya Ruby Frazier (some thirty years later), this article analyzes the way these photographers acknowledge the decline in working-class...
Image
Published: 01 October 2018
Figure 7. LaToya Ruby Frazier, Momme (Floral Comforter) , 2008. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome Figure 7. LaToya Ruby Frazier, Momme (Floral Comforter), 2008. Gelatin silver print, 20 × 24 inches More
Image
Published: 01 October 2018
Figure 8. LaToya Ruby Frazier, Mom Making an Image of Me , 2008. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome Figure 8. LaToya Ruby Frazier, Mom Making an Image of Me, 2008. Gelatin silver print, 20 × 24 inches More
Image
Published: 01 October 2018
Figure 9. LaToya Ruby Frazier, Campaign for Braddock Hospital (Save Our Community Hospital) , 2011. Gelatin silver print. Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome Figure 9. LaToya Ruby Frazier, Campaign for Braddock Hospital (Save Our Community Hospital), 2011 More
Image
Published: 01 October 2018
Figure 10. LaToya Ruby Frazier, The Grey Area, 2010–2012. Gelatin silver print. Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome Figure 10. LaToya Ruby Frazier, The Grey Area, 2010–2012. Gelatin silver print. Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise More
Journal Article
Radical History Review (1 October 2018) 2018 (132): 1–22.
Published: 01 October 2018
... LaToya Ruby Frazier, have pictured neoliberalism. They argue that Killip and Frazier, in contrast to Sebastião Salgado in his monumental Workers , set themselves outside a humanist tradition of philanthropic photography whose purpose is to show pictures of suffering to excite sympathy, identification...