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Journal Article
Chris Killip and LaToya Ruby Frazier: The Promise of a Class Aesthetic
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Radical History Review (2018) 2018 (132): 23–45.
Published: 01 October 2018
... and racialized terms. Focusing on work made by the British photographer Chris Killip (in the late seventies and early eighties) and on work made by the American photographer LaToya Ruby Frazier (some thirty years later), this article analyzes the way these photographers acknowledge the decline in working-class...
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View articletitled, Chris Killip and <span class="search-highlight">LaToya</span> <span class="search-highlight">Ruby</span> <span class="search-highlight">Frazier</span>: The Promise of a Class Aesthetic
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for article titled, Chris Killip and <span class="search-highlight">LaToya</span> <span class="search-highlight">Ruby</span> <span class="search-highlight">Frazier</span>: The Promise of a Class Aesthetic
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Published: 01 October 2018
Figure 7. LaToya Ruby Frazier, Momme (Floral Comforter) , 2008. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome
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Published: 01 October 2018
Figure 8. LaToya Ruby Frazier, Mom Making an Image of Me , 2008. Gelatin silver print, 20 × 24 inches (50.8 × 61 cm). Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome
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Published: 01 October 2018
Figure 9. LaToya Ruby Frazier, Campaign for Braddock Hospital (Save Our Community Hospital) , 2011. Gelatin silver print. Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome
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Published: 01 October 2018
Figure 10. LaToya Ruby Frazier, The Grey Area, 2010–2012. Gelatin silver print. Courtesy LaToya Ruby Frazier and Gavin Brown’s enterprise, New York/Rome
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Journal Article
Photography and Work
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Radical History Review (2018) 2018 (132): 1–22.
Published: 01 October 2018
... resources, work, and caring communities) that capitalism needs to create surpluses, including cheap lives. If Michaels and Zamora are right in arguing that LaToya Ruby Frazier’s Mom Making an Image of Me is a picture of a class aesthetic, one that helps us get beyond neoliberal fantasies to understand how...
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