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Journal Article
Chris Killip and LaToya Ruby Frazier: The Promise of a Class Aesthetic
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Radical History Review (2018) 2018 (132): 23–45.
Published: 01 October 2018
... and racialized terms. Focusing on work made by the British photographer Chris Killip (in the late seventies and early eighties) and on work made by the American photographer LaToya Ruby Frazier (some thirty years later), this article analyzes the way these photographers acknowledge the decline in working-class...
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Published: 01 October 2018
Figure 2. Chris Killip, Seacoal Camp , Lynemouth, Northumberland, 1983. Gelatin silver print. Courtesy of the artist, © Chris Killip
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Published: 01 October 2018
Figures 3 and 4. Chris Killip, Woman in Bus Shelter and Women in Bus Stop , 1976. In Flagrante , plates 6 and 47. Gelatin silver print. Courtesy of the artist, © Chris Killip
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Published: 01 October 2018
Figures 3 and 4. Chris Killip, Woman in Bus Shelter and Women in Bus Stop , 1976. In Flagrante , plates 6 and 47. Gelatin silver print. Courtesy of the artist, © Chris Killip
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Published: 01 October 2018
Figure 5. Chris Killip, Len Tabner Painting , 1983. In Flagrante , p. III. Courtesy of the artist, © Chris Killip
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Published: 01 October 2018
Figure 6. Chris Killip, Glue Sniffers , Whitehaven, Cumbria, 1980. Courtesy of the artist, © Chris Killip
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Journal Article
Photography and Work
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Radical History Review (2018) 2018 (132): 1–22.
Published: 01 October 2018
... . 2013 . “ A Visual Geography of Chernobyl: Double Exposure .” International Labor and Working-Class History 84 : 116 – 39 . Dilnot Clive . 2015 . “ Chris Killip’s Portraits of the Pirelli Workforce .” In Chris Killip: Pirelli Work , by Killip Chris , 65 – 85 . Göttingen, Germany...
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