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Chris Killip

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Journal Article
Radical History Review (1 October 2018) 2018 (132): 23–45.
Published: 01 October 2018
... racialized terms. Focusing on work made by the British photographer Chris Killip (in the late seventies and early eighties) and on work made by the American photographer LaToya Ruby Frazier (some thirty years later), this article analyzes the way these photographers acknowledge the decline in working-class...
Image
Published: 01 October 2018
Figure 2. Chris Killip, Seacoal Camp , Lynemouth, Northumberland, 1983. Gelatin silver print. Courtesy of the artist, © Chris Killip Figure 2. Chris Killip, Seacoal Camp, Lynemouth, Northumberland, 1983. Gelatin silver print. Courtesy of the artist, © Chris Killip More
Image
Published: 01 October 2018
Figures 3 and 4. Chris Killip, Woman in Bus Shelter and Women in Bus Stop , 1976. In Flagrante , plates 6 and 47. Gelatin silver print. Courtesy of the artist, © Chris Killip Figures 3 and 4. Chris Killip, Woman in Bus Shelter and Women in Bus Stop, 1976. In Flagrante, plates 6 and 47 More
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Published: 01 October 2018
Figures 3 and 4. Chris Killip, Woman in Bus Shelter and Women in Bus Stop , 1976. In Flagrante , plates 6 and 47. Gelatin silver print. Courtesy of the artist, © Chris Killip Figures 3 and 4. Chris Killip, Woman in Bus Shelter and Women in Bus Stop, 1976. In Flagrante, plates 6 and 47 More
Image
Published: 01 October 2018
Figure 5. Chris Killip, Len Tabner Painting , 1983. In Flagrante , p. III. Courtesy of the artist, © Chris Killip Figure 5. Chris Killip, Len Tabner Painting, 1983. In Flagrante, p. III. Courtesy of the artist, © Chris Killip More
Image
Published: 01 October 2018
Figure 6. Chris Killip, Glue Sniffers , Whitehaven, Cumbria, 1980. Courtesy of the artist, © Chris Killip Figure 6. Chris Killip, Glue Sniffers, Whitehaven, Cumbria, 1980. Courtesy of the artist, © Chris Killip More
Journal Article
Radical History Review (1 October 2018) 2018 (132): 1–22.
Published: 01 October 2018
.... Ibid., 23. 25. Interview with Deborah Risberg, “Imaginary Economies,” 243 . 26. Toscano, “Seeing It Whole.” 27. Dilnot, “Chris Killip’s Portraits.” 28. Michaels, Beauty of a Social Problem , 28 . Michaels is working within a larger analytic initially laid out by art...