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Volume 2018, Issue 132
October 1, 2018
Issue Cover
ISSN 0163-6545
EISSN 1534-1453
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Photography and Work

Introduction

Photography and Work
Kevin Coleman; Daniel James; Jayeeta Sharma
View articletitled, Photography and Work
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Class

Chris Killip and LaToya Ruby Frazier: The Promise of a Class Aesthetic
Walter Benn Michaels; Daniel Zamora
View articletitled, Chris Killip and LaToya Ruby Frazier<span class="subtitle-colon">: </span><span class="subtitle">The Promise of a Class Aesthetic</span>
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Nature, Empire, and Race

El Dorado in the White Pines: Representations of Wilderness on an Industrial Frontier
Siobhan Angus
View articletitled, El Dorado in the White Pines<span class="subtitle-colon">: </span><span class="subtitle">Representations of Wilderness on an Industrial Frontier</span>
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Working the Kodak Zone: The Labor Relations of Race and Photography in the Philippine Cordilleras, 1887–1914
Adrian De Leon
View articletitled, Working the Kodak Zone<span class="subtitle-colon">: </span><span class="subtitle">The Labor Relations of Race and Photography in the Philippine Cordilleras, 1887–1914</span>
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Imagining Racial Equality: Local 65’s Union Photographers, Postwar Civil Rights, and the Power of the Real, 1940–1955
Carol Quirke
View articletitled, Imagining Racial Equality<span class="subtitle-colon">: </span><span class="subtitle">Local 65’s Union Photographers, Postwar Civil Rights, and the Power of the Real, 1940–1955</span>
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Capturing Capitalism’s Work: Competing Photo-Narratives of the Bracero Program
Erica Toffoli
View articletitled, Capturing Capitalism’s Work<span class="subtitle-colon">: </span><span class="subtitle">Competing Photo-Narratives of the Bracero Program</span>
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Race, Photography, Labor, and Entrepreneurship in the Life of Maurice Hunter, Harlem’s “Man of 1,000 Faces”
Clare Corbould
View articletitled, Race, Photography, Labor, and Entrepreneurship in the Life of Maurice Hunter, Harlem’s “Man of 1,000 Faces”
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Spectacle

Portable and Precarious: Life and Spectacle in China’s Construction Camps
Tong Lam
View articletitled, Portable and Precarious<span class="subtitle-colon">: </span><span class="subtitle">Life and Spectacle in China’s Construction Camps</span>
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Reading Photos

Handsworth Song: Working People and Black Radical Photography
Ian Bourland
View articletitled, Handsworth Song<span class="subtitle-colon">: </span><span class="subtitle">Working People and Black Radical Photography</span>
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The Back of the Photograph: Making Meaning in the Archives
Rick Halpern
View articletitled, The Back of the Photograph<span class="subtitle-colon">: </span><span class="subtitle">Making Meaning in the Archives</span>
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Between Image and Erasure: Photographs of West African Soldiers in India, 1944–1946
Oliver Coates
View articletitled, Between Image and Erasure<span class="subtitle-colon">: </span><span class="subtitle">Photographs of West African Soldiers in India, 1944–1946</span>
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Interview

Practices of Refusal in Images: An Interview with Tina M. Campt
Kevin Coleman
View articletitled, Practices of Refusal in Images<span class="subtitle-colon">: </span><span class="subtitle">An Interview with Tina M. Campt</span>
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(RE)VIEWS

Putting the Public into Pictures: Visual Culture in the History of Labor and Empire
Jessica Stites Mor
View articletitled, Putting the Public into Pictures<span class="subtitle-colon">: </span><span class="subtitle">Visual Culture in the History of Labor and Empire</span>
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