Abstract
This review considers two recent visual histories of labor in the Americas. It compares Kevin Coleman’s A Camera in the Garden of Eden to Carol Quirke’s Eyes on Labor and asks questions related to the methodologies and findings of each study. The article also sets the two works into their historiographic contexts and suggests how each pushes the boundaries of its given geographical field.
Copyright © 2018 by MARHO: The Radical Historians’ Organization, Inc.
2018
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