Despite the immense and lasting success of Dan Brown's The Da Vinci Code as both a novel and a broader cultural phenomenon, few scholars have attempted to explain its very popularity. Using a cultural-historical lens, this essay argues that the success of Brown's narrative should be understood as a reflection of some of the major political themes in the post-9/11 United States: the secrecy and deceptions of the George W. Bush administration and the resulting distrust of government and flowering of conspiracy theories.
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Research Article| September 01 2011
Matthew Schneider-Mayerson; The Dan Brown Phenomenon: Conspiracism in Post-9/11 Popular Fiction. Radical History Review 1 September 2011; 2011 (111): 194–201. doi: https://doi.org/10.1215/01636545-1268803
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