Claude McKay, the canonically renowned Harlem Renaissance poet, has become a central subject in current sexuality, African diaspora, and postmodern Marxist studies. This review essay highlights the different contributions of four recent book-length studies specifically on McKay; it situates their theoretical contexts within larger critical dialogues and historical inquiries concerning black creative expression and transnational ideological spaces and material practices.

This content is only available as a PDF.
You do not currently have access to this content.