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Research Article|
October 01 1996
Fears of the White Unconscious: Music, Race, and Identification in the Censorship of “Cop Killer”
Radical History Review (1996) 1996 (66): 124–145.
Citation
Barry Shank; Fears of the White Unconscious: Music, Race, and Identification in the Censorship of “Cop Killer”. Radical History Review 1 October 1996; 1996 (66): 124–145. doi: https://doi.org/10.1215/01636545-1996-66-124
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