...Judith A. Peraino Copyright © 2012 Qui Parle 2012 Plumbing the Surface of Sound and Vision David Bowie, Andy Warhol, and the Art of Posing judith a. peraino Two fi gures posed in the foreground, wearing nearly identical makeup—lipstick, eyeliner, base, rouge, and a thin...

... Warhol’s silkscreens, the car- toonishness of Zappa’s performance of Wolfson makes subsequent impersonations easy if not inevitable. While the lyrics’ mention of miniskirts and the Galleria suggest that these are her interests, Wolfson’s tone never quite rises to the level...

... in which the two fields define themselves through a reciprocal oth- ering that leaves visual culture reduced to "an art history of com- mercial art" (F, 31). In the case of several practices the book ana- lyzes, Andy Warhol's chief among them, such a divide between art...

... of the Experimental Evidence .” Journal of Business Research 49 , no. 000 ( 2000 ): 193 – 211 . US Equal Employment Commission . “ Harassment .” www.eeoc.gov/laws/types/harassment.cfm (accessed November 30 , 2017 ). Warhol Andy . Philosophy of Andy Warhol (From A to B and Back Again...

... with Andy Warhol’s soup cans than with any imagined “global village” (see fi gs. 1 and 2). This is precisely what makes it interesting. As dehumanizing and, literally, objecti- fying as this analogy may seem, the Warhol canvas envisages the form of whatever belonging: difference becomes identical yet...

..., not merely between the performer and his or her “self.” Judith Peraino continues this work here, with her essay on the odd coupling of Andy Warhol and David Bowie, while pursuing her critique of traditional readings of drag and identity performance as found in Judith Butler and Judith Halberstam.52...

... in the unconscious. Avant-garde professional artists, such as Andy Warhol, now turned to this production with an appreciative eye. As earlier art- ists of the avant-garde incorporated features of art brut into their works and even set out to paint like the insane, now the avant- garde selects images...

... No Skin off My Ass (1991), Super 8½ (1994), Hustler White (1996), Skin Flick (2000), and Raspberry Reich (2004).6 Unlike the more reputable (if also now largely defunct) New Queer Cinema, LaBruce’s fi lms, like those of Kenneth Anger and Andy Warhol be- fore him, blend avant...

... Deleuze immediately moves on to contrast certain paintings (Bacon’s painting, but no longer Warhol’s serigraphs) to the souvenir photos and snapshots and to compare cinema films to television movies and entertainment shows. 35. Leibniz and the Baroque , the subtitle of The Fold , already...