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Journal Article
Qui Parle (1 June 2012) 21 (1): 185–201.
Published: 01 June 2012
...Axel Nesme Copyright © 2012 Qui Parle 2012 Lyric Disaster Poetic Voice and Its Lacanian Other axel nesme In this essay I want to focus on “When Lilacs Last in the Dooryard Bloom’d,” a poem of mourning revolving around the disastrous loss of a “powerful western fallen star...
Journal Article
Qui Parle (1 June 2012) 21 (1): 203–234.
Published: 01 June 2012
...Eli Friedlander; Michal Grover-Friedlander Copyright © 2012 Qui Parle 2012 Setting the Stage, Staging the Voice On Directing Weill and Brecht’s Der Jasager eli friedlander and michal grover-friedlander The present essay is a refl ection on our recent production of Kurt Weill and...
Journal Article
Qui Parle (1 June 2012) 21 (1): 85–105.
Published: 01 June 2012
...Veit Erlmann Copyright © 2012 Qui Parle 2012 Refi guring the Early Modern Voice veit erlmann In 1672 audiences at the Académie royale de musique in Paris witnessed a rather unusual spectacle: Les peines et les plaisirs de l’amour, a “pastorale” composed by Robert Cambert. A blend...
Journal Article
Qui Parle (1 December 2004) 14 (2): 57–104.
Published: 01 December 2004
...Denise Riley Copyright © 2004 Qui Parle 2004 "A VOICE WITHOUT A MOUTH": INNER SPEECH Denise Riley Whose voice, no one's, there is no one, there's a voice without a mouth, and somewhere a kind of hearing, something...
Journal Article
Qui Parle (1 June 2018) 27 (1): 99–119.
Published: 01 June 2018
... recount their life narrative. The first of these novels—Charles Gildon’s Golden Spy (1702)—gives voice to a bunch of coins. And the genre becomes self-reflexive when money starts to “coin words,” like the autobiographical protagonist of The Adventures of a Bank-Note (1770). Drawing on ancient sources...
Journal Article
Qui Parle (1 June 2012) 21 (1): 71–83.
Published: 01 June 2012
.... The translation below is from the original, unpublished Italian manuscript. Voice is so inherent to the human body that the body can be con- sidered its instrument. The lungs, trachea, larynx, mouth and other organs of respiration and alimentation transform into organs of phonation (Tomatis...
Journal Article
Qui Parle (1 June 2012) 21 (1): 3–69.
Published: 01 June 2012
...- formation constitute the endlessly shifting fi eld of pleasure that no longer focuses on what ought to be the sites of enjoyment provided by the plot of popular music—the points at which Trish Keenan’s voice breaks into cries, or the waves of electronic sound that infi l- trate the listener’s bodily...
Journal Article
Qui Parle (1 June 2010) 19 (1): 65–87.
Published: 01 June 2010
... frame does the fi lm switch from the extra-diegetic music to synchronized sound: fi nally, as he leans over the baby, we hear her cry. In this essay I want to use the opening of The Sentimental Police- man to think about the relation between sound and image, body and voice in post-Soviet fi lm—a...
Journal Article
Qui Parle (1 December 2013) 21 (2): 69–100.
Published: 01 December 2013
... that the Anglo- American novel lost its voice, an orally based aesthetic be- ing synonymous, as it had been for Flaubert, with all that pre- vented the novel from achieving aesthetic freedom. In his 1921 study of French and English fi ction, The Craft of Fiction, Percy...
Journal Article
Qui Parle (1 June 2012) 21 (1): 107–149.
Published: 01 June 2012
... Fig. 2. Voder fl oat at Golden Gate Expo. Courtesy of AT&T Archives and History Center. What made this exchange extraordinary was that it took place between two talking machines—two Voders, or Voice Operation DEmonstratoRs. Bell engineers nicknamed these machines “Pe...
Journal Article
Qui Parle (1 December 2012) 20 (2): 91–93.
Published: 01 December 2012
... Benedetto often speaks of her work in the language of encoun- ter: sometimes a handwritten note, sometimes a list, sometimes a photograph with writing on its surface. These textual encounters set up a confrontation with the spectator by means of the text’s “self-refl exive voice,” a voice that...
Journal Article
Qui Parle (1 June 2012) 21 (1): 279–281.
Published: 01 June 2012
... of Plato (Routledge, 1995), Relating Narratives (Routledge, 2000), Stately Bodies (University of Michigan Press, 2001), For One Than One Voice (Stanford University Press, 2005), and Horrorism: Naming Contemporary Violence (Columbia University Press, 2007). veit erlmann is the Endowed Chair...
Journal Article
Qui Parle (1 June 2017) 26 (1): 1–3.
Published: 01 June 2017
... If the title of our journal comes in the form of a question, the answer to “who speaks” is never the same. What persists is the critical impetus embedded in the mode of questioning itself. While the voices in play are in constant flux, the commitment to solicit speech remains unwavering...
Journal Article
Qui Parle (1 June 2008) 17 (1): 63–123.
Published: 01 June 2008
... register in the writing, as well as in the ana- lytic reflection, as a form of listening and of response, the impact of her presence and her absence, and the enigma of what she calls her madness. Attempting to register the performance of her voice and the multiplicity of other...
Journal Article
Qui Parle (1 June 2008) 17 (1): 175–192.
Published: 01 June 2008
... encounter with an other’s being. The “unpoetic” tone of the poem, its awkward, flustered voice, especially at the end—where the ego, momentarily eclipsed by the other’s pain, seems to return with all its self-regarding verbosity—this poetic embarrassment should be seen as a revealing symptom...
Journal Article
Qui Parle (1 December 2018) 27 (2): 269–289.
Published: 01 December 2018
... four times and four voices; second, the role taken by a specific voice, that of the idiot Benjy, which holds the floor during the first part of the novel. It is generally admitted that this part of the idiot is the mere literalization of the well-known words of Macbeth at the end of Shakespeare’s...
Journal Article
Qui Parle (1 December 2017) 26 (2): 295–382.
Published: 01 December 2017
..., giving voice. We decided to reach back in time, offering up the limits of our collective memory as the catalyst for reunion, and gathering past voices from across and throughout these thirty years to testify as they saw fit to the journal, to speech, or simply to use this occasion as a timely soapbox...
Journal Article
Qui Parle (1 December 2011) 19 (2): 117–120.
Published: 01 December 2011
... milky iguana here, hello, had we heard in the heat seet Note Most warblers emerge from the following limiting factors: (1) acquain- tance: add the bird to your “life list” before writing; (2) voice: listen to the bird’s song, translating its...
Journal Article
Qui Parle (1 December 2001) 12 (2): 219–220.
Published: 01 December 2001
... and Creative Writing at the University of Wisconsin-Milwaukee. Her first full- length book of poems, The Seven Voices, was published by O Books. She has also published a new edition of Laura Riding's Anarchism Is Not Enough (University of California Press, 2001) as well as...
Journal Article
Qui Parle (1 December 2005) 15 (2): 229–231.
Published: 01 December 2005
... and the Meaning of Life: Philosophers Take on Hollywood (Chicago: Open Court, 2005). Marcus Boon, The Road of Excess: A History of Writers on Drugs (Cambridge: Harvard University Press, 2005). Marianne Borch, Text and Voice: The Rhetoric of Authority in the...