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Journal Article
Qui Parle (2023) 32 (2): 443–456.
Published: 01 December 2023
... expression to the liminal space that exists around and between the literary and cultural traditions of France and Algeria. His poetry is equally likely to invoke The Odyssey as it is the muʿallaqāt of pre-Islamic Arabia, 1 and his writings brim not only with the voices of other Maghrebi writers, like...
Journal Article
Qui Parle (2022) 31 (2): 319–328.
Published: 01 December 2022
... ). It engages with Nancy’s novel understanding of prophecy to understand his own writing as a form of “prophetic voice” receptive to the emergence of the present and its opening onto the future. A meditation on time, the loss of history, and on the need to be receptive to what comes to us as the real and from...
Journal Article
Qui Parle (2004) 14 (2): 57–104.
Published: 01 December 2004
...Denise Riley Copyright © 2004 Qui Parle 2004 "A VOICE WITHOUT A MOUTH": INNER SPEECH
Denise Riley
Whose voice, no one's, there is no one, there's a voice
without a mouth, and somewhere a kind of hearing,
something...
Journal Article
Qui Parle (2012) 21 (1): 185–201.
Published: 01 June 2012
...Axel Nesme Copyright © 2012 Qui Parle 2012 Lyric Disaster
Poetic Voice and Its Lacanian Other
axel nesme
In this essay I want to focus on “When Lilacs Last in the Dooryard
Bloom’d,” a poem of mourning revolving around the disastrous
loss of a “powerful western fallen star...
Journal Article
Qui Parle (2012) 21 (1): 203–234.
Published: 01 June 2012
...Eli Friedlander; Michal Grover-Friedlander Copyright © 2012 Qui Parle 2012 Setting the Stage, Staging the Voice
On Directing Weill and Brecht’s Der Jasager
eli friedlander and michal grover-friedlander
The present essay is a refl ection on our recent production of Kurt Weill...
Journal Article
Qui Parle (2012) 21 (1): 85–105.
Published: 01 June 2012
...Veit Erlmann Copyright © 2012 Qui Parle 2012 Refi guring the Early Modern Voice
veit erlmann
In 1672 audiences at the Académie royale de musique in Paris
witnessed a rather unusual spectacle: Les peines et les plaisirs de
l’amour, a “pastorale” composed by Robert Cambert. A blend...
Journal Article
Qui Parle (2018) 27 (1): 99–119.
Published: 01 June 2018
... and recount their life narrative. The first of these novels—Charles Gildon’s Golden Spy (1702)—gives voice to a bunch of coins. And the genre becomes self-reflexive when money starts to “coin words,” like the autobiographical protagonist of The Adventures of a Bank-Note (1770). Drawing on ancient sources...
FIGURES
Journal Article
Qui Parle (2012) 21 (1): 71–83.
Published: 01 June 2012
.... The translation below is
from the original, unpublished Italian manuscript.
Voice is so inherent to the human body that the body can be con-
sidered its instrument. The lungs, trachea, larynx, mouth and other
organs of respiration and alimentation transform into organs of
phonation (Tomatis 1991). The fi...
Journal Article
Qui Parle (2012) 21 (1): 3–69.
Published: 01 June 2012
... shifting fi eld of pleasure that no
longer focuses on what ought to be the sites of enjoyment provided
by the plot of popular music—the points at which Trish Keenan’s
voice breaks into cries, or the waves of electronic sound that infi l-
trate the listener’s bodily ego. Moreover, the process...
Journal Article
Qui Parle (2010) 19 (1): 65–87.
Published: 01 June 2010
... frame does the fi lm switch from
the extra-diegetic music to synchronized sound: fi nally, as he leans
over the baby, we hear her cry.
In this essay I want to use the opening of The Sentimental Police-
man to think about the relation between sound and image, body
and voice in post-Soviet fi lm...
Journal Article
Qui Parle (2013) 21 (2): 69–100.
Published: 01 December 2013
... that the
Anglo- American novel lost its voice, an orally based aesthetic be-
ing synonymous, as it had been for Flaubert, with all that pre-
vented the novel from achieving aesthetic freedom. In his 1921
study of French and English fi ction, The Craft of Fiction, Percy
Lubbock ratifi ed...
Journal Article
Qui Parle (2012) 21 (1): 107–149.
Published: 01 June 2012
...
Fig. 2. Voder fl oat at Golden Gate Expo. Courtesy of AT&T Archives and
History Center.
What made this exchange extraordinary was that it took place
between two talking machines—two Voders, or Voice Operation
DEmonstratoRs. Bell engineers nicknamed these machines “Pe...
Journal Article
Qui Parle (2008) 17 (1): 63–123.
Published: 01 June 2008
... as in the ana-
lytic reflection, as a form of listening and of response, the impact
of her presence and her absence, and the enigma of what she calls
her madness. Attempting to register the performance of her voice
and the multiplicity of other voices that can be heard through hers...
Journal Article
Qui Parle (2018) 27 (2): 269–289.
Published: 01 December 2018
... and documentary films. The dominant use of this distinction reproduces the division between two categories of human beings. On the one hand, there are human beings who know only “reality” and stick only to their identity of suffering beings; we see their images and we hear their voices to get information...
Journal Article
Qui Parle (2008) 17 (1): 175–192.
Published: 01 June 2008
...,
its awkward, flustered voice, especially at the end—where the ego,
momentarily eclipsed by the other’s pain, seems to return with all
its self-regarding verbosity—this poetic embarrassment should be
seen as a revealing symptom: suddenly the Pessoan ego is exposed,
caught off-guard, in a kind...
Journal Article
Qui Parle (2017) 26 (2): 295–382.
Published: 01 December 2017
.... But perhaps these shortcomings are the best testament to pay to the future of this collectivity, that it might keep growing, expanding, giving voice. We decided to reach back in time, offering up the limits of our collective memory as the catalyst for reunion, and gathering past voices from across...
FIGURES
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Journal Article
Qui Parle (2024) 33 (1): 211–221.
Published: 01 June 2024
... is both a generous methodology and an active act that asserts Berlant’s own writing voice. They are cutting up the “bruised fruit of [their] perspective” and sharing a messy slice with the reader. On the Inconvenience of Other People has many methodological features like this, where a little quirk...
Journal Article
Qui Parle (2017) 26 (2): 519–532.
Published: 01 December 2017
...—the risk that I take. That by stealing his voice—not just Derrida’s but also Ching’s—by citing him, by invoking his poems, as if he were the one writing them, speaking them, saying them out, that by speaking over him, by taking away his voice—through prosopopoeia —Ching will not be able to answer...
Journal Article
Qui Parle (2017) 26 (1): 1–3.
Published: 01 June 2017
... with every new issue and at times for unlikely constellations of divergent and complementary voices speaking across disciplinary lines and tongues. Our special issues, with titles such as “Toward Planetary Decolonial Feminisms,” “At the Intersections of Ecocriticism,” “Higher Education on Its Knees,” “Affect...
Journal Article
Qui Parle (2004) 14 (2): 177–204.
Published: 01 December 2004
...
complete. A mouth, a face, may tend stubbornly to persist. Beyond
this particular figure, however, the simple fact of the narrative
voice, what we might call an irreducible acoustic remainder in the
text, tends to bring the blackness of the narrator into visibility...
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