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Journal Article
Qui Parle (2012) 21 (1): 185–201.
Published: 01 June 2012
...Axel Nesme Copyright © 2012 Qui Parle 2012 Lyric Disaster Poetic Voice and Its Lacanian Other axel nesme In this essay I want to focus on “When Lilacs Last in the Dooryard Bloom’d,” a poem of mourning revolving around the disastrous loss of a “powerful western fallen star...
Journal Article
Qui Parle (2012) 21 (1): 203–234.
Published: 01 June 2012
...Eli Friedlander; Michal Grover-Friedlander Copyright © 2012 Qui Parle 2012 Setting the Stage, Staging the Voice On Directing Weill and Brecht’s Der Jasager eli friedlander and michal grover-friedlander The present essay is a refl ection on our recent production of Kurt Weill...
Journal Article
Qui Parle (2012) 21 (1): 85–105.
Published: 01 June 2012
...Veit Erlmann Copyright © 2012 Qui Parle 2012 Refi guring the Early Modern Voice veit erlmann In 1672 audiences at the Académie royale de musique in Paris witnessed a rather unusual spectacle: Les peines et les plaisirs de l’amour, a “pastorale” composed by Robert Cambert. A blend...
Journal Article
Qui Parle (2004) 14 (2): 57–104.
Published: 01 December 2004
...Denise Riley Copyright © 2004 Qui Parle 2004 "A VOICE WITHOUT A MOUTH": INNER SPEECH Denise Riley Whose voice, no one's, there is no one, there's a voice without a mouth, and somewhere a kind of hearing, something...
Journal Article
Qui Parle (2018) 27 (1): 99–119.
Published: 01 June 2018
... and recount their life narrative. The first of these novels—Charles Gildon’s Golden Spy (1702)—gives voice to a bunch of coins. And the genre becomes self-reflexive when money starts to “coin words,” like the autobiographical protagonist of The Adventures of a Bank-Note (1770). Drawing on ancient sources...
FIGURES
Journal Article
Qui Parle (2012) 21 (1): 71–83.
Published: 01 June 2012
.... The translation below is from the original, unpublished Italian manuscript. Voice is so inherent to the human body that the body can be con- sidered its instrument. The lungs, trachea, larynx, mouth and other organs of respiration and alimentation transform into organs of phonation (Tomatis 1991). The fi...
Journal Article
Qui Parle (2012) 21 (1): 3–69.
Published: 01 June 2012
... shifting fi eld of pleasure that no longer focuses on what ought to be the sites of enjoyment provided by the plot of popular music—the points at which Trish Keenan’s voice breaks into cries, or the waves of electronic sound that infi l- trate the listener’s bodily ego. Moreover, the process...
Journal Article
Qui Parle (2010) 19 (1): 65–87.
Published: 01 June 2010
... frame does the fi lm switch from the extra-diegetic music to synchronized sound: fi nally, as he leans over the baby, we hear her cry. In this essay I want to use the opening of The Sentimental Police- man to think about the relation between sound and image, body and voice in post-Soviet fi lm...
Journal Article
Qui Parle (2013) 21 (2): 69–100.
Published: 01 December 2013
... that the Anglo- American novel lost its voice, an orally based aesthetic be- ing synonymous, as it had been for Flaubert, with all that pre- vented the novel from achieving aesthetic freedom. In his 1921 study of French and English fi ction, The Craft of Fiction, Percy Lubbock ratifi ed...
Journal Article
Qui Parle (2012) 21 (1): 107–149.
Published: 01 June 2012
... Fig. 2. Voder fl oat at Golden Gate Expo. Courtesy of AT&T Archives and History Center. What made this exchange extraordinary was that it took place between two talking machines—two Voders, or Voice Operation DEmonstratoRs. Bell engineers nicknamed these machines “Pe...
Journal Article
Qui Parle (2008) 17 (1): 63–123.
Published: 01 June 2008
... as in the ana- lytic reflection, as a form of listening and of response, the impact of her presence and her absence, and the enigma of what she calls her madness. Attempting to register the performance of her voice and the multiplicity of other voices that can be heard through hers...
Journal Article
Qui Parle (2018) 27 (2): 269–289.
Published: 01 December 2018
... like a rusty pump or a wind-beaten tree, whose bubbling voice of no age or sex murmurs a chant without beginning and end and deprived of any human meaning. And there is a young man, disappointed in his poetic aspirations and traumatized by the world war, whose delirium turns the fabric of nondescript...
Journal Article
Qui Parle (2017) 26 (2): 295–382.
Published: 01 December 2017
.... But perhaps these shortcomings are the best testament to pay to the future of this collectivity, that it might keep growing, expanding, giving voice. We decided to reach back in time, offering up the limits of our collective memory as the catalyst for reunion, and gathering past voices from across...
FIGURES | View All (4)
Journal Article
Qui Parle (2008) 17 (1): 175–192.
Published: 01 June 2008
..., its awkward, flustered voice, especially at the end—where the ego, momentarily eclipsed by the other’s pain, seems to return with all its self-regarding verbosity—this poetic embarrassment should be seen as a revealing symptom: suddenly the Pessoan ego is exposed, caught off-guard, in a kind...
Journal Article
Qui Parle (2017) 26 (2): 519–532.
Published: 01 December 2017
...—the risk that I take. That by stealing his voice—not just Derrida’s but also Ching’s—by citing him, by invoking his poems, as if he were the one writing them, speaking them, saying them out, that by speaking over him, by taking away his voice—through prosopopoeia —Ching will not be able to answer...
Journal Article
Qui Parle (2004) 14 (2): 177–204.
Published: 01 December 2004
... complete. A mouth, a face, may tend stubbornly to persist. Beyond this particular figure, however, the simple fact of the narrative voice, what we might call an irreducible acoustic remainder in the text, tends to bring the blackness of the narrator into visibility...
Journal Article
Qui Parle (2017) 26 (1): 1–3.
Published: 01 June 2017
... with every new issue and at times for unlikely constellations of divergent and complementary voices speaking across disciplinary lines and tongues. Our special issues, with titles such as “Toward Planetary Decolonial Feminisms,” “At the Intersections of Ecocriticism,” “Higher Education on Its Knees,” “Affect...
Journal Article
Qui Parle (2012) 21 (1): 279–281.
Published: 01 June 2012
... of Plato (Routledge, 1995), Relating Narratives (Routledge, 2000), Stately Bodies (University of Michigan Press, 2001), For One Than One Voice (Stanford University Press, 2005), and Horrorism: Naming Contemporary Violence (Columbia University Press, 2007). veit erlmann is the Endowed Chair...
Journal Article
Qui Parle (2009) 17 (2): 85–101.
Published: 01 December 2009
...- tains. Soon emerge all the familiar trappings that one would expect from a ghost story—from unexplained noises and voices to Anne’s vision of the ghost of a young boy named Victor. Initially skepti- cal of Anne’s visions, Grace gradually becomes convinced that her house is in fact haunted...
Journal Article
Qui Parle (2004) 15 (1): 97–114.
Published: 01 June 2004
...," writes Adorno, "sounds forth in language until language itself acquires a voice."3 In lyric language, both the sub- ject and language are stretched to their limits, resulting not in dis- cord but a moment of harmony. Unbounded individuation strives then for universality...