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vibration

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Journal Article
Qui Parle (2013) 21 (2): 69–100.
Published: 01 December 2013
...Julie Beth Napolin Copyright © 2013 Qui Parle 2013 “A Sinister Resonance” Vibration, Sound, and the Birth of Conrad’s Marlow julie beth napolin I shall vanish into space (there’s no space) and the vibrations that make up me, shall go to the making of some other fool...
Journal Article
Qui Parle (2012) 21 (1): 107–149.
Published: 01 June 2012
..., no.1 Fig. 3. Voder operator and interlocutor with test machine in San Francisco, 1939. Courtesy of AT&T Archives and History Center. electrically produced vibrations and passed these on to a loud- speaker. In the Bell...
Journal Article
Qui Parle (2017) 26 (1): 61–77.
Published: 01 June 2017
... and Guattari describe art as a form of monument to revolutionary becoming that transmits this movement to a future: The writer twists language, makes it vibrate, embraces and rends it in order to wrest the percept from perceptions, the affect from affections, the sensation from opinion—in view, one hopes...
Journal Article
Qui Parle (2012) 21 (1): 71–83.
Published: 01 June 2012
... are pro- duced by the vocal chords entering into vibration under the effect of a rhythmic nerve excitation (Rey 1996); or that the breathing apparatus together with the nasal cavity and the mouth contribute to the emission of sound (Devoto and Oli 1990); or even that this type...
Journal Article
Qui Parle (2012) 21 (1): 85–105.
Published: 01 June 2012
...- erated by harmony does not so much depend on the stable inter- change between two vibrating systems (music and the ears) guar- anteed by the laws of nature as on a coming-to, or better still, a remaining-in sound. The ideal listening stance that Perrault seems to impute to his two opera lovers...
Journal Article
Qui Parle (2012) 21 (1): 3–69.
Published: 01 June 2012
... in time, space, pigment, canvas, acoustic vibration, the resonant body of the instrument, and so forth—driving this matter to cede way to the form, “the spirit, of the handling,” so “that this form, this mode of handling, should become an end in itself, should penetrate every part...
Journal Article
Qui Parle (2023) 32 (2): 443–456.
Published: 01 December 2023
...-polished of the slingshot’s vibration, flung sunlight of this waiting, so long and forgotten now yes you offer him this first acrostic to fill the emptiness it’s not that   not yet your heart swollen with revolutionary dreams beats with pride you let yourself put all the words...
Journal Article
Qui Parle (2004) 14 (2): 117–143.
Published: 01 December 2004
... are programmatic of the cre- ation of the world as described in De rerum natura. THE ELUSIVE "ELEMENTARY ATOM OF MUSIC" 125 When we hear music, three things occur: there is a vibration in the air; by virtue of which we perceive a sound, which...
Journal Article
Qui Parle (2017) 26 (2): 519–532.
Published: 01 December 2017
... the call of death. The fact that he is standing in front of me, I hold on to the hope that Ms. Death can not see. ☾ ☾ ☾                        Voices. Sounds. For, when do vibrations become a voice. Somewhat like the mystery of finding one’s voice . For, if it is to be found...
Journal Article
Qui Parle (2011) 19 (2): 163–190.
Published: 01 December 2011
... coherence in an object visible to the naked eye: a tiny fork vibrating and not vibrating simultane- ously.59 If biology discovers how entangled life-forms are, quantum entanglement opens a more profound interconnectedness. How can ontology think nonlocality? The Copenhagen...
Journal Article
Qui Parle (2012) 21 (1): 185–201.
Published: 01 June 2012
... in the italicized stanzas of section 14 of the elegy. He is thus both the hand that holds the scalpel and the throat that the bloodletting allows to vibrate. As the past participle “outlet” in the phrase “Death’s outlet song of life” suggests, Whitman’s elegy only qualifi es as a “song of life...
Journal Article
Qui Parle (2015) 23 (2): 161–184.
Published: 01 December 2015
... hallucinations, and ongoing fear of mental breakdown.13 These states of psychic and physical duress make it so that the walls of the prison whisper, scream, vibrate, and close in; cement, steel, and space become animated by the necropoliti- cal institutionality of the prison. Prisoners...
Journal Article
Qui Parle (2008) 17 (1): 125–145.
Published: 01 June 2008
... identification of life-force with vibration and rhythm explains the significance of his casting dance in a large role by understanding it not just as one of the arts, but arguably as the most primordial. This role is at once religious and cognitive. 132 qui parle fall/winter 2008 vol...
Journal Article
Qui Parle (2014) 23 (1): 213–238.
Published: 01 June 2014
... to speak, sociologically assuming a revolutionary short circuit between al- legedly elevated language and the ordinary vernacular. As Pasolini explains, Cantos XXV and XXVI of Dante’s Inferno vibrate with this invention of a language, soldering theological Latin to the Ital- ian of the Florentine...
Journal Article
Qui Parle (2004) 14 (2): 177–204.
Published: 01 December 2004
... is apparently not enough to reassure him of his form/face: he would have an excess of music as well: There is a certain acoustical deadness in my hole, and when I have music I want to feel its vibration, not only with my ear but with my whole body. I'd like to hear five...
Journal Article
Qui Parle (2023) 32 (2): 369–394.
Published: 01 December 2023
... or communication rooted in resonance or vibration, aurality is irreducibly mediated and mediatized.” 26 There is no escaping environmental mediation, even in silent solitude. Early studies in extreme isolation were in fact premised, as Orit Halpern has summarized, on the assumption that “boredom and information...
Journal Article
Qui Parle (2015) 23 (2): 1–27.
Published: 01 December 2015
... is like a sentence in which like suddenly doesn’t disappear. What difference might it make to think about philology as the like (as opposed to love) of language? The philol- ogy I describe is a liking of words trained on the queer vibrations of like as it pulses in and out of legibility...
Journal Article
Qui Parle (2012) 21 (1): 151–184.
Published: 01 June 2012
...- plètes, ed. Claude Pichois (Paris: Gallimard, Pléiades, 1976), 2:693. 51. See Mark Cunningham, Good Vibrations: A History of Record Pro- duction (Chessington: Castle Communications, 1996), 209–26. In his review of the album, Ian MacDonald was especially critical of the production’s...
Journal Article
Qui Parle (2023) 32 (1): 1–39.
Published: 01 June 2023
... repetitions, its variously weighted lines, and its amoebic splotches of color hint at some underlying structure or hidden representational function. The work is in tension with itself in various ways: it exudes stillness, even calm, but vibrates with pent-up energy; it is both rigorously conceived—note...
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Journal Article
Qui Parle (2001) 12 (2): 107–142.
Published: 01 December 2001
.... The foundation floats without opposing tides. Into the center of potential Stop. The road Decaying into frame. —Barrett Watten (AT, 33) The only sense of motion is static, a vibration. The mirror is big enough for the largest family. Shadows of slanting...