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Qui Parle (2014) 22 (2): 69–99.
Published: 01 December 2014
... to this hunger, there arose photography (ca. 1839), stereos- Reed: Speed and Nineteenth-Century Stereoscopy 71 copy (ca. 1839/51), and ﬁ lm (ca. 1892). I will focus on stereoscopy, which, although the least well known today, became tremendously popular after 1850. After examining...
Qui Parle (2018) 27 (2): 475–510.
Published: 01 December 2018
Qui Parle (2010) 18 (2): 215–248.
Published: 01 December 2010
... and fright- ening, a stand-in for the jouissance whose proxy and meaning he is. If it is true that the phobic object forms itself out of the stereo- type (with the ambiguity that that implies—the stereotype as the material from which the ego is built, and the stereotype as the dis...
Qui Parle (2007) 16 (2): 73–96.
Published: 01 December 2007
... a variety of types of objects and images: engines, paintings, jewelry, photographs, sewing machines, stereo- scopes, movies, railroad cars and panoramas; this is an ordering that later classifications would separate. "Works of Art" — whatever they may have meant at the time — were regularly presented...
Qui Parle (2004) 14 (2): 177–204.
Published: 01 December 2004
Qui Parle (2011) 19 (2): 57–84.
Published: 01 December 2011
... games commit at least one if not all of the following missteps in their realization of in-game environments: relegating environment to background scenery, relying on stereo- typed landscapes, and predicating player success on extraction and use of natural resources. In the ﬁ rst...