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Journal Article
Qui Parle (1 June 2010) 19 (1): 65–87.
Published: 01 June 2010
...Lilya Kaganovsky Copyright © 2010 Qui Parle 2010 There Is No Acoustic Relation Considerations on Sound and Image in Post-Soviet Film lilya kaganovsky Kira Muratova’s 1992 fi lm, Chuvstvitel’nyi militsioner (The Sen- timental Policeman), opens with a close-up of a baby’s face.1 The...
Journal Article
Qui Parle (1 June 2012) 21 (1): 151–184.
Published: 01 June 2012
...Judith A. Peraino Copyright © 2012 Qui Parle 2012 Plumbing the Surface of Sound and Vision David Bowie, Andy Warhol, and the Art of Posing judith a. peraino Two fi gures posed in the foreground, wearing nearly identical makeup—lipstick, eyeliner, base, rouge, and a thin...
Journal Article
Qui Parle (1 December 2013) 21 (2): 69–100.
Published: 01 December 2013
...Julie Beth Napolin Copyright © 2013 Qui Parle 2013 “A Sinister Resonance” Vibration, Sound, and the Birth of Conrad’s Marlow julie beth napolin I shall vanish into space (there’s no space) and the vibrations that make up me, shall go to the making of some other fool...
Image
Published: 01 June 2018
Fig. 1. Romuald Hazoumè, La Bouche du Roi , 1997–2005. Installation with sound and mixed media. Courtesy of Trustees of the British Museum. Photo by Georges Hixson. Fig. 1. Romuald Hazoumè, La Bouche du Roi, 1997–2005. Installation with sound and mixed media. Courtesy of Trustees of the More
Journal Article
Qui Parle (1 December 2004) 14 (2): 117–143.
Published: 01 December 2004
... the pages of The New Yorker. In a recent broadside on German music, Alex Ross sets his sights on Helmut Lachenmann, Germany's current "great man." Of course, "there is no denying Lachenmann's virtuosity; he is able to arrange the unlikeliest assortment of sounds — flutes blown at the wrong end...
Journal Article
Qui Parle (1 June 2010) 19 (1): 1–8.
Published: 01 June 2010
... he could, from the troubling consequences of sensible things. He 2 qui parle fall/winter 2010 vol.19, no.1 would study the laws of sound without needing to encounter them in bodily form, and he would acquire knowledge of the properties of audible things by the aid of reason...
Journal Article
Qui Parle (1 June 2012) 21 (1): 71–83.
Published: 01 June 2012
... predisposed to the perception of sound in gen- eral, the human ear is, above all, tuned to this vocal emission that reveals singular bodies to one another. In contrast to speech, the voice puts hearing in play even before listening. 72 qui parle fall/winter 2012 vol.21, no.1 Speaking Voice...
Journal Article
Qui Parle (1 June 2012) 21 (1): 3–69.
Published: 01 June 2012
... where song is used: where it is practiced, where it negotiates the boundaries between material and immaterial, text and sound, where it wears out, frays in contact with these opposing forces. The “liner” note might be the sign of what is thrown out, what is ejected from song. Cer...
Journal Article
Qui Parle (1 June 2012) 21 (1): 107–149.
Published: 01 June 2012
... composed from any combination of sounds.4 It furthermore pro- duced assorted inhuman sounds, from a pig’s squeal to a voice of impossible bass, all with an “electrical accent.” Five million visi- tors attended the exhibit in New York alone; many had diffi culty...
Journal Article
Qui Parle (1 December 2013) 21 (2): 213–215.
Published: 01 December 2013
... professor of Digital Humanities at Eugene Lang College, the New School for Liberal Arts in New York City. Her book in progress, The Acoustics of Narrative In- volvement, poses a theory of literary sound studies, examining the relationship between sound, narrative, and the body in...
Journal Article
Qui Parle (1 December 2010) 18 (2): 333–334.
Published: 01 December 2010
...). Nicole Shukin, Animal Capital: Rendering Life in Biopolitical Times (Minneapolis: University of Minnesota Press, 2009). Ben Stoltzfus, Hemingway and French Writers (Kent, OH: Kent State Uni- versity Press, 2009). David Suisman, Sound in the Age of Mechanical...
Journal Article
Qui Parle (1 December 2014) 22 (2): 187–188.
Published: 01 December 2014
.... Auxier, Randall E., and Lewis Edwin Hahn, eds. The Philosophy of Ar- thur C. Danto. Chicago: Open Court, 2013. Cecchetto, David. Humanesis: Sound and Technological Posthumanism. Minneapolis: University of Minnesota Press, 2013. Copeland, Huey. Bound to Appear: Art, Slavery, and the Site of...
Journal Article
Qui Parle (1 June 2017) 26 (1): 143–153.
Published: 01 June 2017
... the men who went out after these little animals. I remember nothing but how Lucille held my hand, how bright were the flares of light—not flashlights but wood sticks burning—and the sound of crickets. Only now that I’m in Tennessee, some fifty years later, do I realize how much possums matter...
Journal Article
Qui Parle (1 June 2012) 21 (1): 85–105.
Published: 01 June 2012
... the Ancients, 1683), widely considered one of the founding texts of modern architecture.4 Perrault’s real passion, however, was the ear. It was in a book on sound and the ear that he laid the foundation of what may well be his legacy as a leading fi gure of the late-seventeenth...
Journal Article
Qui Parle (1 December 2017) 26 (2): 519–532.
Published: 01 December 2017
... worse, any silence, every silence—is quite possibly their song. Awaiting the moment, their moment, to wash over him again.   Where perhaps the very sound of death—if there were a sound to death—lies in the moment when the rocks and water collide: after all, should the Sirens have bothered...
Journal Article
Qui Parle (1 December 2004) 14 (2): 177–204.
Published: 01 December 2004
... parallelism between white and black, major and minor (although, as we indicated, the major mode occurs at the end of each A section). The vaguely tri- umphant sound of the leap to A-flat major is quickly undermined however. The harmony oscillates between A-flat major and C...
Journal Article
Qui Parle (1 June 2012) 21 (1): 235–261.
Published: 01 June 2012
... experience into purely electronic streams of sound, thus creating a whole new array of fetish-objects that in- teract with the body differently (wires that plug directly into the ears, for instance). Do you think the rise of electrifi ed songs and the shift from a record paradigm to...
Journal Article
Qui Parle (1 June 2010) 19 (1): 221–223.
Published: 01 June 2010
... Studies in Russian and Soviet Cinema and contributes fi lm reviews to the online cinema journal KinoKultura. Her current project is on the Soviet fi lm industry’s transition to sound; she is also currently coediting a multidisciplinary volume of es- says, Mad World: Sex, Politics...
Journal Article
Qui Parle (1 December 2011) 19 (2): 159–161.
Published: 01 December 2011
... air in order to subsequently position itself above the world. The action begins with a full disclosure communicated by the sound a parashute makes when it has a collision with any hard object such as water. As if bouncing, then, the devices on its free ends no longer allow for neutrality...
Journal Article
Qui Parle (1 December 2011) 19 (2): 253–257.
Published: 01 December 2011
... perceive most of what surrounds us or to fully understand the rest. Maybe it’s true that differential equations drove the teenager off the road. The self- propagating slope remains unhindered in its x-y axis. It’s really diffi cult to fi nd the language to say these things rigorously. Sound waves...