Skip Nav Destination
Close Modal
1-20 of 183
Search Results for sound
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Qui Parle (2010) 19 (1): 65–87.
Published: 01 June 2010
...Lilya Kaganovsky Copyright © 2010 Qui Parle 2010 There Is No Acoustic Relation
Considerations on Sound and Image in Post-Soviet Film
lilya kaganovsky
Kira Muratova’s 1992 fi lm, Chuvstvitel’nyi militsioner (The Sen-
timental Policeman), opens with a close-up of a baby’s face.1...
Journal Article
Qui Parle (2012) 21 (1): 151–184.
Published: 01 June 2012
...Judith A. Peraino Copyright © 2012 Qui Parle 2012 Plumbing the Surface of Sound and Vision
David Bowie, Andy Warhol, and the Art of Posing
judith a. peraino
Two fi gures posed in the foreground, wearing nearly identical
makeup—lipstick, eyeliner, base, rouge, and a thin...
View articletitled, Plumbing the Surface of <span class="search-highlight">Sound</span> and Vision: David Bowie, Andy Warhol, and the Art of Posing
View
PDF
for article titled, Plumbing the Surface of <span class="search-highlight">Sound</span> and Vision: David Bowie, Andy Warhol, and the Art of Posing
Journal Article
Qui Parle (2013) 21 (2): 69–100.
Published: 01 December 2013
...Julie Beth Napolin Copyright © 2013 Qui Parle 2013 “A Sinister Resonance”
Vibration, Sound, and the Birth of Conrad’s Marlow
julie beth napolin
I shall vanish into space (there’s no space) and the vibrations that
make up me, shall go to the making of some other fool...
Image
Published: 01 June 2018
Fig. 1. Romuald Hazoumè, La Bouche du Roi , 1997–2005. Installation with sound and mixed media. Courtesy of Trustees of the British Museum. Photo by Georges Hixson.
More
Journal Article
Qui Parle (2004) 14 (2): 117–143.
Published: 01 December 2004
... the pages of The New Yorker. In a recent
broadside on German music, Alex Ross sets his sights on Helmut
Lachenmann, Germany's current "great man." Of course, "there is
no denying Lachenmann's virtuosity; he is able to arrange the
unlikeliest assortment of sounds — flutes blown at the wrong end...
Journal Article
Qui Parle (2012) 21 (1): 3–69.
Published: 01 June 2012
... it is practiced, where it negotiates the boundaries between
material and immaterial, text and sound, where it wears out, frays
in contact with these opposing forces. The “liner” note might be
the sign of what is thrown out, what is ejected from song. Cer-
tainly, the liner note is one...
Journal Article
Qui Parle (2010) 19 (1): 1–8.
Published: 01 June 2010
... as
he could, from the troubling consequences of sensible things. He
2 qui parle fall/winter 2010 vol.19, no.1
would study the laws of sound without needing to encounter them
in bodily form, and he would acquire knowledge of the properties
of audible things by the aid of reason...
Journal Article
Qui Parle (2012) 21 (1): 71–83.
Published: 01 June 2012
... to the perception of sound in gen-
eral, the human ear is, above all, tuned to this vocal emission that
reveals singular bodies to one another. In contrast to speech, the
voice puts hearing in play even before listening.
72 qui parle fall/winter 2012 vol.21, no.1
Speaking Voice
Auditory...
Journal Article
Qui Parle (2012) 21 (1): 107–149.
Published: 01 June 2012
...
composed from any combination of sounds.4 It furthermore pro-
duced assorted inhuman sounds, from a pig’s squeal to a voice of
impossible bass, all with an “electrical accent.” Five million visi-
tors attended the exhibit in New York alone; many had diffi culty...
Journal Article
Qui Parle (2023) 32 (2): 369–394.
Published: 01 December 2023
... sound than signal, then quickly became a hallmark of the burgeoning genre of coronavirus think pieces journalistic and scholarly alike, which almost unanimously lamented the constant insubstantial content of our increasingly internet-oriented existence while themselves reproducing precisely the same...
Journal Article
Qui Parle (2012) 21 (1): 85–105.
Published: 01 June 2012
... of the founding texts
of modern architecture.4
Perrault’s real passion, however, was the ear. It was in a book
on sound and the ear that he laid the foundation of what may well
be his legacy as a leading fi gure of the late-seventeenth-century sci-
entifi c and philosophical avant...
Journal Article
Qui Parle (2017) 26 (2): 519–532.
Published: 01 December 2017
... silence, every silence—is quite possibly their song. Awaiting the moment, their moment, to wash over him again. Where perhaps the very sound of death—if there were a sound to death—lies in the moment when the rocks and water collide: after all, should the Sirens have bothered with Odysseus...
Journal Article
Qui Parle (2012) 21 (1): 235–261.
Published: 01 June 2012
... into purely electronic streams of
sound, thus creating a whole new array of fetish-objects that in-
teract with the body differently (wires that plug directly into the
ears, for instance). Do you think the rise of electrifi ed songs and
the shift from a record paradigm...
Journal Article
Qui Parle (2017) 26 (1): 143–153.
Published: 01 June 2017
... the men who went out after these little animals. I remember nothing but how Lucille held my hand, how bright were the flares of light—not flashlights but wood sticks burning—and the sound of crickets. Only now that I’m in Tennessee, some fifty years later, do I realize how much possums matter. Lucille...
Journal Article
Qui Parle (2018) 27 (2): 269–289.
Published: 01 December 2018
... , 2013 . Benjamin Walter . “ Theses on the Philosophy of History .” In Illuminations , edited by Arendt Hannah , translated by Zohn Harry , 253 – 64 . New York : Schocken , 1968 . Faulkner William . The Sound and the Fury . New York : Norton , 2014...
Journal Article
Qui Parle (2004) 14 (2): 177–204.
Published: 01 December 2004
... of a parallelism between
white and black, major and minor (although, as we indicated, the
major mode occurs at the end of each A section). The vaguely tri-
umphant sound of the leap to A-flat major is quickly undermined
however. The harmony oscillates between A-flat major and C...
Journal Article
Qui Parle (2013) 21 (2): 213–215.
Published: 01 December 2013
...
at Eugene Lang College, the New School for Liberal Arts in New
York City. Her book in progress, The Acoustics of Narrative In-
volvement, poses a theory of literary sound studies, examining the
relationship between sound, narrative, and the body in the works
of Conrad and Faulkner...
Journal Article
Qui Parle (2024) 33 (1): 63–78.
Published: 01 June 2024
... to a tracking shot into another woman’s ear across the courtyard. The auditory dissemination of gossip thus becomes an occasion for Karl Freund’s pioneering technique of the “unchained camera [ entfesselte Kamera ],” such that the movement of the camera enacts the travel of sound through space. Celebrated...
FIGURES
Journal Article
Qui Parle (2004) 15 (1): 97–114.
Published: 01 June 2004
...," writes Adorno, "sounds forth in language until
language itself acquires a voice."3 In lyric language, both the sub-
ject and language are stretched to their limits, resulting not in dis-
cord but a moment of harmony. Unbounded individuation strives
then for universality...
Journal Article
Qui Parle (2016) 24 (2): 109–136.
Published: 01 December 2016
... and social fracture. In the United Kingdom, Queen
Elizabeth II celebrated her silver jubilee to the sound track of the
Sex Pistols’ “God Save the Queen”—or at least she would surely have
done so, had the bbc and the Independent Broadcasting Authori-
ty not denied the record access to the airwaves...
1
