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Published: 01 June 2023
Fig. 2. Pipe fitters finishing the engine room of a tuna-fishing boat. Campbell Shipyard, San Diego harbor, August 1991. Originally published in Allan Sekula’s Fish Story . Courtesy of the Allan Sekula Studio. More
Image
Published: 01 June 2023
Fig. 4. Engine-room wiper’s ear protection. Voyage 167 of the containership M/V Sea-Land Quality from Port Elizabeth, New Jersey, to Rotterdam, November 1993. Originally published in Allan Sekula’s Fish Story . Courtesy of the Allan Sekula Studio. More
Journal Article
Qui Parle (2018) 27 (1): 21–46.
Published: 01 June 2018
... for an inclusion. Since his “diaspora aesthetics” is based on black British films, photography, and visual art, this reassessment of his work concludes with a consideration of the Beninese artist Romuald Hazoumè’s La Bouche du Roi . This room-size multimedia slave ship installation brings a history...
FIGURES
Journal Article
Qui Parle (2021) 30 (1): 211–213.
Published: 01 June 2021
... manufacturers introduce arsenic or gallium gas to silicon, rendering it a semiconductor. Various combinations of thus-treated silicon comprise diodes, foundational technologies to modern computing architecture, including that of the 3D printer. But who poisons, and who is poisoned? The “clean rooms” of Silicon...
Journal Article
Qui Parle (2003) 14 (1): 123–158.
Published: 01 June 2003
... to imaginatively project himself — his bodily experience — into the world around him. As the author makes clear, however, Menzel's desire for an art of embodiment is rife with doubts and contradictions. H. Bodiliness and Reflection in The Balcony Room...
Journal Article
Qui Parle (2021) 30 (1): 215–216.
Published: 01 June 2021
... in your workshop can relax stop my spring is three thirteen carried over from autumn stop 1 Reading this sealed in my room in October, with my overworked air purifier on full blast as the smoke swirled outside, I longed to be able to open up my tired old second-floor window and to breathe...
Journal Article
Qui Parle (2024) 33 (1): 211–221.
Published: 01 June 2024
... Berlant’s writing as emerging from a large network of thought and brings in the other as an active participant in the dialogue. To read and write in any academic discipline is to enter into a conversation that has been going on for a long time, well before one entered the room, and that will continue after...
Journal Article
Qui Parle (2003) 14 (1): 49–72.
Published: 01 June 2003
... and some of the concerns of Conceptual art, the result being to splice linguistic and conceptual play with visually impres- sive objects: to give a single example, Tobias Rehberger's Seven Ends of the World, shown at the Venice Biennale in 2003, fills a room with clusters of glass balloons that glow...
Journal Article
Qui Parle (2020) 29 (2): 343–372.
Published: 01 December 2020
... alongside his colleagues in the showers and dressing room, putting on his uniform with all the other guards, and joking with them in the common room. The most striking shot of the transition is the one in which Lohan looks out at his own street to a series of identical houses. Of course, he is not merely...
FIGURES
Journal Article
Qui Parle (2016) 24 (2): 15–43.
Published: 01 December 2016
.... Landscape fi lm is the mode that keeps that about which nothing more can be done or known, so as not to split it off to look better without it, nor overrun it in manic defense. Matsuda puts it like this: What calls out for attention is the locked room [misshitsu, where the young man...
Journal Article
Qui Parle (2011) 19 (2): 57–84.
Published: 01 December 2011
....19, no.2 we may grant that Louv’s work has sparked valuable efforts to re- claim wild land for the education and spiritual growth of children, a crucial problem remains in that Louv, like the nature-technology dichotomy itself, leaves little room for forms of media to be pro...
Journal Article
Qui Parle (2022) 31 (2): 345–372.
Published: 01 December 2022
... Ahmed describes as the becoming “worldly” of whiteness ( PW , 150) would, from the perspective of Nancy’s philosophy, describe its becoming unworldly, that is, the injustice of its refusal to “form a world [ faire monde ]” where “there is room for everyone.” 9 I shall conclude by arguing that Ahmed’s...
Journal Article
Qui Parle (2012) 20 (2): 127–150.
Published: 01 December 2012
... gratifying others, and instead to become the repulsive, unsocializable substance of gratifi cation itself? So irresistible is this fantasy that it keeps David obsessively checking on Uriah, whom he has invited to spend the night in his rooms: There I saw him, lying on his back, with his legs...
Journal Article
Qui Parle (2001) 13 (1): 13–28.
Published: 01 June 2001
... will be told to stay at home on account of his age). Standing outside the room in which his father and Roberto are discussing the raid, he calls out "Buona notte, papa!" and Roberto, rather than his father, steps forward into the doorframe in response. Later, after Mario's death, the camera...
Journal Article
Qui Parle (2019) 28 (2): 391–404.
Published: 01 December 2019
... the world born “from and of the everyday” to produce work that is decidedly expository and legible, no matter what epistemic antiblackness this enacts. 4 If one is to journey through the archives of slavery, to actively “sit in the room with history” 5 without reproducing the terms of engagement...
Journal Article
Qui Parle (2023) 32 (1): 1–39.
Published: 01 June 2023
...Fig. 2. Pipe fitters finishing the engine room of a tuna-fishing boat. Campbell Shipyard, San Diego harbor, August 1991. Originally published in Allan Sekula’s Fish Story . Courtesy of the Allan Sekula Studio. ...
FIGURES | View All (5)
Journal Article
Qui Parle (2014) 23 (1): 275–286.
Published: 01 June 2014
... intimate lives” (vi, 35). The show sends a clear message about what types of intimacy are and are not acceptable. Not acceptable: whispering sweet nothings to a teen 280 qui parle 23:1 • review essays in a chat room. Acceptable: sitting down in front of the televi- sion with your...
Journal Article
Qui Parle (2024) 33 (1): 223–236.
Published: 01 June 2024
... of ordinariness, small spaces opening inside us . . . Saidiya Hartman, “A Room with History” I have found company in the stories of other women, and the revelation of all our ordinariness has itself been curative. Melissa Febos, Girlhood Christina Sharpe’s In the Wake ushers in a break...
Journal Article
Qui Parle (2011) 20 (1): 49–55.
Published: 01 June 2011
... education project of developing human beings, think- ers, citizens? In several public settings, Edley has quipped that all his cyber students will miss is the keg parties, a remark I take to be more a measure of his own distance from undergraduate class- rooms and university culture as a whole than...
Journal Article
Qui Parle (2011) 19 (2): 85–86.
Published: 01 December 2011
... form of syllabic poetry. Usually a tanka is thirty-one syllables, often written in fi ve lines. Shy extrovert entices and repels with petals and thorns. Modest exhibitionist hides her blush under a pink ruffl e. ✶ ✶ ✶ In my hotel room in Columbus, Ohio...