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policeman

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Journal Article

There Is No Acoustic Relation: Considerations on Sound and Image in Post-Soviet Film

Lilya Kaganovsky
Qui Parle (2010) 19 (1): 65–87.
DOI: https://doi.org/10.5250/quiparle.19.1.0065
Published: 01 June 2010
...Lilya Kaganovsky Copyright © 2010 Qui Parle 2010 There Is No Acoustic Relation Considerations on Sound and Image in Post-Soviet Film lilya kaganovsky Kira Muratova’s 1992 fi lm, Chuvstvitel’nyi militsioner (The Sen- timental Policeman), opens with a close-up of a baby’s face.1...
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Journal Article

Workers Entering the Prison: Steve McQueen’s Hunger (2008) as Imperial Labor Film

Christopher McGowan
Qui Parle (2020) 29 (2): 343–372.
DOI: https://doi.org/10.1215/10418385-8743016
Published: 01 December 2020
... of a state disciplinary worker: a young riot policeman who cannot bring himself to participate in the beatings and forced cavity searches that he is supposed to inflict on the prisoners. This riot policeman stands behind the wall where the main events of the scene are taking place, violently shaking...
FIGURES
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Journal Article

Invisible Music (Ellison)

David Copenhafer
Qui Parle (2004) 14 (2): 177–204.
DOI: https://doi.org/10.1215/quiparle.14.2.177
Published: 01 December 2004
... identification of Clifton with the doll, he literally does not see the connection between them. Only after Clifton is killed — shot by a policeman shortly after his perfor- 196 DAVID COPENHAFER mance (pushed one too many times by a cop, the defiance his sales pitch had only partly...
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Journal Article

A Liar’s Epistemology: Herbert Simon’s Performative Artificial Intelligence

Brett Zehner
Qui Parle (2021) 30 (1): 119–157.
DOI: https://doi.org/10.1215/10418385-8955815
Published: 01 June 2021
..., enunciations, concepts, and theoretical strategies—in which all ideologies are one practice among others.” 8 Louis Althusser situates the street scene as the prime site of subjection where subjects are hailed into power by recognizing themselves within the policeman’s call. Yet what is interesting here...
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Journal Article

Petro-Melancholia: The BP Blowout and the Arts of Grief

Stephanie LeMenager
Qui Parle (2011) 19 (2): 25–56.
DOI: https://doi.org/10.5250/quiparle.19.2.0025
Published: 01 December 2011
... and once again suffer- ing together. Noting the essential kindness of the policeman on his “little golf cart,” Brite refuses not to recognize him/herself in even spokespersons for the corporation and state. This persistent effort of recognition touches the dynamic of empathy...
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