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Journal Article
Qui Parle (2010) 19 (1): 65–87.
Published: 01 June 2010
...Lilya Kaganovsky Copyright © 2010 Qui Parle 2010 There Is No Acoustic Relation
Considerations on Sound and Image in Post-Soviet Film
lilya kaganovsky
Kira Muratova’s 1992 fi lm, Chuvstvitel’nyi militsioner (The Sen-
timental Policeman), opens with a close-up of a baby’s face.1...
Journal Article
Qui Parle (2020) 29 (2): 343–372.
Published: 01 December 2020
...—alternately resigned, angry, forlorn, pensive, scared—with that of the prisoners—defiant, passionate, assured, ready to die for the cause. Perhaps the most explicit example of this comes in a later scene. Here, we get a second portrait of a state disciplinary worker: a young riot policeman who cannot bring...
FIGURES
Journal Article
Qui Parle (2004) 14 (2): 177–204.
Published: 01 December 2004
... identification of Clifton with the doll,
he literally does not see the connection between them. Only after
Clifton is killed — shot by a policeman shortly after his perfor-
196 DAVID COPENHAFER
mance (pushed one too many times by a cop, the defiance his sales
pitch had only partly...
Journal Article
Qui Parle (2011) 19 (2): 25–56.
Published: 01 December 2011
... and once again suffer-
ing together. Noting the essential kindness of the policeman on his
“little golf cart,” Brite refuses not to recognize him/herself in even
spokespersons for the corporation and state.
This persistent effort of recognition touches the dynamic of
empathy...
Journal Article
Qui Parle (2021) 30 (1): 119–157.
Published: 01 June 2021
... Althusser situates the street scene as the prime site of subjection where subjects are hailed into power by recognizing themselves within the policeman’s call. Yet what is interesting here in Foucault’s understanding of ideology is that there is something on either side of ideology—functions of power...
