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Qui Parle (2021) 30 (2): 421–438.
Published: 01 December 2021
...Bernardo Sarmiento Hinojosa A review of Katharine Breen , Machines of the Mind: Personification in Medieval Literature (Chicago: University of Chicago Press, 2021) and Nicolette Zeeman , The Arts of Disruption: Allegory and “Piers Plowman” (Oxford: Oxford University Press, 2020). Cited...
Qui Parle (2015) 23 (2): 161–184.
Published: 01 December 2015
... within a photo of me + the lake front. 5 [copies]. A photograph within a photo of me + Navy Pier. 5 [copies]. A photograph within a photo of me + wild lions. 5 [copies]. A photograph within a photo of me + wild wolves. 5 [copies]. A photograph within a photo of me + Chinese Dragon. For next...
Qui Parle (2015) 24 (1): 147–159.
Published: 01 June 2015
...- mal ﬁ ctions, and ﬁ lms including Pier Paolo Pasolini’s Salò (1975) and the “salon” that is Eric Rohmer’s cinematic corpus.7 In these places of all places, one is tempted to add. For the attribution of a “saving frivol- ity” to the torturous Salò (“ma,” 31) is nearly as counterintuitive...
Qui Parle (2003) 14 (1): 73–97.
Published: 01 June 2003
... fighters on the American and other Western occu- piers subsequent to the official cessation of active military hostili- ties exemplify this dynamic almost daily. Far form resolving the difficulties presented by the delusion of the delusion, it is our perpetual engagement...
Qui Parle (2014) 23 (1): 213–238.
Published: 01 June 2014
..., Kafka: Toward a Minor Litera- ture, trans. Dana Polan (Minneapolis: University of Minnesota Press, 1986), 7. 11. Pier Paolo Pasolini, Heretical Empiricism, trans. Ben Lawton and Louise K. Barnett (Bloomington: Indiana University Press, 1985), 83. Hereafter cited as he. 12...
Qui Parle (2008) 17 (1): 147–173.
Published: 01 June 2008
...- pletely bound up with the status of his existence. Another prophet of a modern (albeit God-less) form of mys- tic experience was the Italian writer and film director Pier Paolo Pasolini. He gave us, using a modern lexicon, words with which to pronounce the loss of the self and the joy...
Qui Parle (2011) 19 (2): 25–56.
Published: 01 December 2011
...-cleanup at the time of Brite’s visit, Brite simply notes what he/she sees: “We saw pelicans and people ﬁ shing in Lake Borgne and, way out on a pier, guys in lifejackets messing with huge piles of ﬂ uorescent boom. As we walked back to my car, a St. Bernard Parish sheriff’s deputy came...
Qui Parle (2019) 28 (2): 241–280.
Published: 01 December 2019
... , 2010 . Larson Pier Martin . Ocean of Letters: Language and Creolization in an Indian Ocean Diaspora . Cambridge : Cambridge University Press , 2009 . Leff Harvey S. , and Rex Andrew F. , eds. Maxwell’s Demon: Entropy, Information, Computing . Princeton, NJ : Princeton...
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Qui Parle (2017) 26 (2): 295–382.
Published: 01 December 2017
... style merges narrative language—almost imperceptibly—with the interior thought or externalized vocalizations of a character. Beginning in the 1960s, Pier Paolo Pasolini, Gilles Deleuze, and others applied the free indirect to the cinema, encouraged by the shared temporal dimensions of novel and film...
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Qui Parle (2012) 21 (1): 3–69.
Published: 01 June 2012
... before the arrival of its “real” content (the song itself), may also remind us of Roland Barthes’s discussion of other forms of Derridean chiffons de pa- pier. Discussing wrapping paper in Japanese culture, which means nothing in itself but nevertheless provides a site for the pleasur...