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Journal Article
Qui Parle (2021) 30 (2): 293–335.
Published: 01 December 2021
... of the dialectical image was conceived as a phenomenological corrective to Heidegger’s historicity. To clarify the phenomenological sources of Benjamin’s conception of the image, it reads the traces of Benjamin’s engagement with the early phenomenologist Jean Héring in the first sentences of entry “N3,1” in Das...
Journal Article
Qui Parle (2010) 19 (1): 65–87.
Published: 01 June 2010
...Lilya Kaganovsky Copyright © 2010 Qui Parle 2010 There Is No Acoustic Relation Considerations on Sound and Image in Post-Soviet Film lilya kaganovsky Kira Muratova’s 1992 fi lm, Chuvstvitel’nyi militsioner (The Sen- timental Policeman), opens with a close-up of a baby’s face.1...
Image
Published: 01 December 2021
Fig. 1. Bark image by Georges Didi-Huberman, Écorces , 11. Reproduced by permission of Georges Didi-Huberman. More
Image
Published: 01 December 2021
Fig. 2. Bark image by Georges Didi-Huberman, Écorces , 9 . Reproduced by permission of Georges Didi-Huberman. More
Image
Published: 01 June 2022
Fig. 1. Image of the possessed and badly scarred Regan, with the words help me beginning to form across her sunken stomach. More
Journal Article
Qui Parle (2006) 16 (1): 1–45.
Published: 01 June 2006
...Claude Imbert ABY WARBURG, BETWEEN KANT AND BOAS: FROM AESTHETICS TO THE ANTHROPOLOGY OF IMAGES* Claude Imbert From 1927 to 1929, Aby Warburg dedicated himself to his final project, Mnemosyne, an atlas of images.' If we look at it today, Mnemosyne basically remains...
Image
Published: 01 December 2017
Fig. 1. Throughout the essay I use images from the series Tabula Rasa (2001–16) by the Minsk photographer and artist Sergei Zhdanovich, who accompanied his series with the following description: “An empty billboard may become an esthetic construct when we care to reflect on its significance More
Journal Article
Qui Parle (2017) 26 (1): 155–170.
Published: 01 June 2017
... Reich using the concept of stasis to unpack the social, historical, political, and visual tensions that structure these images’ depiction of their black German subjects. Viewing these images as complex depictions of stasis (defined not as the cessation of movement but as motion held in suspension...
Journal Article
Qui Parle (2018) 27 (1): 1–19.
Published: 01 June 2018
...Cesare Casarino Abstract This essay investigates the absent presence of Baruch Spinoza’s thought in Gilles Deleuze’s Cinema 1: The Movement-Image and Cinema 2: The Time-Image and argues that the concept of expression—as articulated by Deleuze in his study on Spinoza, Expressionism in Philosophy...
Journal Article
Qui Parle (2020) 29 (1): 95–143.
Published: 01 June 2020
... on Lautréamont and shows how they constitute the first considered attempt within his thinking to examine the notions of the fantastic and the image in relation to the experience of metaphor. This survey not only enables a renewed understanding of the significance of Lautréamont’s writings but also reveals how...
Journal Article
Qui Parle (2019) 28 (1): 103–135.
Published: 01 June 2019
... of natural history. As the novel culminates in images and concepts that are essentially nonhuman, inhuman, or posthuman in character, it demonstrates an exacting knowledge of what the present is only now beginning to realize: after two world wars and humanity’s recent entry into what is called the age...
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Journal Article
Qui Parle (2022) 31 (2): 189–229.
Published: 01 December 2022
.... In this Barthesian tradition, the image is an empty land to be colonized, and Oriental subjects are racialized by being fetishistically associated with both authentic matter and theological aura. The second tradition, typified in the novel by the protagonist’s Egyptian mother, is a laborious collective practice...
FIGURES
Image
Published: 01 June 2018
Fig. 1. Ambrosiana Bible (Milan: Biblioteca Ambrosiana MSS B 32 fol. 136r). Photograph: Getty Images More
Image
Published: 01 June 2019
Fig. 5. Käthe Hager von Strobele, interior/exterior, Nr. 4 , 2015. Photograph c-print in glass case. Image courtesy of the artist. More
Image
Published: 01 June 2019
Fig. 3. Seth Weiner, Territories for Three: Cuba Model — 6.9kg , 2016. Monobloc chairs, polypropylene webbing, dimensions variable. Photograph by Alexandra Wanderer. Image courtesy of the artist. More
Image
Published: 01 June 2019
Fig. 4. Seth Weiner, Territories for Two: Cuba Model—4.6kg , 2016. Monobloc chairs, polypropylene webbing, dimensions variable. Photograph by Alexandra Wanderer. Image courtesy of the artist. More
Journal Article
Qui Parle (2016) 24 (2): 1–13.
Published: 01 December 2016
... suggest that the matter on which the dossier informs is that of the cinematic image from the 1960s forward. Four of the fi ve essays off er extended analyses of cin- ematic images of a particular contemporary fi lmmaker: Rei Terada on repletion and totality in Masao Adachi’s landscape fi lms, Damon...
Journal Article
Qui Parle (2003) 13 (2): 1–18.
Published: 01 December 2003
... by the image of Christ in the form of the seraph. The stigmata are the exemplary figure of the effect of the con- templated image and, I would add, an example of a particular form of medieval devotional practice that makes the image the founda- tion of imitatio...
Journal Article
Qui Parle (2021) 30 (2): 249–291.
Published: 01 December 2021
...Fig. 1. Bark image by Georges Didi-Huberman, Écorces , 11. Reproduced by permission of Georges Didi-Huberman. ...
FIGURES | View All (4)
Journal Article
Qui Parle (2015) 23 (2): 115–133.
Published: 01 December 2015
...- temporary social and cultural theory— Spinoza represents a well- spring. Even if many seventeenth- century authors refl ected on the imaginary and image- mediated nature of political relationships, particularly in the connection between politics and religion, few did so as thoroughly...