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Journal Article
Qui Parle (1 June 2010) 19 (1): 65–87.
Published: 01 June 2010
...Lilya Kaganovsky Copyright © 2010 Qui Parle 2010 There Is No Acoustic Relation Considerations on Sound and Image in Post-Soviet Film lilya kaganovsky Kira Muratova’s 1992 fi lm, Chuvstvitel’nyi militsioner (The Sen- timental Policeman), opens with a close-up of a baby’s face.1 The...
Journal Article
Qui Parle (1 June 2006) 16 (1): 1–45.
Published: 01 June 2006
...Claude Imbert Copyright © 2006 Qui Parle 2006 ABY WARBURG, BETWEEN KANT AND BOAS: FROM AESTHETICS TO THE ANTHROPOLOGY OF IMAGES* Claude Imbert From 1927 to 1929, Aby Warburg dedicated himself to his final project, Mnemosyne, an atlas of images.' If we look at it today...
Image
Published: 01 December 2017
Fig. 1. Throughout the essay I use images from the series Tabula Rasa (2001–16) by the Minsk photographer and artist Sergei Zhdanovich, who accompanied his series with the following description: “An empty billboard may become an esthetic construct when we care to reflect on its significance More
Journal Article
Qui Parle (1 June 2018) 27 (1): 1–19.
Published: 01 June 2018
...Cesare Casarino Abstract This essay investigates the absent presence of Baruch Spinoza’s thought in Gilles Deleuze’s Cinema 1: The Movement-Image and Cinema 2: The Time-Image and argues that the concept of expression—as articulated by Deleuze in his study on Spinoza, Expressionism in Philosophy...
Journal Article
Qui Parle (1 June 2017) 26 (1): 155–170.
Published: 01 June 2017
... Reich using the concept of stasis to unpack the social, historical, political, and visual tensions that structure these images’ depiction of their black German subjects. Viewing these images as complex depictions of stasis (defined not as the cessation of movement but as motion held in suspension and a...
Journal Article
Qui Parle (1 June 2019) 28 (1): 103–135.
Published: 01 June 2019
... natural history. As the novel culminates in images and concepts that are essentially nonhuman, inhuman, or posthuman in character, it demonstrates an exacting knowledge of what the present is only now beginning to realize: after two world wars and humanity’s recent entry into what is called the age of the...
Image
Published: 01 June 2018
Fig. 1. Ambrosiana Bible (Milan: Biblioteca Ambrosiana MSS B 32 fol. 136r). Photograph: Getty Images Fig. 1. Ambrosiana Bible (Milan: Biblioteca Ambrosiana MSS B 32 fol. 136r). Photograph: Getty Images More
Image
Published: 01 June 2019
Fig. 3. Seth Weiner, Territories for Three: Cuba Model — 6.9kg , 2016. Monobloc chairs, polypropylene webbing, dimensions variable. Photograph by Alexandra Wanderer. Image courtesy of the artist. Fig. 3. Seth Weiner, Territories for Three: Cuba Model—6.9kg, 2016. Monobloc chairs, polypropylene More
Image
Published: 01 June 2019
Fig. 4. Seth Weiner, Territories for Two: Cuba Model—4.6kg , 2016. Monobloc chairs, polypropylene webbing, dimensions variable. Photograph by Alexandra Wanderer. Image courtesy of the artist. Fig. 4. Seth Weiner, Territories for Two: Cuba Model—4.6kg, 2016. Monobloc chairs, polypropylene More
Image
Published: 01 June 2019
Fig. 5. Käthe Hager von Strobele, interior/exterior, Nr. 4 , 2015. Photograph c-print in glass case. Image courtesy of the artist. Fig. 5. Käthe Hager von Strobele, interior/exterior, Nr. 4, 2015. Photograph c-print in glass case. Image courtesy of the artist. More
Journal Article
Qui Parle (1 December 2016) 24 (2): 1–13.
Published: 01 December 2016
... herein might suggest that the matter on which the dossier informs is that of the cinematic image from the 1960s forward. Four of the fi ve essays off er extended analyses of cin- ematic images of a particular contemporary fi lmmaker: Rei Terada on repletion and totality in Masao Adachi’s landscape fi...
Journal Article
Qui Parle (1 December 2003) 13 (2): 1–18.
Published: 01 December 2003
..., in which the saint is completely affected and absorbed by the image of Christ in the form of the seraph. The stigmata are the exemplary figure of the effect of the con- templated image and, I would add, an example of a particular form of medieval devotional...
Journal Article
Qui Parle (1 December 2015) 23 (2): 115–133.
Published: 01 December 2015
...- temporary social and cultural theory— Spinoza represents a well- spring. Even if many seventeenth- century authors refl ected on the imaginary and image- mediated nature of political relationships, particularly in the connection between politics and religion, few did so as thoroughly and...
Journal Article
Qui Parle (1 December 2007) 16 (2): 73–96.
Published: 01 December 2007
... traces of gazes, images and material objects.' Yet, almost all of Benjamin's texts were pub- lished in the absence of those images to which he implicitly or explicitly referred; the visual citations have been excluded. This is true of the earlier and later editions of his texts, as well as of his...
Journal Article
Qui Parle (1 June 2003) 14 (1): 73–97.
Published: 01 June 2003
...," when read adjectivally, yields an image of freedom as lasting and durable, when read as a progressive verb form, "enduring" evokes the per- spectives of all those victims who from this point on will be forced to endure the violent implementation of "freedom" as the Bush...
Journal Article
Qui Parle (1 December 2014) 22 (2): 69–99.
Published: 01 December 2014
...Arden Reed Copyright © 2014 Qui Parle 2014 New Sites for Slowness Speed and Nineteenth- Century Stereoscopy arden reed Velocity and Images Somebody once asked Los Angeles artist Ed Ruscha, “How can you tell good art from bad?” He answered, “With a bad work you immediately say...
Journal Article
Qui Parle (1 December 2018) 27 (2): 539.
Published: 01 December 2018
... Copyright © 2018 Editorial Board, Qui Parle 2018 Arsenjuk Luka . Mouvement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis . Minneapolis : University of Minnesota Press , 2018 . De Lagasnerie Geoffroy . Judge and Punish: The Penal State on Trial...
Journal Article
Qui Parle (1 December 2003) 13 (2): 137–142.
Published: 01 December 2003
... ability if somewhat crosswise inten- tions," if we are to complete our caption and complicate our understanding of precisely what is at stake in this image. Because in collapsing the framer's "snapshot" into his own "performance still," Thomas highlights the visual conceits that underpin both...
Journal Article
Qui Parle (1 June 2015) 24 (1): 31–62.
Published: 01 June 2015
... that, before she became a drawn fi gure, she directed at her treacher- ous husband, Jason. The title, Medea as Mutant, explained enough, or so I thought. I approached to examine the white dots that covered 32 qui parle fall/winter 2015 vol. 24, no. 1 the image, there as if to protect...
Journal Article
Qui Parle (1 June 2008) 17 (1): 199–221.
Published: 01 June 2008
... psychiatrists before him had oc- casionally published paintings and drawings of their patients, ana- lyzing them for purposes of psychiatric diagnosis, Prinzhorn found that he could not identify the mental disorders of inmates from the types of images they made. Prinzhorn had first gotten a...