...Robert Alford Copyright © 2012 Qui Parle 2012 REVIEW ESSAY Fighting the “Culture of Certainty” A Review of Wendy Gay Pearson and Susan Knabe’s Zero Patience: A Queer Film Classic robert alford John Greyson’s musical Zero Patience (1993) is provocatively, playfully, and...

...Lilya Kaganovsky Copyright © 2010 Qui Parle 2010 There Is No Acoustic Relation Considerations on Sound and Image in Post-Soviet Film lilya kaganovsky Kira Muratova’s 1992 fi lm, Chuvstvitel’nyi militsioner (The Sen- timental Policeman), opens with a close-up of a baby’s face.1 The...

... , as well as in his Logic of Sense —constitutes the crucial condition of possibility of Deleuze’s philosophical theory of the cinema and, in particular, of his twofold understanding of cinema as medium of expression and of cinema as expression of time. Baruch Spinoza Gilles Deleuze film theory...

... inclusion. Since his “diaspora aesthetics” is based on black British films, photography, and visual art, this reassessment of his work concludes with a consideration of the Beninese artist Romuald Hazoumè’s La Bouche du Roi . This room-size multimedia slave ship installation brings a history of...

... University Press, 2003). Kirk Pillow, Sublime Understanding: Aesthetic Reflection in Kant and Hegel (Cambridge: MIT Press, 2003). Patricia Pisters, The Matrix of Visual Culture: Working with Deleuze in Film Theory (Stanford: Stanford University Press, 2003...

... and Hegel (Cambridge: MIT Press, 2003). Patricia Pisters, The Matrix of Visual Culture: Working with Deleuze in Film Theory (Stanford: Stanford University Press, 2003). Anthony Rudd, Expressing the World: Skepticism, Wittgenstein, and Heidegger...

... The Infinity Award, ICP). Her most recent documentary films include The Chain of Fopd (2004) and I Also Dwell Among Your Own People: Conversations with Azmi Bishara (2005). DAVID BATES is Associate Professor in the Department of Rhetoric at the University of California, Berkeley...

..." (DF, 56-7). The danger of cinema to the spectator, in other words, is marked by race, by racism. For its white spectators, cinema can be a type of waking dream — a common theme in psychoanalytic film theory — or false illusion; by contrast, the black spectator finds...

...: Bridging the Two Cultures (Gainesville, FL: University Press of Florida, 2001). Gilles Deleuze, Empiricism and Subjectivity: An Essay on Hume's Theory of Human Nature, trans. Constantin V. Boundas (New York: Columbia University Press, 1991). Kim Emery, The Lesbian Index...

... and the United States. Qui Palle, Vol. 15, No. 1 Fall/Winter 2004 176 NOTES ON CONTRIBUTORS WHITNEY DAVIS is Professor of History & Theory of Ancient & Modern Art at Berkeley, where he also chairs the Department of History of Art and the Film Studies...

... Subversion of Identity (Routledge, 1990); Bodies That Matter: On the Discursive Limits of "Sex" (Routledge, 1993); The Psychic Life of Power: Theories of Subjection (Stanford Univer- sity Press, 1997); Excitable Speech (Routledge, 1997), as well as numerous articles and...

... political theorist Georges Sorel, whose theory of revolution called for the resuscitation of such "primi- tive" consciousness through the emotive impact of mythic images on the imagination. For Lamour, a poetic response to machine dy- namism constituted one such mythic image, and served to define...

... to convince himself that he is white will find his true face there" (153 n16). The example that Fanon gives to illustrate this point has been particularly relevant to film theory's adaptation of Fanon's work. In a footnote, Fanon recommends the following experiment...

... sheen of cinematic reproduction and the entire apparatus of film theory (the auteurist, subjectivist, and ocular-centric interpretations of "the gaze Hitchcock offers an evacuation of representational meanings second to none. The Hitchcock signature "signifies nothing — retains no linguistic...

... , 2017 . Figlerowicz Marta . Flat Protagonists: A Theory of Novel Character . Oxford : Oxford University Press , 2016 . Fong Benjamin Y. Death and Master: Psychoanalytic Drive Theory and the Subject of Late Capitalism . New York : Columbia University Press , 2016...

.... (New York: Continuum, 2006). Marc Redfield, ed. Legacies of Paul de Man (New York: Fordham University Press, 2007). Frances L. Restuccia, Lacanian Ethics in Modernism, Film, and Queer Theory (Stanford: Stanford University Press, 2006). Avital, Ronnell, The Test Drive...

... Visions. New York: Columbia Uni- versity Press, 2011. Lippit, Akira Mizuta. Ex- Cinema: From a Theory of Experimental Film and Video. Berkeley: University of California Press, 2012. Lübecker, Nikolaj. Community, Myth and Recognition in Twentieth- Century...

...: Contemporary Dialogues on the Left (New York: Verso, 2000). Michael P. Clark, ed., Revenge of the Aesthetic: The Place of Literature in Theory Today (Berkeley: The University of California Press, 2000). Patricia Crawford and Laura Gowing, eds...

...: Columbia University Press, 2011. Dobrenko, Evgeny, and Galin Tihanor, eds. A History of Russian Liter- ary Theory and Criticism: The Soviet Age and Beyond. Pittsburgh: University of Pittsburgh Press, 2011. Elliott, Jane, and Derek Attridge, eds. Theory after...

... Showcase (MIT Press, 2001 -Winner of The Affinity Award, ICP) and TRAining. for ART (Hakibutz Hameuchadand The Porter Institut Publishers, 2000, in Hebrew) and the director of documentary films, At Nightfall (2005), /Also Dwell Among Your Own...