1-20 of 55 Search Results for

dance

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Qui Parle (1 December 2013) 21 (2): 143–155.
Published: 01 December 2013
...François Laruelle Copyright © 2013 Qui Parle 2013 First Choreography or the Essence- of- Dance françois laruelle Translated by Alyosha Edlebi Up to now, aesthetics has merely been a system of fi ne arts. We seek what it would become within the limits of a science of the es...
Journal Article
Qui Parle (1 December 2003) 13 (2): 19–51.
Published: 01 December 2003
... trends flourished in experimental dance and performance. Young artists and students lurked in cafes listening to jazz, subsisting on coffee and whiskey. They read Merleau-Ponty and Marx, Sartre and Sade, folklorists Origuchi Shinobu and Yana- gida Kunio, along with radically violent comic books...
Journal Article
Qui Parle (1 June 2019) 28 (1): 181–188.
Published: 01 June 2019
... as a trace that dances as it rhythmically unites intuition and intellect. Form here pulsates and expresses itself, emancipated from the requirement of representing another element symbolically. I am interested in the decolonial possibilities that emerge for the visual arts when thought confronts a...
Journal Article
Qui Parle (1 June 2011) 20 (1): 207–218.
Published: 01 June 2011
...V. Kaladharan Copyright © 2011 Qui Parle 2011 From Meditative Learning to Impersonal Pedagogy Refl ections on the Transformation of an Indian Gurukula v. kaladharan For centuries, highly evolved Indian art forms like kathakali dance- theater and kutiyattam theater were fostered...
Journal Article
Qui Parle (1 June 2010) 19 (1): 181–192.
Published: 01 June 2010
... begins to look like the object of modern ethnographic attention: a native embedded in contexts whose dimensions require an anthropologist (or art historian) to articulate. The Dancing Lesson (1878), featured on the book jacket, serves as a crucial example in this argument. The painting depicts...
Journal Article
Qui Parle (1 December 2004) 14 (2): 177–204.
Published: 01 December 2004
... motion, a dance that was completely detached from the black, mask-like face. It's no jumping-jack, but what, I thought, seeing the doll throwing itself about with the fierce defiance of someone performing a degrading act in public, dancing as though it received a perverse...
Journal Article
Qui Parle (1 December 2007) 16 (2): 1–3.
Published: 01 December 2007
... ghosts dancing in and around Baghdad. In the end, Baghdad is akin to its sisters; mythical and mytholo- gized cities. Baghdad is the search for Baghdad. And all this destruction will only polish the selectivity of memory. Nostalgia, too, will do what it usually does...
Journal Article
Qui Parle (1 June 2008) 17 (1): 125–145.
Published: 01 June 2008
... latter the very language through which he could express the ontology implied by traditional African religions. Religion, Life-Force, Rhythm, and Dance First, there is the primacy of becoming over being—the thought of being as movement rather than immobility, the...
Journal Article
Qui Parle (1 December 2017) 26 (2): 249–269.
Published: 01 December 2017
...Avital Ronell ☾ ☾ ☾ When darkness threatens to drown out my ability to push back, throw that punch, shout out in fist-shaking fury, I remember the way Nietzsche has filled my dance card, sometimes taking me for a solitary spin; other times, by opening and inventing a new lexicon of rage, the...
Journal Article
Qui Parle (1 December 2012) 20 (2): 249–278.
Published: 01 December 2012
...-ry” (EHB, 1:238). He gives no equivalent in English. A “folía,” according to the Diccionario de Autoridades, is a dance from either the Canary Islands or Portugal characterized as “de mucho ruido” (uproarious). It connotes extravagance and lu- nacy (locura) and is linked...
Journal Article
Qui Parle (1 June 2006) 16 (1): 1–45.
Published: 01 June 2006
... houses whose vertical order, manifest in the kiwa altar in the granaries, privileged a cosmological vector. The schema is replicated in weavings, pottery, and principally in the kiwa's altar function. Warburg then describes three dances enumerated according to their...
Journal Article
Qui Parle (1 June 2010) 19 (1): 193–203.
Published: 01 June 2010
... reiteration, and, from Milbank’s perspective, leads to a less elegant aesthetic, a dance with one step. For Milbank, the use/mention distinction does not collapse into a liquid; it collapses into a gel, at once uniform and differentiated— like the mist. This is an aesthetic whose...
Journal Article
Qui Parle (1 June 2010) 19 (1): 65–87.
Published: 01 June 2010
... crying, the policeman jumps up and begins to perform a series of theatrical movements: he spins around, he covers his ears, he dances in circles, and we understand from this exaggerated gestural language that he can hear the baby crying, even if we can’t. Indeed, since the opening close-up of the...
Journal Article
Qui Parle (1 June 2001) 13 (1): 171–176.
Published: 01 June 2001
..., Futurism, and Fauvism. Lewis' painting Kermesse, which Edwards calls the first masterpiece of Modernist painting, forces the primordial vision of the dance into the patterns of the material world. This discovery of lines of a patterning force provides a frame for reading Lewis' early writing...
Journal Article
Qui Parle (1 June 2012) 21 (1): 263–278.
Published: 01 June 2012
... character known to Burton as Patient Zero. Limbo is visualized as a swimming pool lit by colored lights and shrouded in mist. Clad in a wrestling singlet, Zero appears next to the pool where a cadre of swimmers performs in sync, himself dancing athletically with a mirrored disco...
Journal Article
Qui Parle (1 June 2008) 17 (1): 3–40.
Published: 01 June 2008
Journal Article
Qui Parle (1 December 2014) 22 (2): 57–68.
Published: 01 December 2014
... the com- modifi cation of the human body.9 In the section titled “Dim Stock- ings,” Agamben recalls the advertisement for Dim tights from the 1970s, where the intimacy, and almost the confusion, of the bodies of the dancing girls and the fabric covering their legs broadcast the promise of a new...
Journal Article
Qui Parle (1 December 2012) 20 (2): 199–223.
Published: 01 December 2012
... has been taught to dance by blows and few meager morsels.” “By no means,” said Zarathustra. “You have made danger your vocation: there is nothing contemptible in that. Now you perish of your vocation: for that I will bury you with my own hands.” When Zarathustra had said...
Journal Article
Qui Parle (1 December 2012) 20 (2): 225–248.
Published: 01 December 2012
... interpreta- tions of Bergson’s thought were developed in the colonies. I fi nd myself in enthusiastic agreement with his rigorous assessment of Bergson’s importance for Senghor’s understanding of intuition as a critique of false immediacies and of dance and rhythm as both the...
Journal Article
Qui Parle (1 December 2012) 20 (2): 71–89.
Published: 01 December 2012
... patriotic situation comedy. The second thing, clearly, that you’re interested in, is the infan- tile reduction of power to appetite, to the scene of kill or be killed. The porn discovery had them dancing like elves. The discovery that bin Laden was an ordinary wizard after all...