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dance

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Journal Article
Qui Parle (2013) 21 (2): 143–155.
Published: 01 December 2013
...François Laruelle Copyright © 2013 Qui Parle 2013 First Choreography or the Essence- of- Dance françois laruelle Translated by Alyosha Edlebi Up to now, aesthetics has merely been a system of fi ne arts. We seek what it would become within the limits of a science of the es...
Journal Article
Qui Parle (2003) 13 (2): 19–51.
Published: 01 December 2003
... trends flourished in experimental dance and performance. Young artists and students lurked in cafes listening to jazz, subsisting on coffee and whiskey. They read Merleau-Ponty and Marx, Sartre and Sade, folklorists Origuchi Shinobu and Yana- gida Kunio, along with radically violent comic books...
Journal Article
Qui Parle (2011) 20 (1): 207–218.
Published: 01 June 2011
...V. Kaladharan Copyright © 2011 Qui Parle 2011 From Meditative Learning to Impersonal Pedagogy Refl ections on the Transformation of an Indian Gurukula v. kaladharan For centuries, highly evolved Indian art forms like kathakali dance- theater and kutiyattam theater were fostered...
Journal Article
Qui Parle (2004) 14 (2): 177–204.
Published: 01 December 2004
... up and down in a loose-jointed, shoulder-shaking, infuriatingly sensuous motion, a dance that was completely detached from the black, mask-like face. It's no jumping-jack, but what, I thought, seeing the doll throwing itself about with the fierce defiance...
Journal Article
Qui Parle (2010) 19 (1): 181–192.
Published: 01 June 2010
... ethnographic attention: a native embedded in contexts whose dimensions require an anthropologist (or art historian) to articulate. The Dancing Lesson (1878), featured on the book jacket, serves as a crucial example in this argument. The painting depicts a group of three fi gures: an adolescent male...
Journal Article
Qui Parle (2019) 28 (1): 181–188.
Published: 01 June 2019
...Eduardo Taborda; Jesús Gutiérrez Copyright © 2019 Editorial Board, Qui Parle 2019 In the figures that I channel here, I have sought to convey a sense of the autochoreography of form: an unrestrained path conscious of itself as both movement and shape, or as a trace that dances...
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Journal Article
Qui Parle (2008) 17 (1): 125–145.
Published: 01 June 2008
... by traditional African religions. Religion, Life-Force, Rhythm, and Dance First, there is the primacy of becoming over being—the thought of being as movement rather than immobility, the identification of being with movement. This theme is present in one of the very first...
Journal Article
Qui Parle (2012) 20 (2): 249–278.
Published: 01 December 2012
...). He gives no equivalent in English. A “folía,” according to the Diccionario de Autoridades, is a dance from either the Canary Islands or Portugal characterized as “de mucho ruido” (uproarious). It connotes extravagance and lu- nacy (locura) and is linked directly to the Old...
Journal Article
Qui Parle (2020) 29 (1): 203–215.
Published: 01 June 2020
... fast-paced operettas participated in the acceleration of public life while contributing to the normalization of rhythmic provocations that dances such as the cancan had once contained (231–46). In the center of the Austro-Hungarian Empire, Vienna, where Offenbach’s influence was superseded by decidedly...
Journal Article
Qui Parle (2017) 26 (2): 249–269.
Published: 01 December 2017
... invent, haplessly, for Kittler sees literary articulation originating only in the Seufzer , the sigh: Ach! 1 But, still. What is the sigh but a feminine accent placed near or on language’s spareness? In Richard II the sigh and groan duke it out in a dance of sexual difference. Men groan, women...
Journal Article
Qui Parle (2006) 16 (1): 1–45.
Published: 01 June 2006
... dances enumerated according to their increasing complexity. The first one is the animal mimetism of the Antelope Dance, followed by a masked dance (Humiskatcina) that conjures water and corn. This is accompanied by a comical sexual mime, which Warburg describes...
Journal Article
Qui Parle (2022) 31 (1): 7–26.
Published: 01 June 2022
..., and finally to dance. These are analog mediations, but like all such mediations, the message is negotiated through the materiality of the media. In other words, the material affordances determine the possibilities of communication. The poem inflects zhi in one manner, channeling it through the strange...
Journal Article
Qui Parle (2007) 16 (2): 1–3.
Published: 01 December 2007
..., all carried by the doves and crows of reading. Poems, slogans, wars, invasions, and skulls laughing in nightmares addicted to the night. A night raised by spears and swords, then passed on to missiles and satellites as they monitor the ghosts dancing in and around...
Journal Article
Qui Parle (2019) 28 (2): 219–240.
Published: 01 December 2019
... at the same time while in a different space altogether. The example given to me by my student Brenton Boyd strikes me as quite salient here: the queer Jamaican Londoners from the documentary Out and Bad who gather to dance to dancehall and deliberately ignore the phobic, violent lyrics. There they are, also...
Journal Article
Qui Parle (2010) 19 (1): 65–87.
Published: 01 June 2010
... to be crying, the policeman jumps up and begins to perform a series of theatrical movements: he spins around, he covers his ears, he dances in circles, and we understand from this exaggerated gestural language that he can hear the baby crying, even if we can’t. Indeed, since the opening close-up...
Journal Article
Qui Parle (2010) 19 (1): 193–203.
Published: 01 June 2010
... perspective, leads to a less elegant aesthetic, a dance with one step. For Milbank, the use/mention distinction does not collapse into a liquid; it collapses into a gel, at once uniform and differentiated— like the mist. This is an aesthetic whose dividends do not stop...
Journal Article
Qui Parle (2012) 21 (1): 263–278.
Published: 01 June 2012
... to Burton as Patient Zero. Limbo is visualized as a swimming pool lit by colored lights and shrouded in mist. Clad in a wrestling singlet, Zero appears next to the pool where a cadre of swimmers performs in sync, himself dancing athletically with a mirrored disco ball...
Journal Article
Qui Parle (2001) 13 (1): 171–176.
Published: 01 June 2001
... of the European movements - Cubism, Futurism, and Fauvism. Lewis' painting Kermesse, which Edwards calls the first masterpiece of Modernist painting, forces the primordial vision of the dance into the patterns of the material world. This discovery of lines of a patterning force provides a frame...
Journal Article
Qui Parle (2008) 17 (1): 3–40.
Published: 01 June 2008
... illiterate “symbolic” expression—dance, music, poetry, and so on—to be accorded the dignified status oflogoi . If things, as Bergson claimed, are really in their essence not self-identical substances, but ongoing temporal changes (durées or, as Deleuze calls them, “continuous...
Journal Article
Qui Parle (2012) 20 (2): 71–89.
Published: 01 December 2012
.... The second thing, clearly, that you’re interested in, is the infan- tile reduction of power to appetite, to the scene of kill or be killed. The porn discovery had them dancing like elves. The discovery that bin Laden was an ordinary wizard after all, an ordinary man with sexual drives...