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Journal Article
Qui Parle (2013) 21 (2): 69–100.
Published: 01 December 2013
...Julie Beth Napolin Copyright © 2013 Qui Parle 2013 “A Sinister Resonance” Vibration, Sound, and the Birth of Conrad’s Marlow julie beth napolin I shall vanish into space (there’s no space) and the vibrations that make up me, shall go to the making of some other fool...
Journal Article
Qui Parle (2022) 31 (2): 159–188.
Published: 01 December 2022
... principal passion: the “unstoppable predilection for alternatives” ( W , 247). Here we reach the beginnings of the second concept of the religious outlined at the start of this essay. We reach it in how Said, in his earlier study of Conrad, described this process of transforming chaos into art by using...
Journal Article
Qui Parle (2013) 21 (2): 213–215.
Published: 01 December 2013
... at Eugene Lang College, the New School for Liberal Arts in New York City. Her book in progress, The Acoustics of Narrative In- volvement, poses a theory of literary sound studies, examining the relationship between sound, narrative, and the body in the works of Conrad and Faulkner...
Journal Article
Qui Parle (2012) 20 (2): 283–285.
Published: 01 December 2012
.... New York: Zone Books, 2010. GoGwilt, Christopher. The Passage of Literature: Genealogies of Mod- ernism in Conrad, Rhys, and Pramoedya. Oxford: Oxford Univer- sity Press, 2011. Guillaume, Laura, and Joe Hughes, eds. Deleuze and the Body. Edin- burgh...
Journal Article
Qui Parle (2013) 21 (2): 127–138.
Published: 01 December 2013
... not preach as much as show. Joseph Conrad does not impart sermons, but read- ing his stories one understands, what it means to live in loyalty or in mendacity, in courage or in fear, in the good fi ght or in deser- tion. In this sense— but only in this sense— literature is a humanis...
Journal Article
Qui Parle (2014) 22 (2): 163–175.
Published: 01 December 2014
... Form 169 “impartial spectator” and Victorian omniscient narration before attending to where the alliance of sympathy and omniscience falls fl at or ceases to signify in the texts of George Eliot, Joseph Conrad, and Henry James. While the middle chapters of this work show Greiner attending...
Journal Article
Qui Parle (2013) 22 (1): 33–48.
Published: 01 June 2013
... cases one attempting to explore what could be called, to paraphrase Joseph Conrad, the “heart of humaneness.” Acknowledgment This article is a substantially revised version of a lecture delivered at the Institute for Advanced Study titled “Critique of Humanitar- ian...
Journal Article
Qui Parle (2017) 26 (1): 171–194.
Published: 01 June 2017
... in the bathtub, first Rich comes over afternoon, 1:30, wakes me up. We fuck two, two and a half times. He doesn’t come the third time because Peter calls. He’s coming home. We don’t have time. Forgotten for more than two decades, The Blue Tape resurfaced in 2000. The filmmaker Tony Conrad, a friend...
Journal Article
Qui Parle (2000) 12 (1): 177–201.
Published: 01 June 2000
... an internal temptation to be avoided, but an inexorable structural risk that changes the nature of polemics. As a revision of Conrad's Secret Agent, Hitchcock's film is ex- plicitly concerned with the possibility of sabotage. At first blush, the film has...
Journal Article
Qui Parle (2009) 17 (2): 31–58.
Published: 01 December 2009
... with the Suf- folk coast: chapter 5, for example, starting from the viewing of a TV documentary about Roger Casement, spills into an account of the early life of Joseph Conrad, the two lives intersecting in their Congo experiences during the period of Belgian colonialism...
Journal Article
Qui Parle (2016) 25 (1-2): 35–64.
Published: 01 December 2016
... Australia,” Law and History Review 23, no. 1 (2005): 95– 131. See also Sven Lindqvist, Terra Nullius: A Journey through No One’s Land (New York: New Press, 2007). 13. Joseph Conrad, Heart of Darkness (New York: Dover, 1990), 47. 14. Claude Lévi-Strauss, Structural...
Journal Article
Qui Parle (2005) 15 (2): 1–49.
Published: 01 December 2005
... The Brutality of Fact: Interviews with Francis Bacon 1962-1979.3° Other vignettes bor- row from Joseph Conrad ("Introduction Congolese writer Sony Labou Tansi (chapter 3, French edition) and Amos Tutuola (chapter 5). From a purely aesthetic point of view, it can be said...