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Published: 01 June 2021
Fig. 8. Map of Addison Terrace divided by areas and racial composition of each area. The areas were divided by the laundries (marked by the dots). Reproduced from Robert K. Merton, “Community Facilities at Addison Terrace,” 1947, Robert K. Merton Papers, 1928–2003, MS 1439, Box 207, folder 20
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Journal Article
Qui Parle (2020) 29 (1): 25–63.
Published: 01 June 2020
.... Through its refined composition and succinct prose, the book puts itself at the service of the approach that leads to bringing forth philosophical concepts, and it attunes the reader to the creative activity. Thus, like The Logic of Sense (1969) and A Thousand Plateaus (1980), it forms a masterwork...
Journal Article
Qui Parle (2004) 14 (2): 117–143.
Published: 01 December 2004
... "new
music" in general. Moreover, different schools of composition
spend just as much time criticizing their fellow composers' works
as do newspaper and magazine critics.
If we want to see just how bad the situation has become, we
need not look further than the pages of The New Yorker...
Journal Article
Qui Parle (2004) 14 (2): 145–175.
Published: 01 December 2004
... meditations on musical instances
where the conditions of listening are altered, not only because of
the formal nature (compositional and/or performative) of certain
musical pieces, but also as a result of social-historical relations and
practices. I consider the problem of listening less a matter...
Journal Article
Qui Parle (2017) 26 (2): 533–534.
Published: 01 December 2017
... to sky’s idle nesting dolls short-circuiting November a single cold composite sheet of what was left of all the resinous hearts towed to harbor all of which (including mine) went black a temple in atrament as though the moon picked out a pickerel nearing its own pale speculation what you thought being...
Journal Article
Qui Parle (2007) 16 (2): 5–38.
Published: 01 December 2007
... in broad strokes, and without worrying
about comprehensiveness, its image in the recent public debate by
picking out a few salient examples in journalistic, political-admin-
istrative, and intellectual discourse.
The core of this composite discursive nebula is made up of
what took...
Journal Article
Qui Parle (2004) 14 (2): 213–214.
Published: 01 December 2004
... work is a book on the politics
of sublimation and the secular imagination.
BRIAN KANE is a Ph.D. Candidate in Music Composition at the
Qui Park, Vol. 14, No. 2 Spring/Summer 2004
214 NOTES ON CONTRIBUTORS
University of California, Berkeley. He has written solo, chamber...
Journal Article
Qui Parle (2004) 15 (1): 175–176.
Published: 01 June 2004
...-
rently writing a book on averageness and mediocrity.
BRIAN KANE is a Ph.D. Candidate in Music Composition at the
University of California at Berkeley. He has written solo, cham-
ber and vocal works in addition to electronic music. He is cur-
rently composing...
Journal Article
Qui Parle (2013) 21 (2): 69–100.
Published: 01 December 2013
... in the novel to lend it precisely the nostalgic form of
social immediacy admonished by Jameson, the compositional his-
Napolin: The Birth of Conrad’s Marlow 75
tory of this novel tells the story of “another art altogether.” The
undated fi rst draft, “Tuan Jim: A Sketch...
Journal Article
Qui Parle (2016) 24 (2): 75–108.
Published: 01 December 2016
..., the actual surgery (and its pretext for spectacular specular gore)
is largely elided, eager as the fi lm is to indulge a formal fascination
with how the novel composite fi gure will move, act, eat, shit— which
is to say how the abstractions of parts A, B, and C will relate...
Journal Article
Qui Parle (2013) 21 (2): 178–192.
Published: 01 December 2013
...: the “extension,” in be-
coming “extended body,” allows for diffusion without separation.
Hawking thus more closely resembles the type of composite
Donna Haraway calls a “cyborg”— “a hybrid of machine and or-
ganism, a creature of social reality as well as a creature of fi ction.”8
Indeed, Mialet...
Journal Article
Qui Parle (2011) 20 (1): 153–167.
Published: 01 June 2011
... in English. Then, too, English
is the descriptor for the department where composition (the uni-
versal requirement) is taught. But this is hardly inevitable: many
universities—for example, the University of Pennsylvania—have
separated the two, making way for cross-disciplinary...
Journal Article
Qui Parle (2003) 14 (1): 123–158.
Published: 01 June 2003
... ambiguities, such
as the painting's compositional asymmetry, its sketchiness (espe-
cially the far wall), the precipitousness of the ground-plane as it
moves toward the viewer, and most centrally, "the lack of match
between the reflection in the standing mirror . . . and the portion
of the room...
Journal Article
Qui Parle (2014) 22 (2): 69–99.
Published: 01 December 2014
... stereoscopy’s dual kinship with death and
modernity. By juxtaposing a classical statue with a photographer’s
models in contemporary dress, Marinier embodies Baudelaire’s no-
tion that modern beauty blends the ephemeral and the eternal.
Through the viewfi nder we see a pyramidal composition of fi ve...
Journal Article
Qui Parle (2001) 12 (2): 107–142.
Published: 01 December 2001
... of a compositional practice in which criticism is
no longer derived from a given set of facts, opinions and interpre-
tive strategies, but is rather the end result of a collision between two
historically specific intellectual projects. In "Hecuba Whimsy"'s
"Short History," these two projects...
Journal Article
Qui Parle (2008) 17 (1): 199–221.
Published: 01 June 2008
... this lack of feeling. In the
academy aspiring artists studied the forms and compositions with
which society and nature had been depicted in fine art. But the very
recipes derived from the old masters render the works of fine art
lifeless. Dubuffet’s art brut, or raw art, contrasted...
Journal Article
Qui Parle (2001) 12 (2): 1–14.
Published: 01 December 2001
..., a "composition by field" where "form is never
more than an extension of content" and one perception must im-
mediately and directly lead to a further perception." The moment of
anxious displacement, following Ngai, would occur between the
declaration of content out of a groundless...
Journal Article
Qui Parle (2009) 18 (1): 97–110.
Published: 01 June 2009
... a com-position. Now this constitutive charac-
ter of composition—that is, the woof of time—constructed by the
difference between primary and secondary is a distinctive philo-
sophical discovery on Husserl’s part. At the end of his career, he
supplements it with the discovery of retentional fi...
Journal Article
Qui Parle (2007) 16 (2): 97–130.
Published: 01 December 2007
...:
This is the description of poetic composition as an escrime, or fenc-
ing match. But even if it attaches itself explicitly only to a single
word, Benjamin's argument for the existence of a "traumatophile
type" in Baudelaire's poetry — the type of subject for whom con-
sciousness has intervened to parry the shock...
Journal Article
Qui Parle (2014) 23 (1): 213–238.
Published: 01 June 2014
... individuations of the
type at fi ve in the afternoon are defi ned by their capacity to affect
and to be affected, that is, as longitudes or compositions of rela-
tions of force, complex relations of variable speeds (speeding up
and slowing down), but also as latitudes, variations...
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