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cinema

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Journal Article
Qui Parle (1 June 2018) 27 (1): 1–19.
Published: 01 June 2018
...Cesare Casarino Abstract This essay investigates the absent presence of Baruch Spinoza’s thought in Gilles Deleuze’s Cinema 1: The Movement-Image and Cinema 2: The Time-Image and argues that the concept of expression—as articulated by Deleuze in his study on Spinoza, Expressionism in Philosophy...
Journal Article
Qui Parle (1 June 2010) 19 (1): 65–87.
Published: 01 June 2010
... restructur- ing during these years, refers to it as the “fi rst perestroika,” that is to say, the fi rst instance of national reconstruction. During the First Five-Year Plan, the cinema (along with all the other industries) was centralized, with a new bureaucratic system created to...
Journal Article
Qui Parle (1 June 2010) 19 (1): 221–223.
Published: 01 June 2010
..., Comparative Litera- ture, and Cinema at the University of Illinois, Urbana-Champaign. She is the author of How the Soviet Man Was Unmade (2008) as well as articles on gender, masculinity, and the body in Soviet and post-Soviet cinema. She serves on the editorial board of the journal...
Journal Article
Qui Parle (1 December 2018) 27 (2): 539.
Published: 01 December 2018
... Copyright © 2018 Editorial Board, Qui Parle 2018 Arsenjuk Luka . Mouvement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis . Minneapolis : University of Minnesota Press , 2018 . De Lagasnerie Geoffroy . Judge and Punish: The Penal State on Trial...
Journal Article
Qui Parle (1 December 2016) 24 (2): 1–13.
Published: 01 December 2016
... answer to the question “Where is this continual relinking?” This path is found in cinema. Or more specifi cally for Deleuze writing in 1986, “contemporary cinema.” In what sense can “contemporary cinema” be understood as strat- egies or the non-stratifi ed? A small detour is needed to answer this...
Journal Article
Qui Parle (1 December 2016) 24 (2): 109–136.
Published: 01 December 2016
... of monetizable investment. Duras’s cinema, especially of the 1970s, shares with many of its contemporaries the desire to see not only fi lm, but a whole culture released from its attachment to this brutal logic. This article will accordingly look at Duras’s fi lms of this...
Journal Article
Qui Parle (1 June 2003) 14 (1): 163–164.
Published: 01 June 2003
... the Aesthetics of Experi- ence (Cambridge: Harvard University Press, 2003). Anthony Guneratne, Rethinking Third Cinema (New York: Rout- ledge, 2003). Pierre Hadot, What is Ancient Philosophy? (Cambrdige: Harvard University Press, 2004). Benjamin Harshav, Marc Chagall and...
Journal Article
Qui Parle (1 December 2004) 14 (2): 215–216.
Published: 01 December 2004
...: Painting, Landscape and Architecture in Eighteenth Century Britain (Stanford: Stanford University Press, 2003). Philip Fisher, Wonder, the Rainbow, and the Aesthetics of Experience (Cambridge: Harvard University Press, 2003). Anthony Guneratne, Rethinking Third Cinema...
Journal Article
Qui Parle (1 December 2003) 13 (2): 63–90.
Published: 01 December 2003
... for the truths this cinema pro- fessed, both men confess a certain failure, or blindness, exposed by their struggle to represent (in Kramer's words) "the black man's search for justice." You might say that, for Kramer, Poitier symbol- ized that hope and belief central...
Journal Article
Qui Parle (1 June 2001) 13 (1): 179–180.
Published: 01 June 2001
..., ed., France on Film: Reflections on Popular French Cinema (Newyork: Columbia University Press, 2001). J. Hillis Miller, Speech Acts in Literature (Stanford: Stanford University Press, 2001). Stephen D. Moore, God's Beauty Parlor: And Other Queer...
Journal Article
Qui Parle (1 June 2012) 21 (1): 279–281.
Published: 01 June 2012
... that popular song takes (including recordings, sheet music, television, radio, digital videos, cinema, etc.) encourage its fans to develop a queer relationship to meaning. adriana cavarero teaches philosophy and political theory at the Uni- versity of Verona, Italy. Among her books are In Spite...
Journal Article
Qui Parle (1 December 2013) 21 (2): 213–215.
Published: 01 December 2013
... 2005, the Prix de France Culture Etranger in 1993, and the 2009 Friedenspreis, the Peace Prize of the German Book Trade. shaka mcglotten is an associate professor of Media, Society, and the Arts at Purchase College– suny, where he teaches courses on cinema, digital...
Journal Article
Qui Parle (1 June 2013) 22 (1): 253–254.
Published: 01 June 2013
..., and Sensation in Political Economy and the Victorian Novel. Princeton: Princeton University Press, 2008. Hart, H. L. A. The Concept of Law. 3rd ed. Oxford: Oxford University Press, 2012. Humphrey, Daniel. Queer Bergman: Sexuality, Gender, and the Europe- an Art Cinema...
Journal Article
Qui Parle (1 December 2005) 15 (2): 229–231.
Published: 01 December 2005
..., 2005). George Steiner, Lessons of the Masters (Cambridge: Harvard University Press, 2003). Haidee Wasson, Museum Movies: The Museum of Modem Art and the Birth of Art Cinema (Berkeley: University of California Press, 2005...
Journal Article
Qui Parle (1 December 2016) 24 (2): 45–74.
Published: 01 December 2016
... visibility of the face is associated with a discourse of universality).4 Commenting on the “fundamental link which unites the cinema, the face and the close- up,” Deleuze, in Cin- ema 1, quotes Ingmar Bergman: “Our work begins with the human face.  .  .  . The possibility of drawing...
Journal Article
Qui Parle (1 December 2013) 21 (2): 217–219.
Published: 01 December 2013
... Visions. New York: Columbia Uni- versity Press, 2011. Lippit, Akira Mizuta. Ex- Cinema: From a Theory of Experimental Film and Video. Berkeley: University of California Press, 2012. Lübecker, Nikolaj. Community, Myth and Recognition in Twentieth- Century...
Journal Article
Qui Parle (1 June 2013) 22 (1): 249–252.
Published: 01 June 2013
... world literature from the postcolonial world in an age of fi nancial globalization and a related book on globalization and the three Chinas as seen from the perspectives of the independent cinema of Jia Zhangke, Tsai Ming- Liang, and Fruit Chan. jesse cordes selbin is a...
Journal Article
Qui Parle (1 December 2003) 13 (2): 91–117.
Published: 01 December 2003
... by cinema and the statement's significance to Fanon's insights into the Black's explosion and its excesses. The statement can be understood as both an articulation of the temporal structure of colonial reality and of cinema's importance to that reality. When considered within the context...
Journal Article
Qui Parle (1 December 2016) 24 (2): 15–43.
Published: 01 December 2016
... only in the selected processes and eff ects. The cinematic answer to this problem since Eisenstein has been that cinema makes it neces- sary to think what it can’t show: the gaps between shots cause abstrac- tion to be thought. The still- present infl uence of montage and the privilege it accords...
Journal Article
Qui Parle (1 December 2015) 23 (2): 215–227.
Published: 01 December 2015
... real, physical sites of ar- chives of German literature, cinema, and intellectual thought and to notions of the canon and traditional narratives of German liter- ary, fi lmic, and intellectual history. As is well known, the archive is a recurring concern in German thought. While the formulation...