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Journal Article
Qui Parle (2011) 20 (1): 279–299.
Published: 01 June 2011
...Lyn Hejinian Copyright © 2011 Qui Parle 2011 Wild Captioning lyn hejinian Prefatory Comments What follows is an attempt to address an unruly array of ideas and experiences related to a rough triad of concerns and involvements: The fi rst component of this triad I’ll cite...
Journal Article
Qui Parle (2011) 20 (1): 3–32.
Published: 01 June 2011
... with a political meaning.” Consequently, “there is no such thing as the merely disruptive.” Hejinian’s “Wild Captioning” is as generically volatile as its title suggests. Like the very concept of “allegorical activism” that she proposes, the essay’s spry but graceful movements from theory...
Journal Article
Qui Parle (2012) 20 (2): 71–89.
Published: 01 December 2012
..., in “A Short His- tory of Photography,” that the real work of commentary and poli- tics after photography is not the image itself but the process of cap- tioning. I note that the newspapers fold captions into the image, the protesters wave fl ags and sloganize. It is as though the aim of a collective...
Journal Article
Qui Parle (2015) 23 (2): 215–227.
Published: 01 December 2015
... or as a pedagogical text. Whereas Negt and Kluge’s fi rst collaboration, in 1972, Öffentlich- keit und Erfahrung (Public Sphere and Experience), has more of the appearance of a manifesto, in History and Obstinacy they cre- ate an assemblage of diverse materials: photographs, captions, quotes, drawings...
Journal Article
Qui Parle (2020) 29 (1): 1–14.
Published: 01 June 2020
..., walls become teeth, passports become a pair of butterflies—not yet fully ensnared, not quite free—and Abdelrazaq’s caption emphasizes how “one of the major corporations that secures the U.S.-Mexico border in Arizona . . . is an Israeli company called Elbit” ( mr , 10). Abdelrazaq depicts how distinct...
FIGURES
Journal Article
Qui Parle (2003) 13 (2): 137–142.
Published: 01 December 2003
...- tions," if we are to complete our caption and complicate our understanding of precisely what is at stake in this image. Because in collapsing the framer's "snapshot" into his own "performance still," Thomas highlights the visual conceits that underpin both, interrogating how this particular...
Journal Article
Qui Parle (2012) 20 (2): 35–69.
Published: 01 December 2012
...- ly vulnerable to the invasion of privacy. Since they were cast as the medium of the movement rather than its stars, they were less often identifi ed in captions or singled out for the media attention granted the male leaders, but nevertheless, whether as a consequence of dif- ferent practices...
Journal Article
Qui Parle (2011) 19 (2): 309–325.
Published: 01 December 2011
... are interesting in their own right, and all are marked by at least minimal captions linking them to the articles with which they are paired. But the image/text relation is rendered unwittingly frustrating by the editorial decision to place the images at the end of each travel essay instead of embedding...
Journal Article
Qui Parle (2001) 13 (1): 13–28.
Published: 01 June 2001
... voice-over whisper "presente" as an image of funereal cypress trees appears on screen. From the fascist point of view, of course, Mario's spectral ity is the result of a successful resurrection; but in case we didn't get the point, the film tells us as much in the closing caption...
Journal Article
Qui Parle (2018) 27 (1): 77–98.
Published: 01 June 2018
... Vindobonensis 2554). This manuscript is a luxury production with French (not Latin) captions intended for the court circles of (most likely) Louis VIII (r. 1223–26) or his son and successor, Louis IX (1226–70). Around a decade after the reception of this Bible moralisée , the same royal court would oversee...
FIGURES
Journal Article
Qui Parle (2015) 23 (2): 161–184.
Published: 01 December 2015
... titled Trash Can Rolling Down a Hill: “At 66 yrs. of age I try to use a little humor: I want a picture of a trash can with the lid half off + on and 2 eyes peeking out of the half open lid as the trash can is rolling down the hill toward an incinerator with the caption: ‘I...
Journal Article
Qui Parle (2010) 19 (1): 65–87.
Published: 01 June 2010
..., as the caption tells us, “to hear Three Songs of Lenin” (Pravda, November 2, 1934). 27. See Emma Widdis, “Muratova’s Clothes, Muratova’s Textures, Mura- tova’s Skin,” KinoKultura 8, online at httpwww.kinokultura.com/ articles/apr05-widdis.html (accessed March 18, 2010); and “GG.” 28. Sigmund...
Journal Article
Qui Parle (2017) 26 (1): 171–194.
Published: 01 June 2017
... fighting, she concludes. With it, she sends dozens of pages of old and new work. The new writing, dated March 1 and titled breaking through memories into desire , is captioned “Part III of long work.” Parts I and II are almost certainly the same text as the unpublished seventh installment...
Journal Article
Qui Parle (2011) 19 (2): 57–84.
Published: 01 December 2011
... to rely less on his familiarity with the game than on his human companions, he does seek out and docu- ment a lengthy series of game referents. The result is an annotated “photographic walkthrough”: images from the real cave system captioned with the corresponding lines of textual...
Journal Article
Qui Parle (2003) 13 (2): 63–90.
Published: 01 December 2003
... of the poster campaign which accompanied Pressure Point on its release (Fig. 2). Cast up on the margins of the poster, the image of a woman, kneeling, her back exposed and scrawled with tic-tac-toe secures the rhetoric of rage in its caption: "There are some men...
Journal Article
Qui Parle (2004) 15 (1): 115–145.
Published: 01 June 2004
...," and the caption to the picture reads, "George Santayana tears eight pages out of a book for his afternoon reading in a Roman park. When he has read them he throws them away."8 As if this were not grievous enough, the read- er later comes to the following quote: "Of communism and fas- cism: doubtless...
Journal Article
Qui Parle (2018) 27 (2): 475–510.
Published: 01 December 2018
... into a type of “family album,” the individual photographs of these women and their accompanying biographical captions once more paint the group as individually diverse yet committed to shared internationalist ideals. These delegate photographs reflected the commonplace practices of procuring professional...
FIGURES
Journal Article
Qui Parle (2013) 21 (2): 27–59.
Published: 01 December 2013
... unpredictably now, in the present, and they’re au- tonomous. They shine with an éclat that is entirely their own.17 There’d be no sense asking what they are memories of: they are, he says, all by themselves, their own captions. It’s no use seeking to dredge up the context they once belonged to, fi lling...
Journal Article
Qui Parle (2001) 13 (1): 57–102.
Published: 01 June 2001
... of Vu magazine, was accompanied by a caption by writer Henri Danjou identifying the clochard holding a sack as "un philosophe de la place Maubert," and Krull in her autobiography claimed that the clochards had "a special view of liberty" and con- sciously chose "to live freely as clochards."6...
Journal Article
Qui Parle (2010) 19 (1): 107–151.
Published: 01 June 2010
..., the drawing features recapitulations among four distinct vertebrate species in three stages of development. The caption below announces them in counterclockwise fashion: “man,” “bat,” “sheep,” and “cat.” The picture also depicts mature, or “adult,” creatures along with their embryonic forms...