1-20 of 272 Search Results for

art

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Qui Parle (2010) 19 (1): 181–192.
Published: 01 June 2010
...Alex Benson REVIEW ESSAYS Art without Culture alex benson A review of Alan C. Braddock, Thomas Eakins and the Cultures of Mo- dernity (Berkeley: University of California Press, 2009). Cited in the text as TE. Thomas Eakins lived most of his life in Philadelphia. But he spent...
Journal Article
Qui Parle (2012) 21 (1): 151–184.
Published: 01 June 2012
...Judith A. Peraino Copyright © 2012 Qui Parle 2012 Plumbing the Surface of Sound and Vision David Bowie, Andy Warhol, and the Art of Posing judith a. peraino Two fi gures posed in the foreground, wearing nearly identical makeup—lipstick, eyeliner, base, rouge, and a thin...
Journal Article
Qui Parle (2013) 21 (2): 169–177.
Published: 01 December 2013
...Jordan Greenwald A review of Moon Michael , Darger's Resources ( Durham : Duke University Press , 2012 ). Cited in the text as dr . Copyright © 2013 Qui Parle 2013 REVIEW ESSAYS Objects, Lost and Found Henry Darger and the Art of Salvage jordan greenwald...
Journal Article
Qui Parle (2014) 23 (1): 239–255.
Published: 01 June 2014
...Christoph Menke Copyright © 2014 Qui Parle 2014 The Aesthetic Possibility of the Work of Art christoph menke Translated by Seth Thorn The Possibility and Actuality of Art A familiar way of starting to think about art is to submit it to the standard form of philosophical...
Journal Article
Qui Parle (2015) 23 (2): 29–54.
Published: 01 December 2015
...Juliane Rebentisch Copyright © 2015 Qui Parle 2015 Forms of Participation in Art juliane rebentisch Translated by Daniel Hendrickson The problem of how aesthetic experience relates to the dimension of intersubjectivity is not new. What is new is the way this problem...
Journal Article
Qui Parle (2001) 12 (2): 143–178.
Published: 01 December 2001
...Lytle Shaw PROXIMITY'S PLEA: O'HARA'S ART WRITING Lytle Shaw Uackson Pollock's Number 12, 1952] is a big, brassy gigolo of a painting; for the first time the aluminum paint looks like money, and the color...
Journal Article
Qui Parle (2001) 13 (1): 165–170.
Published: 01 June 2001
...Jennifer Bethke BOOK REVIEW Emily Braun, Mario Sironi and Italian Modernism: Art and Politics Under Fascism Cambridge: Cambridge University Press, 2000 316 pages $65.00 (hardcover) Looking back at Italian Fascism, one of its most striking attributes isthe...
Journal Article
Qui Parle (2004) 15 (1): 63–80.
Published: 01 June 2004
...Whitney Davis SCHOPENHAUER'S ONTOLOGY OF ART Whitney Davis The (Platonic) Ideas are the adequate objectification of the will. To stimulate the knowledge of these by depicting individual things (for works of art are them...
Journal Article
Qui Parle (2017) 26 (1): 61–77.
Published: 01 June 2017
... and to disqualify a post-Heideggerian thought of difference in philosophy of art. It ultimately takes issue with Rancière’s effort to police the function of modern art. 13. This volume is translated into English as The Postmodern Explained ; the paragraphs from which I will quote are found on pages 96 and 97...
Journal Article
Qui Parle (2011) 19 (2): 25–56.
Published: 01 December 2011
...Stephanie LeMenager Petro-Melancholia The BP Blowout and the Arts of Grief stephanie lemenager The title of an August 2010 article in the satiric newspaper The Onion, “Millions of Barrels of Oil Safely Reach Port in Major En- vironmental Catastrophe,” ironizes the systemic violence...
Journal Article
Qui Parle (2021) 30 (2): 249–291.
Published: 01 December 2021
... examines the nexus of materiality and memory in the work of the French philosopher and art historian Georges Didi-Huberman, with the focus on the questions of mnemonic affordance of things and plants. The essay proposes that Didi-Huberman’s project can be approached from the perspective of “undoing...
FIGURES | View All (4)
Image
Published: 01 June 2018
Fig. 2. Birds’ Head Haggadah (Jerusalem: Israel Museum MS 180/57 fol. 25v). Photograph: Google Art Project Fig. 2. Birds’ Head Haggadah (Jerusalem: Israel Museum MS 180/57 fol. 25v). Photograph: Google Art Project More
Image
Published: 01 December 2018
Fig. 2. Jacques Callot, Beggar with Dog , ca. 1622. Etching. R. L. Baumfeld Collection, National Gallery of Art, Washington, DC. Fig. 2. Jacques Callot, Beggar with Dog, ca. 1622. Etching. R. L. Baumfeld Collection, National Gallery of Art, Washington, DC. More
Journal Article
Qui Parle (2018) 27 (1): 21–46.
Published: 01 June 2018
... for an inclusion. Since his “diaspora aesthetics” is based on black British films, photography, and visual art, this reassessment of his work concludes with a consideration of the Beninese artist Romuald Hazoumè’s La Bouche du Roi . This room-size multimedia slave ship installation brings a history...
FIGURES
Journal Article
Qui Parle (2018) 27 (1): 99–119.
Published: 01 June 2018
..., contemporary art, and readings of Nietzsche, Marx, and Levinas, the article attempts to formulate the following question: Why does money need a mask? Copyright © 2018 Editorial Board, Qui Parle 2018 money mask prosopopoeia At the Prada Foundation in Milan, I recently visited an exhibition...
FIGURES
Journal Article
Qui Parle (2018) 27 (2): 433–455.
Published: 01 December 2018
...Fig. 2. Jacques Callot, Beggar with Dog , ca. 1622. Etching. R. L. Baumfeld Collection, National Gallery of Art, Washington, DC. Fig. 2. Jacques Callot, Beggar with Dog, ca. 1622. Etching. R. L. Baumfeld Collection, National Gallery of Art, Washington, DC. ...
FIGURES | View All (4)
Journal Article
Qui Parle (2020) 29 (1): 1–14.
Published: 01 June 2020
...Keith P. Feldman Abstract This essay considers how the graphic arts of Leila Abdelrazaq give form to Palestine’s contemporary worldliness and to the worldliness of Palestinian difference. It argues that Abdelrazaq’s work illustrates the entanglement of diaspora, memory, and futurity within...
FIGURES
Image
Published: 01 December 2018
Fig. 3. Leone Leoni, Blind Man with a Staff and Water-Flask, Led by a Dog (reverse), ca. 1561. Bronze/later casting, sculpture. Samuel H. Kress Collection, National Gallery of Art, Washington, DC. Fig. 3. Leone Leoni, Blind Man with a Staff and Water-Flask, Led by a Dog (reverse), ca. 1561 More
Journal Article
Qui Parle (2008) 17 (1): 199–221.
Published: 01 June 2008
... paintings and drawings of their patients, ana- lyzing them for purposes of psychiatric diagnosis, Prinzhorn found that he could not identify the mental disorders of inmates from the types of images they made. Prinzhorn had first gotten a degree in art history before becoming a psychiatrist...
Journal Article
Qui Parle (2004) 14 (2): 1–14.
Published: 01 December 2004
... the task of the writer. Here, aesthetics will be a means of loosening that Deleuzian tangle, which leaves so little room for the irruption of another lan- guage, in order to take him on the trajectory of a question. The present article will not seek to situate Deleuze's dis- course on art...