Abstract
This text on Jean-Luc Nancy engages his interest in the motif of departure to reexamine and register the importance of some of his central contributions. Along with returning to Nancy’s singular rendering of key concepts like finitude, sharing, communism, and resurrection, the essay stages a passing encounter between Nancy’s thought of parting and the poetry of Walt Whitman.
Copyright © 2022 Editorial Board, Qui Parle
2022
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