Abstract
This essay considers how the graphic arts of Leila Abdelrazaq give form to Palestine’s contemporary worldliness and to the worldliness of Palestinian difference. It argues that Abdelrazaq’s work illustrates the entanglement of diaspora, memory, and futurity within the interconnected structures of enclosure and expulsion.
Copyright © 2020 Editorial Board, Qui Parle
2020
Issue Section:
Reflections on “Arrest”
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